La espada del inmortal

Viewed on opening night at Namba Parks Cinema in Osaka, Japan.

"Blade of the Immortal" takes place in Japan during the mid-Tokugawa Shogunate period and follows the deeds of Manji, a skilled samurai who has a decisive advantage: no conventional wound can kill him. In the past, his actions of vengeance (for the death of a family member) led to the deaths of 100 other samurai. Near death himself, he then becomes immortal at the hands of an 800-year-old nun named Yaobikuni. Decades later he befriends a young girl who desperately wants to avenge the death of her parents, who were slayed by a master swordsman who is attempting to take over all other dojos. Can Manji fight thru the villain's clan of assassins and secure justice for their deplorable actions? I was a bit surprised when confronted with the opening 10 minutes of this movie – which are legitimately outstanding. I'm not going to tell you exactly what happens, but even Miike's most vocal critics – and there are a lot of them – should admit that that sequence is fantastic. It's basically "critic proof." And it also establishes a darker tone than one might expect from the trailer. This movie gets violent and harrowing very early on, and I liked that.

"Blade of the Immortal" is an action film first and foremost, so it really needs to succeed on that front in order to work overall. Most fortunately, I think that this is a very effective action extravaganza. There is a ton of fighting in this movie, which is an obvious positive, but the placement of the action is very nicely spaced. In my recent review of "Call of Heroes", I mentioned that Benny Chan is very good at spacing out his action and maximizing the pacing of his action films. Miike does the same thing here with "Blade of the Immortal." There are a few huge battles, but also a lot of one-on-one duels (or scuffles with a small handful of characters) that are peppered throughout. "Blade of the Immortal" keeps moving and there always seems to be a fight right around the corner. I really liked that about this movie and consequently, its 140-minute runtime flies by much faster than you may think. The overall quality of action is good too.

In terms of performances, they are also generally good. Takuya Kimura carries the movie quite easily, Sota Fukushi handles the villain role well, and Erika Toda steals the show whenever she shows up. I liked the lead actress (Hana Sugisaki) too, but she does tend to scream her lines a bit too much. I think Miike should have dialed her down a bit.

I did not have subtitles while watching this in the Japanese movie theater, but the story and characters seemed rather basic and simplistic. Not a big problem in my eyes for a full throttled action movie like this, but a few of the side characters seemed to be wasted, like Chiaki Kuriyama's character (who did not do much at all, actually). The filmmakers probably wanted to insert more characters from the manga into the film, so a few of them feel like they were shoe-horned in. One thing I did like is how, at certain times, the villains are placed in the same bad predicaments as the protagonists which means that they occasionally have a common enemy.

This is an entertainingly violent, action packed film from Miike.

Having read the manga for close to 20 years. The live adaptation of the film is a fulfillment to witness. As a fan of the original, I have preconceived notions as to how the characters behaved and voiced in between panels.

Therefore the performances for bringing Manji, Rin, Anotsu and all the other casts to life were satisfactory. Compressing 30 volumes into film, means that there were major trimmings made in order to fit this medium. Most notably are the back stories and developments for all characters depicted. Some characters in film are relegated to cameos, while others lack the motivational complexity of their respective arc that were spanned across the years. And yet, I still found myself intrigued by the story presented to me here on film.

The actions are brutal. Not as gory as how I would like it to be though. The original format was way more gorier in certain aspects. But I can understand why it was needed to be toned down for live adaptation.

If one is into cinematography, feudal Edo era, a story of revenge, filled with action sequences of samurai swordplay - this is a film that I would recommend. It fulfills on all those aspects. It had heartfelt moments and dashes of fun sprinkled perfectly into its pacing.

However if one is into enriching character developments, motivations for all their arcs and more; I would suggest to visit the original manga instead.

Overall, it is still a very remarkable effort from everyone involved.

Yes, there's A LOT of blood since this is a Takashi Miike film and it's always a pleasure to see Kimura Takuya do his thing on screen. For anyone familiar with the genre, what was unexpected, but welcome, was the treatment of characters trying to find their way, each with their own sense of motivation, and reflections on the murky way of revenge. Ultimately everyone that picks up their weapon must deal with their own demons and justifications.

In Japan during the feudal era, disgraced samurai Manji (Takuya Kimura) agrees to help young girl Rin (Hana Sugisaki) seek revenge against Anotsu Kagehisa (Sota Fukushi) and his Itto-ryu, a band of master fighters and killers. One samurai and a little girl may not seem like much against a veritable army of warriors, except that Manji has one distinct advantage: 50 years ago he was infected by "bloodworms" thanks to a mysterious priestess, and now he's seemingly immortal.

Ultra violent and with streaks of dark comedy running through it, this is an excellent samurai action film for those with a strong stomach for such mayhem. The performances are good, and I was very impressed with Hana Sugisaki as the vengeance seeking young Rin. There are lots of interesting costumes and characters, and although the movie runs nearly 2 and a half hours, that seems necessary to make room for all of the plot points. While most of the story is resolved by the end, some things are left unexplained, such as who or what the priestess is who wanders in and out of the story. That may be left for potential future installments, although as this proved to be a disappointment at the Japanese box office, any sequels look unlikely.

One of the major selling points of this movie is that it is the "100th film from director Takashi Miike." He's had an interesting, and obviously very prolific career, that in many ways matches the Japanese film industry of the last 25 years, with its many highs and lows. Due to the often shocking, offensive, and absurdist material in many of his films, critics both in Japan and elsewhere have been slow to warm to him. This latest movie has many of the classy touches of 13 Assassins, but with the added manga-inspired videogame qualities of many Japanese action films. I recommend it to fans of the samurai genre, but I don't know if it would win any new fans to the genre.

The most anticipated film for me for 2017. As a film writer, I look out for the quality of script and production. After watching the film 7 times in Tokyo, I can say the film's production was world-class. Cinematography, film editing, sound design, sound editing, production set design, costume design, hair and makeup, music are other aspects to die for. Miike had done an excellent directing job on the cast, especially its leading role, Manji (Takuya Kimura). Miike had successfully brought the best out of Kimura, shedding his KimuTaku's branding. In the film, Kimura portrayed Manji through and through. I almost forgot I was watching an idol actor who used to characterize squeaky-clean images in TV dramas. The role was so deep that you believed it was Manji's story and his immortal life that you really care about. Of course, the film will not be complete without the fine acting skills from co-stars. Hana Sugisaki, Sota Fukushi and Erika Toda had put on their ultimate to-die-for performance. The fighting scenes were artistically choreographed. The sound of swords clanging made your heart beat in sync with its rhythm. The script was well paced. There were moments of thrilling fights and there were moments of quietness. Lighting played a key role here in telling the story effectively. The cinematography told another story on its own. Every frame was a postcard. In my opinion, it was a successful adaption from the manga. What a great way to celebrate Miike's 100th film.