Minority Report

The show had such potential, but ruined with a few critical factors. I highly doubt it will be renewed, unless they make some serious changes. While the CGI effects are nice, the scripts are just okay, but most importantly - the show is POORLY cast. The main actress, Meagan Good, is difficult to stand, or to look at, for an entire hour. She suffers from severe "reșṯïng-bïṯch" face. That șour-půșs she touts around screams of perpetual disgust, or ingrain hatred, as if someone dumped a huge steaming pile-of-șhïṯ on her face right before each scene. Hardly the projected attitude you'd expect from a nobody actress clearly desperate to polish her plethora of talentless shows on her resume. Cast her in something more down her alley, like: Empire, Orange Is the New Black, or Scream Queens. If Minority Report is to continue, and be successful, replace her immediately . . .

This is a series in the "minority report" universe and it takes place 10 years after the events of the movie. For those who don't know, in a future society, 3 telepathic siblings who could predict a serious crime were used to imprison soon-to-be criminals in a ridiculous and impossible model of law enforcement. Well, as we see in this TV show, it didn't go well, the program terminated and the 3 siblings were left to continue their lives in secrecy.

This series follows mainly the life of Dash, the youngest brother of them three, who wants use his gift, again, to save victims. He partners unofficially with a Vega (Meagan Good) a homicide cop to help people and prevent crimes. Stark Sands is a good cast in the role of Dash.

The production as seen in the pilot has extremely high values for a TV show with very good visuals of the USA around 2065, and the whole atmosphere is realistic enough.

The script doesn't try much to be original but it is OK. Some comedic elements, the search for the missing brother, a little romance maybe and of course the couple which operates outside the boundaries of legality. WE've seen them before but the use of them here is appropriate.

Overall: Seems like a good show (based on the pilot). Entertaining with good visuals. If you overcome the impossible premise you will enjoy it.

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The sinking feeling starts within five minutes of viewing, wherein the interesting setup is dumped in favour of a generic setup we've all seen dozens of times before. Strip away the sci-fi trappings and you're left with yet another police procedural 'spiced-up' by the presence of a 'unique' quirky partner. If you've seen Monk, Bones, Castle, The Mentalist, any of the modern Sherlock Holmes iterations, Continuum, Medium, Numbers, Psych, Lie to Me or even Diagnosis-goddamn-Murder then you've literally seen everything 'Minority Report' has to offer you.

Genuinely a shame, what an absolute waste of potential. The one highlight was seeing 'Fez' from 'That 70s Show' acting in something, possibly the worst part was that he was the best actor in the show.

Unfortunately, as compelling as the title is, the association to the movie ends there. This show is a dry, regurgitated old formula that serves up a stale excuse for yet another crime solving series. There is nothing inherently wrong with that, if you are willing to be creative with it. Think Gotham, Daredevil, SVU ... those are all very good, creative shows, that wind up being "crime solver" shows. The show in this case doesn't even spend time on fleshing out and developing the juicier imagination picking questions that the movie raised. Unfortunately the show takes place a decade after the movie and misses out on what is likely a whole season of potential. Kill it now.

"Minority Report", the movie, was a visual delight with compelling action and a storyline that was multi-faceted, dealing with issues like guilt, free will, and technology. I am sorry to say that Fox's 'Minority Report", the television show, has some of the same technological trappings, but none of the charm or surprise of the Spielberg film.

The show opens eleven years after the abolishment of the Pre-crime Division. Lara Vega (Meagan Good) is a cop who meets a man named Dash (Stark Sands), who might be connected to the old program, with the ability to see glimpses of crimes before they happen. Does she dare try to use his illegal talents to solve or prevent crimes? The resulting drama appears to be a rather mundane police procedural.

In the pilot, it felt like the show jumped into the action too fast, with little explanation of the backstory. Then it moved the action along without much character development. That may be why there is little connection between the characters and, more importantly, why the they are not believable.

It was not long before my interest was waning. Taking a tale that started with a seminal Philip K. Dick story and turning it into just another cop show that considers nothing deeper than Lara's personal convictions, may be the greatest crime of all.