El círculo

What a monumental waste of A-class actors!

On paper, this film ticks all the right boxes: topical sci-fi, great actors in fitting roles, plot ingredients that should create great suspense...and yet, it completely fails to deliver at all levels.

I wanted to like this film, so I ignored the first few warning signs: the characters start off a bit one-dimensional, a slightly uninspired representation of Google/Facebook/Amazon-ehm I mean-"The Circle's" headquarters...But then came a couple of scenes that could (no exaggeration) be right out of a CollegeHumor parody video - except they were meant to be serious- and I knew something had gone really wrong with the script and direction.

15-20 minutes into the film everything becomes completely predictable. There isn't a single moment that has you on edge or wondering what's coming next, because everything is as blatant and simplistic as it could be. There's nothing novel about any of the characters or the major plot points. What is worse, the script just can't stop preaching:

"losing all our privacy is bad...mmkay?"

"big corporations shouldn't spy on us all the time...mmkay?"

"sacrificing your personal life in the name of a morally dubious career can have regrettable repercussions...mmkay?"

-NO SH!T movie! Thanks for letting us know, because, you know, we didn't have to write enough 10th grade essays about these things!

Bottom line: I know it's tempting, but don't watch unless you have time to waste. It's not even "so-bad-it's-good" bad, it's just incredibly dull.

No wonder the millennials hate this movie. This is not the best movie you'll ever see, but it's better that one would conclude reading all the hate reviews that flooded IMDB. The plot and acting are decent, camera and editing nothing to write home about but bearable, overall slightly better than average movie. The movie tells the story of the generation created to live in a minute, not even a day, manipulated so easily by people and organizations that prey on this mental flaw, or vulnerability, to be politically correct... It's a grim future.

"Knowing is good, but knowing everything is better." Bailey (Tom Hanks)

How much information is too much? The Circle shows in a direct and melodramatic form that the saturation point is here. Mae (Emma Watson) is hired by a tech-centered firm, an amalgam of Apple, Facebook, and the CIA. Their inclusion-full-knowledge mantra culminates in Mae's agreeing to have complete transparency, a Truman Show for our time.

Bailey is the Steve-Jobs guru, whose weekly assembly for the campus is a model of group think and cultism, launching from the newest technology to the newest invasion of privacy. The willingness of the audience to embrace everything from the unethical farming of information to his obviously self-serving anecdotes suggests Jim-Jones cool-aid-audience imbibing.

The film is an attention-getting, absorbing object lesson in neglecting critical thinking.

The film's provocative theme about full disclosure includes the implied dialectic between the common good and privacy. Knowing where criminals are, such as in our sex-offender laws, is good in the case of creeps but scary when innocent citizens are the object.

Two incidents close to the protagonist illustrate the effects of private invasion, one for survival, the other for denying the efficacy. The former is about saving Mae from drowning because of surveillance and the other about the world seeing her aging parents having sex. No one could wish not to have life-saving surveillance; no one could want parental transparency 24/7.

The Circle is frequently simplistic, e.g., having records that allow automatic registration for voting but also require voting, ignores invasion of privacy and personal choice.

None of this polemic completely negates the efficacy of social media and constant contact. However, transparency, the film suggests, invades and makes circus-like a privacy our Constitution implies.

The camera spends too much time on Mae's bland, wondering stare and meaningless conversations that would be better spent arguing the mission of the Circle. At least it's a start toward better regulation of social information both public and private.

I watched this film without reading a single review; my 14 year old son and I watched the trailer, thought it looked cool and watched it. Now I'm reading many poor reviews and wondering why?

This film won't set your world on fire or win an Oscar for best actress etc, but the message is compelling.

Taking a spin on how much data we give away to companies like Google, Amazon or Apple, The Circle focuses on privacy and our right to it, or lack of rights to it, in modern society.

The interesting take from this is that my children and I have differing views on the value of sharing on social media; after watching the film the 14 year old was a lot more aware of the issues around making our lives so public.

This film doesn't deserve an Oscar, but it does deserve better reviews than it has received. Sure, you can pick holes in some of the plot, but its message is strong. It was fantastic to watch Tom Hanks in a role not based on a true story, with a hint of menace to his character. Bill Paxton's final ever role before his sad passing is touching, and Emma Watson was interesting in her portrayal of Mae Holland.

If you're looking for something different to watch, ignore the reviews and give this a go.

Set in the near future "The Circle" tells a horror story of the social media age involving an omnipotent American corporate, pitched somewhere between being Facebook-like and Google-like (note, lawyers, I just said "like"!) Emma Watson ("Beauty and the Beast") plays young intern Mae who, partly through the aid of family friend Annie (Karen Gillan, "Guardians of the Galaxy", "Doctor Who") but mostly through her own aptitude, lands a foothold job in customer services for the company. With the lush corporate campus fast becoming home, Mae is quickly singled out as having "executive potential" by the charismatic CEO Bailey (Tom Hanks, "Bridge of Spies") and his more taciturn sidekick Stenton (US comedian Patton Oswalt).

Progressively brainwashed into believing the company's intrusive snooping (a favourite motto is "Secrets are Lies") is all for 'the greater good', Mae champions the cause until a tragedy rocks her world and her company beliefs to the core.

Whenever I watch a film I tend to form my own opinion first before checking out what the 'general public' on IMDb think. In this case, I must confess to being a bit surprised at our divergence of views: a lot of people clearly hated this movie whereas I confess that I found it very entertaining. Certainly with the alleged role of Russia in influencing elections around the world via social media, the film is most certainly topical! Many reviewers seemed quite upset that Watson's character is such a 'doormat', in that her views are so easily manipulated by the corporate machine. But not every woman – as indeed every man – can or should be a Joan of Arc style role model in every film: why should they be?

I actually found her indoctrination into "the Circle way" as quite convincing, especially a creepy scene where two corporate lackies (Cho Smith and Amir Talai) say that they're not checking up on Mae's social life, but…. Watson enjoys extending her post-Potter repertoire well, but the talented John Boyega ("Star Wars: The Force Awakens") is completely wasted in his role as Ty; the Wozniak-like genius behind The Circle's technology. The script gives him very little to do other than stand around and look grumpy.

The film is sad in being the last movie appearance of the great Bill Paxton ("Apollo 13") who plays Mae's sick father and who died of complications following heart surgery two months before the film's release (the film is dedicated "For Bill"). Tragically, Mae's mother in the film, actress Glenn Headly ("Dirty Rotten Scoundrels") also died suddenly at the age of 62, also due to heart problems, a couple of months after the film's release. It's surprising the film doesn't have a "curse of The Circle" tag on it.

The film was directed by James Ponsoldt, who also wrote the screenplay with novel-writer Dave Eggers ("Away We Go"). I particularly liked the on-screen use of captioning (posts) which was reminiscent to me of last year's "Nerve", a B-movie film I rated highly that also had a string social media theme.

While the ending of the film is a bit twee – a movie definition of "being hoisted by your own petard" – it's overall a thought provoking piece sufficiently close to the truth as to where society is going to raise the hairs on your neck.

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