La maldición de Lake Manor

Título original: Il nido

2019
16
1h 47min

PUNTUACIÓN EN IMDb

5,9/10

2,1 mil

TU PUNTUACIÓN

Reproducir trailer1:42

1 vídeo

38 imágenes

Horror Mystery

Samuel es un chico a quien sus piernas no sostienen que vive con su madre en una mansión aislada. Cuando conoce a Denise, encuentra el coraje para abrirse el mundo. Elena hará lo que haga fa... Leer todoSamuel es un chico a quien sus piernas no sostienen que vive con su madre en una mansión aislada. Cuando conoce a Denise, encuentra el coraje para abrirse el mundo. Elena hará lo que haga falta para mantener a su hijo en el estado.Samuel es un chico a quien sus piernas no sostienen que vive con su madre en una mansión aislada. Cuando conoce a Denise, encuentra el coraje para abrirse el mundo. Elena hará lo que haga falta para mantener a su hijo en el estado.

Ver la información de la producción en IMDbPro

PUNTUACIÓN EN IMDb

5,9/10

2,1 mil

TU PUNTUACIÓN

Ver la información de la producción en IMDbPro

Premios
- 3 nominaciones en total

Vídeos1

Trailer 1:42

Tráiler [OV]

Imágenes37

+ 32

Reseñas de usuarios15

5,92.1K

Reseñas destacadas

10morinstef

Haunting, powerful and elegant

"The Nest", a sophisticated combination of horror/psycho drama by Italian director Roberto De Feo (awards for short films "Child K" and "Ice Scream") was presented at the 72nd Locarno film festival. This film is by no means a simple jump-scare distraction; it is incisive and distressing and begs contemplation. De Feo and director of photography Emanuel Pasquet work with dark, merciless elegance to exhault a powerful cast (Francesca Cavallin, Ginevra Francesconi, Justin Korovkin, Maurizio Lombardi) and the desolate beauty of the location. Tension and anxiety are deftly accumulated to depict the tragedy of vulnerability deformed into paranoia that proliferates through annihilating forms of power. The struggle ensues when vital forces attempt to protect innocence and the need to love and give courage to live in the unimagined truth.

7fbaston

Slow but elegant and surprisingly good

Very very slow movie and somehow boring in its first part, it is surprisingly good once the end is revealed. De Feo direction is really classy and the cast is good.

3geraldleejones-20639

WOW, is this bad!!!

I gave this film 3 stars purely for the atmosphere of the film. Otherwise, it a long and tedious and seemingly endless all leading to a pretty lousy twist at the end that did not warrant the long and strange storyline to build up to it.

It is listed as a horror story, but except for the twist there is NOTHING horrific in it except for extremely creepy mother and extended family and their bizarre ways.

The characters are all pretty creepy, not in haunted or supernatural ways, but in reflecting people who make your skin crawl with their personalities.

Even the boy comes across as a sinister figure, although he is not. The story makes him a tragic figure and one deserving of the viewers sympathy, but the way he is played and his dialogue makes one feel unsettled by him.

It is not horrible, but you choose to watch it keep No-Doz and strong caffeinated coffee handy to keep you awake till the end!

6borgolarici

I get the point but

I love that bourgeois decadent aesthetic as much as everyone else but this movie is too damn slow.

Literally nothing happens for 2/3 of the movie and the final twist doesn't really make up for it. The idea should have been explored a lot more

8SuperEnrico95

An excellent gothic

It is a pleasure to see films of this genre in the Italian panorama. The Nest is directed by Roberto De Feo, here at his first rehearsal as a director. In some places we see that this is his debut film but otherwise he has an excellent staging where the jumpscares are not the tension but the gothic atmospheres and the fact that there is a mystery behind the whole. Excellent the cast, chosen with great care and above all excellent the ending that initially may leave you perplexed but, observing the film, the dialogues and certain enigmatic scenes, we can understand that that ending was well studied. Recommended!

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Curiosidades
About her nude scene, Francesca Cavallin said, "We were already in Turin, and Roberto [De Feo] says to me, 'Before we start shooting I have a request to make of you, something personal. I have already talked about it with the production and the premise is that the final decision is yours. I've been thinking a lot about the scene where you cut yourself (I was originally supposed to be sitting on the edge of the bathtub, dressed, and he would start from the trickle of blood and go back up to me), and I'm asking you to do it nude. It's a nude that makes sense though, for the scene, for the character and her private moment. For me it would be much stronger, however, I defer to you, because it was not in the script.' I answer him, 'Roberto, for me nudity -if it makes sense- doesn't involve any problem. My body is my instrument, I am an actress.' Then we start talking about the scene, which was originally supposed to have me sitting, or semi-sitting, while cutting myself. Then I reflect on it and say, 'I have a proposal: what if I were in the fetal position? For a character like Elena, the most private moment, of returning to the essence, must correspond to a return to the uterine environment, to a condition of absolute protection from the outside world. In my opinion, for Elena there is no greater intimacy. And you should frame her from above, naked, inside that tub' The result was stylistically and visually perfect. It is a nude, but one of extraordinary elegance. And I was blown away when I saw the camera movement he did, 180 degrees. After he finished, he made a point of showing me the shot."