Un prestigioso director de arte del museo de Estocolmo vive tiempos de crisis tanto en el área profesional como en el personal cuando intenta organizar una nueva y controvertida exposición.Un prestigioso director de arte del museo de Estocolmo vive tiempos de crisis tanto en el área profesional como en el personal cuando intenta organizar una nueva y controvertida exposición.Un prestigioso director de arte del museo de Estocolmo vive tiempos de crisis tanto en el área profesional como en el personal cuando intenta organizar una nueva y controvertida exposición.
- Nominado para 1 premio Óscar
- 33 premios y 46 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesThe crowd Oleg was taunting in the dinner scene, throwing water over and pushing around, were in fact drawn from the actual ranks of Sweden's 1 percent, including some of the country's wealthiest art patrons ("They were so into it," Terry Notary said).
- PifiasIn the closing titles of "The Girl With A Kitten" clip, the Hebrew version is wrong: the English noun "square" appears in Hebrew as "an open space in a city" rather than "rectangle with all sides equal").
- ConexionesFeatured in The 75th Annual Golden Globe Awards (2018)
- Banda sonoraNo Good (Extended Mix)
Performed by Fedde Le Grand, Ossama Al Sarraf and Ned Shepard (as Sultan + Shepard)
Written by Ossama Al Sarraf, James Bratton, Kelly Charles, Robin Morssink, Fedde Le Grand and Ned Shepard
Reseña destacada
This is a hard film to describe and an even harder film to review but I'm going to try my best to express how I felt about it.
In an attempt to put it simply, The Square follows a modern art museum curator named Christian (played by Claes Bang), and some increasingly strange experiences which shape his views and understandings of the world he lives in and the people around him.
I had the chance to see this film on opening night at the New Zealand International Film Festival, and I am so glad I did. The Square plays like an increasingly bizarre farce, and while the film is indeed very funny (sometimes in shocking ways) it provides a consistently fascinating look at our behavior as people in society. Now I realize that isn't necessarily innovative for a film in 2017, but that said, The Square dares to pose increasingly uncomfortable questions to its audience.
From the inherent narcissism of even the most ordinary of people, to the shallowness of popular culture, to the complex behaviors and interactions between people of disparate backgrounds. Again, these ideas are not necessarily novel, but the film presents them in a way that is consistently entertaining - even when certain exchanges on- screen are uncomfortable. There is a scene that takes place at a gathering of elite artists and sponsors that is as squirm-inducing as anything I've seen all year. I also must point out the constant use of dead-pan humor with verbal and visual gags throughout as one of the film's secret weapons.
I would warn that this is not a film for everyone. The pacing is uneven, the structure is unusual, and there isn't a whole lot of forward momentum to propel the film forward. But, if you are willing to meet the film halfway, I think you're in for a fascinating, shocking, hilarious and uncomfortable (skewered) mirror into the society we live in.
In an attempt to put it simply, The Square follows a modern art museum curator named Christian (played by Claes Bang), and some increasingly strange experiences which shape his views and understandings of the world he lives in and the people around him.
I had the chance to see this film on opening night at the New Zealand International Film Festival, and I am so glad I did. The Square plays like an increasingly bizarre farce, and while the film is indeed very funny (sometimes in shocking ways) it provides a consistently fascinating look at our behavior as people in society. Now I realize that isn't necessarily innovative for a film in 2017, but that said, The Square dares to pose increasingly uncomfortable questions to its audience.
From the inherent narcissism of even the most ordinary of people, to the shallowness of popular culture, to the complex behaviors and interactions between people of disparate backgrounds. Again, these ideas are not necessarily novel, but the film presents them in a way that is consistently entertaining - even when certain exchanges on- screen are uncomfortable. There is a scene that takes place at a gathering of elite artists and sponsors that is as squirm-inducing as anything I've seen all year. I also must point out the constant use of dead-pan humor with verbal and visual gags throughout as one of the film's secret weapons.
I would warn that this is not a film for everyone. The pacing is uneven, the structure is unusual, and there isn't a whole lot of forward momentum to propel the film forward. But, if you are willing to meet the film halfway, I think you're in for a fascinating, shocking, hilarious and uncomfortable (skewered) mirror into the society we live in.
- Jesse_Ung
- 19 jul 2017
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Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 1.502.347 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 74.233 US$
- 29 oct 2017
- Recaudación en todo el mundo
- 8.588.030 US$
- Duración2 horas 31 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What is the streaming release date of The Square (2017) in Australia?
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