PUNTUACIÓN EN IMDb
6,4/10
39 mil
TU PUNTUACIÓN
El escéptico profesor Phillip Goodman se embarca en un viaje aterrador tras encontrar un archivo con los detalles de tres inexplicables desapariciones.El escéptico profesor Phillip Goodman se embarca en un viaje aterrador tras encontrar un archivo con los detalles de tres inexplicables desapariciones.El escéptico profesor Phillip Goodman se embarca en un viaje aterrador tras encontrar un archivo con los detalles de tres inexplicables desapariciones.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio y 7 nominaciones en total
Reseñas destacadas
British horrors are hit and miss with me, some are excessively uneasy to watch ('Eden Lake') whilst others are suitably atmospheric ('The Descent'). So when I saw the trailer to Ghost Stories, I immediately tempered expectations but what I saw increasingly intrigued me. The end result...was not what I predicted. A professor who takes pride at debunking psychic frauds, is given a task by his role model. He must investigate three unexplainable cases that challenge the existence of supernatural entities. An intriguing premise that will appeal to many, its execution however may not. Structuring its narrative through three short stories, each with a paranormal theme, whilst intertwining the cases into a coherent investigation. Combining real life conditions, such as stress, depression and loneliness, with a ghostly undertone certainly translates "the brain sees what it wants you to see" theme very well. The three cases themselves were convincingly atmospheric as they injected much needed chills and thrills to this horror flick. The main story itself, although basic, was ambiguously surreal and will leave you guessing right up to the final reveal. The acting was splendid from the whole cast, particularly Whitehouse and Lawther, hosting an array of British accents. Was it scary? No. Every single scare was accompanied with a piercing loud noise to ensure that you jump. That's not frightening, that's damn irritating! The makeup effects of the poltergeists were lacklustre. The second case should've been much scarier, but instead was rather hilarious. "Staaay!"...yeah, I wished you did. Could've enhanced the horror some more. Then we get to the ending, which is possibly one of the surrealist safest endings I've ever seen. The breadcrumbs throughout the film were intelligently positioned, but I feel it followed the same premise as an all too famous 1995 film (I won't say the title, it'll spoil it). The film is intelligently creepy, it's just not scary and it's conclusion didn't deliver any impact for me.
I loved this movie up until the last, oh, maybe 15 minutes or so.
The film is an extremely interesting series of ghostly investigations that force a haughty paranormal skeptic to question his life's work. Its premise is executed perfectly, and sent chills down my spine so many times (the security guard). The special effects are mostly unreliant on CGI, and that use of what's real makes the viewer feel the fear of the characters. I was able to put myself in the characters' shoes many times, experiencing their fear.
Martin Freeman gives a unique, and wonderful, performance in here. That's always to be expected out of him. He could turn dirt scripts into gold. This script was already well written though. Andy Nyman is pretty good, never seen him before this one, and I was impressed. He's good at being full of himself.
The ending is what severely weakened this. Can't believe someone would try something that's been done so many times, and went out of style back in like 2001. The ending makes sense, yes, but like... we've seen that 87 times before man. Imagine if a writer tried to use the same twist from Sixth Sense in today's age. You just can't. Overall, still a really enjoyable movie despite this flaw, and a good addition to your list of worth-watching scary movies.
The film is an extremely interesting series of ghostly investigations that force a haughty paranormal skeptic to question his life's work. Its premise is executed perfectly, and sent chills down my spine so many times (the security guard). The special effects are mostly unreliant on CGI, and that use of what's real makes the viewer feel the fear of the characters. I was able to put myself in the characters' shoes many times, experiencing their fear.
Martin Freeman gives a unique, and wonderful, performance in here. That's always to be expected out of him. He could turn dirt scripts into gold. This script was already well written though. Andy Nyman is pretty good, never seen him before this one, and I was impressed. He's good at being full of himself.
The ending is what severely weakened this. Can't believe someone would try something that's been done so many times, and went out of style back in like 2001. The ending makes sense, yes, but like... we've seen that 87 times before man. Imagine if a writer tried to use the same twist from Sixth Sense in today's age. You just can't. Overall, still a really enjoyable movie despite this flaw, and a good addition to your list of worth-watching scary movies.
I was lucky enough to catch the stage show in the West End a few years ago and I thoroughly enjoyed the live performance. I have just seen the film version and have to say that it creeped me out...a lot. Good performances and great stories.
I don't know if seeing the stage show may have helped those who felt that it was up to scratch but everyone is different, yet I still feel this is well worth a watch.
Enjoy.
A cut above the usual skeptic vs supernatural movie, necessarily episodic, with a good vein of comedy and a strong sense of dread. Like the rest of its little genre, it has interesting things to say about the social role of the paranormal, but it comes alive when it turns its attention to its protagonist.
It's difficult to review Ghost Stories without giving spoilers away, so I'll be very careful in what I say.
If you're after some good jump scares and some nervous laughs, then it executes those beautifully. Also, Alex Lawther should be praised for a performance that knocks it out of the park. It's a good cast, but he outshines them all.
However, I do have issues with the story itself.
Initially the plotting teases a new post-modern take on portmanteau horror, with the individual cases not resolving in the usual way, but building to something more climatic.
But the story constructs its final act by falling back on a trope that we have all seen before and this left me disappointed when the credits rolled.
From Jeremy Dyson and Andy Nyman you might expect something else. Something different.
Something new.
It's very well-made, but it's not different or new.
¿Sabías que...?
- CuriosidadesThe title of the film was misspelled as "Ghost Storeis" in much of the pre-release media. This was done to accord with the production's tagline "The brain sees what it wants to see"
- PifiasWhen one of the bullies is about to torment Kojac he takes a last drag of his cigarette then throws it onto the ground. In the very next frame he's smoking again.
- Citas
Mike Priddle: It's funny, isn't it? How it's always the last key that unlocks everything.
- Créditos adicionalesThe production logos play over the sound of dripping water and someone struggling to breathe.
- ConexionesFeatured in Projector: Ghost Stories (2018)
- Banda sonoraMonster Mash
Performed by Bobby Pickett (as Bobby "Boris" Pickett) & The Cryptkicker Five (as The Crypt Kickers).
Written by Bobby Pickett (as Bobby "Boris" Pickett) & Leonard L. Capizzi (as Leonard L Capizzi).
Used by kind permission of Carlin Music Corp.
Published by Courtesy of Decca Music Group Ltd.
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- How long is Ghost Stories?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Historias de fantasmas
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 148.747 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 11.972 US$
- 22 abr 2018
- Recaudación en todo el mundo
- 4.131.358 US$
- Duración1 hora 38 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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