La historia de Thurgood Marshall, el abogado cruzado que se convertiría en el primer juez afroestadounidense del Tribunal Supremo, mientras lucha en uno de sus casos de definición de carrera... Leer todoLa historia de Thurgood Marshall, el abogado cruzado que se convertiría en el primer juez afroestadounidense del Tribunal Supremo, mientras lucha en uno de sus casos de definición de carrera.La historia de Thurgood Marshall, el abogado cruzado que se convertiría en el primer juez afroestadounidense del Tribunal Supremo, mientras lucha en uno de sus casos de definición de carrera.
- Dirección
- Guión
- Reparto principal
- Nominado para 1 premio Óscar
- 5 premios y 21 nominaciones en total
- John Strubing
- (as Jeremy Lowell Bobb)
Reseñas destacadas
Kudos entire cast was riveting!
Thurgood Marshall in his career litigated many major civil rights cases including the most famous of all Brown vs. Board Of Education in 1954 that integrated the school system nationwide. Later on his career was capped by becoming the first black justice on the Supreme Court.
This story takes place in the late 30s by the music and the radio broadcasts with the news of the day. Thurgood Marshall has been sent to Connecticut to defend Sterling K. Brown a black chauffeur on a charge of raping his employer Kate Hudson.
This may be the north, but the racial attitudes in Greenwich, Connecticut are only more subdued than they are in Alabama. Fairfield County in those days in the richer suburban towns are pretty bad. You remember from Auntie Mame the phrase, Aryan from Darien. They're not crazy about Jews either.
Marshall being an outsider to the state has to be admitted to the Connecticut bar. Local attorney Sam Friedman played by Josh Gad is the lead counsel temporarily and the first motion is to get Marshall admitted. That is usually a pro forma thing, note how Matt Damon has to be admitted to the bar in Tennessee in The Rainmaker.
Such courtesy is denied Marshall by Judge James Cromwell. But he's allowed to sit at the defense table and coach Friedman. Despite a few curves thrown at the defense Gad who only did civil cases before this for insurance companies proves to be a pretty good advocate.
Boseman steps up to his role just as he did with Jackie Robinson and James Brown. He also has some wonderful domestic scenes with his wife Keesha Sharp and at a nightclub with Jussie Smollett and Chilli Thomas as Langston Hughes and Zora Neale Hurston. Good performances you think these are the real people.
Thurgood Marshall was also portrayed on screen by Sidney Poitier in the film Separate But Equal dealing with the school integration cases right up to the Supreme Court. These two really ought to be seen back to back for a full assessment of Marshall's career.
In his time when Lyndon Johnson appointed Marshall to the Supreme Court it wasn't just race that made Marshall's appointment unique. It was the whole level of experience in the kind of law he practiced for people like Sterling K. Brown. The goal is justice and the law has to work for all for justice to be realized.
Marshall is a film not to be missed.
Thurgood (Chadwick Boseman) is working in the NAACP when he is tapped for a court case of the accusation of a black male rumored to have raped a woman and thrown her off into the river and left for dead. While he travels to Connecticut for the trial, he finds himself hard pressed given he is a out of town lawyer unfamiliar to the client, and is left to have a inexperienced attorney (Josh Gad) to speak on his behalf in court. While Thurgood knows most of the material and how to move in court, he has to show Josh's character the way to observe things his way.
The performances are all relatively solid by no surprise given the cast. Josh Gad is able to sell the inexperienced character almost having to be hand held through every decision made in the courtroom. Also the development of him progressively becoming more confident as time goes forward. The writing in the courtroom is interesting enough to keep you invested in knowing what's the truth and the holes in one plaintiff and defendants stories.
Alas, my biggest issue with the film is really the lasting impact. While it is perfectly watchable in the moment, I felt as if a story like this should have had more lasting impact than what I saw given it's a film in a movie theater. It's not as riddled with clichés like preceding films I've seen in the past, but misses a strong distinctive voice. For some the issues I had with Hidden Figures, I at least know who the target audience was for the film and what they wanted to take from the movie. Marshall doesn't really have that same feeling. The writing is never bad, but never as sharp as it feels like it should be until the second half when more gets revealed.
Marshall in a nutshell I would say is "almost there" as a movie. Fine within the moment but leaves a bit desired when the credits rolled. I wouldn't turn anyone away from seeing this, but may be best suited seen at home.
¿Sabías que...?
- CuriosidadesBoth Chadwick Boseman and Thurgood Marshall went to Howard University.
- PifiasIn the early 1940s, Marshall gives Friedman, whose experience is in civil law, books to get him up to speed on criminal law. However, none of the books focus on criminal law. The first, A Concise Restatement of Torts, Second Edition, about civil law, was published in 1965. The two volumes of Wigmore on Evidence are the McNaughton Revision, published in 1961. Evidentiary law discussed in Wigmore applies in both criminal and civil cases, so Friedman, a trial lawyer, would already be familiar with it. The fourth was Volume 308 of the United States Reports, which published all the US Supreme Court opinions for the 1939 October term.
- Citas
Thurgood Marshall: The Constitution was not written for us. We know that. But no matter what it takes, we're going to make it work for us. From now on, we claim it as our own.
- ConexionesFeatured in Andra Day Feat. Common: Stand Up for Something (2017)
- Banda sonoraKeep a Knockin'
Written by J. Mayo Williams, Robert Mays (as Bert Mays)
Courtesy of Universal Music Publishing
Performed by Louis Jordan & The Tympany Five (as Louis Jordan & His Tympany Five)
Courtesy of Geffen Records under license from Universal Music Enterprises
Selecciones populares
- How long is Marshall?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Tuổi Trẻ Của Marshall
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 12.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 10.051.659 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 3.000.805 US$
- 15 oct 2017
- Recaudación en todo el mundo
- 10.116.816 US$
- Duración1 hora 58 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.00 : 1