Verfilmung von Stephen Kings "The Boogeyman".Verfilmung von Stephen Kings "The Boogeyman".Verfilmung von Stephen Kings "The Boogeyman".
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The Boogeyman is a horror movie inspired by a Stephen King short story. The film revolves around Sadie Harper (played by Sophie Thatcher) and her younger sister Sawyer, who are struggling to cope with the loss of their mother. Their father, a therapist, attempts to assist them in dealing with their grief, but their household becomes a site of mysterious occurrences.
Directed by Rob Savage, known for his work on "Host" and "Dashcam," the movie is completely unoriginal. The plot feels predictable and derivative, borrowing elements from other horror films. The story progresses slowly, resulting in very few genuine scares.
The themes of grief and trauma are present in the film but are not explored in depth. The movie's overall tone aims for darkness and sombreness but fails to establish a pervasive sense of dread or suspense. Sophie Thatcher's performance as Sadie is commendable, delivering a solid portrayal of her character. However, the remaining cast members are forgettable, and their characters remain underdeveloped throughout the film.
The director, Rob Savage, demonstrates some competence with a few visually striking scenes. Nevertheless, the movie lacks a distinct visual style to set it apart. The score is forgettable, failing to leave a lasting impression, while the cinematography is serviceable but unremarkable.
The production design and special effects in The Boogeyman are decent but cannot salvage the movie's overall poor quality. The editing suffers from sloppiness, resulting in disjointed and poorly paced scenes. The dialogue lacks inspiration, with characters frequently delivering exposition and relying on clichéd lines.
The Boogeyman is an easily forgettable horror movie that struggles to deliver genuine scares or explore emotional depth. Its derivative and predictable nature, underdeveloped characters and slow-paced plot contribute to its lacklustre impact. The film fails to establish a distinct visual style despite a few visually striking moments. Unless you are a diehard horror genre fan, it is best to avoid this one.
Directed by Rob Savage, known for his work on "Host" and "Dashcam," the movie is completely unoriginal. The plot feels predictable and derivative, borrowing elements from other horror films. The story progresses slowly, resulting in very few genuine scares.
The themes of grief and trauma are present in the film but are not explored in depth. The movie's overall tone aims for darkness and sombreness but fails to establish a pervasive sense of dread or suspense. Sophie Thatcher's performance as Sadie is commendable, delivering a solid portrayal of her character. However, the remaining cast members are forgettable, and their characters remain underdeveloped throughout the film.
The director, Rob Savage, demonstrates some competence with a few visually striking scenes. Nevertheless, the movie lacks a distinct visual style to set it apart. The score is forgettable, failing to leave a lasting impression, while the cinematography is serviceable but unremarkable.
The production design and special effects in The Boogeyman are decent but cannot salvage the movie's overall poor quality. The editing suffers from sloppiness, resulting in disjointed and poorly paced scenes. The dialogue lacks inspiration, with characters frequently delivering exposition and relying on clichéd lines.
The Boogeyman is an easily forgettable horror movie that struggles to deliver genuine scares or explore emotional depth. Its derivative and predictable nature, underdeveloped characters and slow-paced plot contribute to its lacklustre impact. The film fails to establish a distinct visual style despite a few visually striking moments. Unless you are a diehard horror genre fan, it is best to avoid this one.
Truly, this movie was screwed over with its title. I know it's an adaptation, but "The Boogeyman" makes it sounds like a bottom-of-the-bargain-bin DVD movie. But while far from original, this is a thoroughly well-crafted, at times thoughtful horror film.
By far, this is one of the most frightening PG-13 movies I've seen. Director Rob Savage has a lot of talent, and he wields the camera with style and with care. Excellent sound design and mixing, as well as a smart subdued musical score, build anticipation for each scare and don't let up the tension once something has been revealed.
The monster is horrifying in its design, but Savage wisely doesn't show it to us very often, and never really shows it to us in detail. Dark, oppressive atmosphere pervades the screen and it leaves a lot of distressing things to the imagination.
While this isn't the first film to hold grief or trauma as a metaphor for its monster, it's done quite well here. The family dynamics in this script are restrained and well-realised, with satisfying thematic payoff at the end.
I have only one major issue with the film, and that's that the characters seem to easily brush off when they see horrifying things. They didn't sell the paranoia at all. And at a couple points Sadie finds potential proof of the monster's existence but never does anything with it. Perhaps there was some material left on the cutting room floor that fills in these gaps, but we may never know.
Still, this is a supernatural scare-fest that's several cuts above average and I would truly recommend it for anyone who enjoys a decent story with their spooks.
By far, this is one of the most frightening PG-13 movies I've seen. Director Rob Savage has a lot of talent, and he wields the camera with style and with care. Excellent sound design and mixing, as well as a smart subdued musical score, build anticipation for each scare and don't let up the tension once something has been revealed.
The monster is horrifying in its design, but Savage wisely doesn't show it to us very often, and never really shows it to us in detail. Dark, oppressive atmosphere pervades the screen and it leaves a lot of distressing things to the imagination.
While this isn't the first film to hold grief or trauma as a metaphor for its monster, it's done quite well here. The family dynamics in this script are restrained and well-realised, with satisfying thematic payoff at the end.
I have only one major issue with the film, and that's that the characters seem to easily brush off when they see horrifying things. They didn't sell the paranoia at all. And at a couple points Sadie finds potential proof of the monster's existence but never does anything with it. Perhaps there was some material left on the cutting room floor that fills in these gaps, but we may never know.
Still, this is a supernatural scare-fest that's several cuts above average and I would truly recommend it for anyone who enjoys a decent story with their spooks.
Never in human history has mankind had access to such a wide variety of lighting implements for virtually any lighting need.
You've got LED flashlights packed with thousands of lumens. Battery powered, solar powered, you name it. Even a cheap dollar store flashlight these days is capable of lighting up your entire backyard so you can see who's been stealing your underthings.
Headlamps? We got headlamps. Get one with a rechargeable battery pack and you'll never be without hands free lighting again.
Why not try the Ryobi work light, which will blast 4,200 blinding lumens at that hard to reach manifold, difficult basement job, or closet dwelling creature trying to eat your kids. It's powered by the popular ONE+ battery so you'll never be in the dark again.
Want something more budget friendly? Strap on a puck light or grab a packet of glow sticks at the dollar store (deep down, didn't you know we'd be back at the dollar store again?) and light up your world for mere pocket change.
Of course, if an ancient evil creature is menacing your family and that creature exists only in the dark, you may choose to go without all of these lighting needs and try fighting it with... Oh, I dunno. An bulk supply of tea candles? Your dead mom's almost-out-of-juice zippo lighter? Some 1970s era Christmas lights that depend on an extension cord, even though electrical power seems to be out all over the house?
Now, see here. I actually enjoyed The Boogeyman to some extent, because the scenes were shot well and it was decently acted. But come on. If even one of the bonehead characters in this movie had made just a cursory trip to Harbor Freight (I like to plug aaaall the stores,) they could have completely vanquished that rather feeble creature the very first night. Hell, what I keep in my glove compartment would have sent that Predator-wannabee packing lickety split.
I'm sorry, but when you get right down to it, that boogey creature wasn't all the powerful. In fact, the most dangerous thing it seemed to accomplish was the spreading of mold throughout the house. That's gonna cost the family a pretty penny to eradicate. Too bad they don't have a Tractor Supply, Dollar Tree or Harbor Freight in their neighborhood.
Kind of a cool movie and some scary scenes, but you have to suspend belief a little too much for it to really sink it. I mean, gee whiz, fellas. They make bright lights with little motion sensors on them now, because we live in a time of wonders.
You've got LED flashlights packed with thousands of lumens. Battery powered, solar powered, you name it. Even a cheap dollar store flashlight these days is capable of lighting up your entire backyard so you can see who's been stealing your underthings.
Headlamps? We got headlamps. Get one with a rechargeable battery pack and you'll never be without hands free lighting again.
Why not try the Ryobi work light, which will blast 4,200 blinding lumens at that hard to reach manifold, difficult basement job, or closet dwelling creature trying to eat your kids. It's powered by the popular ONE+ battery so you'll never be in the dark again.
Want something more budget friendly? Strap on a puck light or grab a packet of glow sticks at the dollar store (deep down, didn't you know we'd be back at the dollar store again?) and light up your world for mere pocket change.
Of course, if an ancient evil creature is menacing your family and that creature exists only in the dark, you may choose to go without all of these lighting needs and try fighting it with... Oh, I dunno. An bulk supply of tea candles? Your dead mom's almost-out-of-juice zippo lighter? Some 1970s era Christmas lights that depend on an extension cord, even though electrical power seems to be out all over the house?
Now, see here. I actually enjoyed The Boogeyman to some extent, because the scenes were shot well and it was decently acted. But come on. If even one of the bonehead characters in this movie had made just a cursory trip to Harbor Freight (I like to plug aaaall the stores,) they could have completely vanquished that rather feeble creature the very first night. Hell, what I keep in my glove compartment would have sent that Predator-wannabee packing lickety split.
I'm sorry, but when you get right down to it, that boogey creature wasn't all the powerful. In fact, the most dangerous thing it seemed to accomplish was the spreading of mold throughout the house. That's gonna cost the family a pretty penny to eradicate. Too bad they don't have a Tractor Supply, Dollar Tree or Harbor Freight in their neighborhood.
Kind of a cool movie and some scary scenes, but you have to suspend belief a little too much for it to really sink it. I mean, gee whiz, fellas. They make bright lights with little motion sensors on them now, because we live in a time of wonders.
Full disclosure: I haven't read the story on which "The Boogeyman" is based, so I can only assess it on its own merits. It was okay, as I expected. Like many horror movies of recent years, grief plays a major part of the plot. Of course, most of the horror comes from jump scares.
As for the cast, they do a fine enough job, considering what they have to have work. The title character does turn out to be freaky in some scenes.
All in all, this is a movie that you'll probably enjoy enough. I wouldn't say that there were any scenes that stuck me with solid memory, but you do have to admire the intense scenes.
So, it's nothing great, but if you're willing to spend the day with some friends and watch something scary, this should be fun.
As for the cast, they do a fine enough job, considering what they have to have work. The title character does turn out to be freaky in some scenes.
All in all, this is a movie that you'll probably enjoy enough. I wouldn't say that there were any scenes that stuck me with solid memory, but you do have to admire the intense scenes.
So, it's nothing great, but if you're willing to spend the day with some friends and watch something scary, this should be fun.
I felt this was a mediocre movie. Some of the jump scares in the first half were pretty well done, but when the Boogeyman started to make a real appearance, the wheels came off for me.
I think the acting was pretty good but there was nothing original or special in this movie. I feel that it's difficult to make a truly scary movie that sticks with you long after you've left the theater; I was hoping The Boogeyman would stick to my bones a bit, but it did not.
If you're looking to kill some time with some jump scares, this is an okay flick. If you're looking for something truly frightening and engaging, I don't believe this is it.
I think the acting was pretty good but there was nothing original or special in this movie. I feel that it's difficult to make a truly scary movie that sticks with you long after you've left the theater; I was hoping The Boogeyman would stick to my bones a bit, but it did not.
If you're looking to kill some time with some jump scares, this is an okay flick. If you're looking for something truly frightening and engaging, I don't believe this is it.
WUSSTEST DU SCHON:
- WissenswertesA film adaptation of a short story, written by Stephen King, that was originally featured in a March 1973 issue of Cavalier magazine & later in Night Shift, a collection of short stories all written by King.
- PatzerSadie comes out of her bedroom wearing a gray sweatshirt, sweatpants and socks to investigate strange noises coming from her mom's studio. As she steps in a red liquid pooling from under the door you'll notice that she no longer has socks on her feet.
- VerbindungenFeatured in Half in the Bag: 2023 Catch-up (Part 1) (2023)
- SoundtracksJeff Goldblum
Written by Mattiel (as Atina Mattiel Brown) and Jonah Swilley
Performed by Mattiel
Courtesy of ATO Records
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Boogeyman: Tu miedo es real
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 35.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 43.244.282 $
- Eröffnungswochenende in den USA und in Kanada
- 12.356.486 $
- 4. Juni 2023
- Weltweiter Bruttoertrag
- 67.307.243 $
- Laufzeit1 Stunde 38 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39:1
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