Im Mittelpunkt stehen Hollywoods erster Wunderkind-Studiovorstand der 1930er Jahre, Monroe Stahr, und der Machtkampf zwischen ihm und seiner Mentorin und heutigen Studioleiterin Pat Brady.Im Mittelpunkt stehen Hollywoods erster Wunderkind-Studiovorstand der 1930er Jahre, Monroe Stahr, und der Machtkampf zwischen ihm und seiner Mentorin und heutigen Studioleiterin Pat Brady.Im Mittelpunkt stehen Hollywoods erster Wunderkind-Studiovorstand der 1930er Jahre, Monroe Stahr, und der Machtkampf zwischen ihm und seiner Mentorin und heutigen Studioleiterin Pat Brady.
- Für 3 Primetime Emmys nominiert
- 6 Nominierungen insgesamt
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Zusammenfassung
Reviewers say 'The Last Tycoon' is acclaimed for its exceptional production values, stunning costumes, and captivating cinematography that evoke the Golden Age of Hollywood. Matt Bomer and Kelsey Grammer deliver depth and authenticity in their performances. However, some critics note deviations from Fitzgerald's novella and mixed feelings about the pacing and plot. The series' cancellation after one season has disappointed viewers who sought further storytelling.
Empfohlene Bewertungen
I love the era, the costumes, sets, music and acting. The Last Tycoon has the potential to be an excellent series with a good life. Amazon has created a lush & romantic yet realistic portrait of Hollywood in the years prior to WW-2. Each of the characters are believable and theft story held my interest throughout the fast moving sixty minutes.
It's great to see Kelsey Grammarand Matt Bomerr again. There's a good love/hate relationship evident that will likely produce some excellent moments as the story develops.
The Last Tycoon is so much more enjoyable than the typical fare the networks are putting out. Carry on, Amazon. You've got a winner here.
It's great to see Kelsey Grammarand Matt Bomerr again. There's a good love/hate relationship evident that will likely produce some excellent moments as the story develops.
The Last Tycoon is so much more enjoyable than the typical fare the networks are putting out. Carry on, Amazon. You've got a winner here.
Nothing has changed. We can believe that corporations have taken over Tinsel Town, but in this version of "The Last Tycoon" creativity has always been controlled by committee. So the filmmakers out there that think they are autonomous, without using your own money, it 'aint happening.
That aside, the story is of wunderkind Monroe Stahr (Matt Bomer) a ambitious young studio executive who is known to fix movies within the walls of Brady-American International, a fictional movie studio run by Pat Brady (Kelsey Grammer). During the depression, they both attempt to save the studio from outside forces including the rise of stars and divas, and dark secrets of actors, the dynamics of writers and producers and so forth. Coming into the story, we also have Brady's daughter Celia Brady (Lily Collins) who is at the edge of adulthood and fixated on making her own way into Hollywood, and also Brady's wife Rose Brady (Rosemarie DeWitt) who has a history with Monroe whilst Celia holds a burning crush on him.
Admittedly, I know very little about the book, which was written by F. Scott Fitzgerald. But I've seen the late 70's version, and they both do really good things. The issue with the 70's version is that it gets TOO melancholic. This skates a very tragic line since Bomer's Monroe plays a little more buoyant and hopeful than DeNiro's Monroe, who plays it brooding and bullish.
The series has some great moments (somewhat predictable but still satisfying) and makes nods to Hollywood lore. Louis B. Mayer's (Saul Rubinek) close to making "Wizard Of Oz" a Shirley Temple reference, and also a curious one with Margo Taft (Jennifer Beals) whom I can only assume is suppose to be Merle Oberon. Any way, this does suck you in. And I loved the production design. The characters have their intentions known and fascinating when they cut between the stories. You can keep up.
IF you are interested in old Hollywood, this is a great series to remind you that movie worlds were once made by people who really cared about the content.
That aside, the story is of wunderkind Monroe Stahr (Matt Bomer) a ambitious young studio executive who is known to fix movies within the walls of Brady-American International, a fictional movie studio run by Pat Brady (Kelsey Grammer). During the depression, they both attempt to save the studio from outside forces including the rise of stars and divas, and dark secrets of actors, the dynamics of writers and producers and so forth. Coming into the story, we also have Brady's daughter Celia Brady (Lily Collins) who is at the edge of adulthood and fixated on making her own way into Hollywood, and also Brady's wife Rose Brady (Rosemarie DeWitt) who has a history with Monroe whilst Celia holds a burning crush on him.
Admittedly, I know very little about the book, which was written by F. Scott Fitzgerald. But I've seen the late 70's version, and they both do really good things. The issue with the 70's version is that it gets TOO melancholic. This skates a very tragic line since Bomer's Monroe plays a little more buoyant and hopeful than DeNiro's Monroe, who plays it brooding and bullish.
The series has some great moments (somewhat predictable but still satisfying) and makes nods to Hollywood lore. Louis B. Mayer's (Saul Rubinek) close to making "Wizard Of Oz" a Shirley Temple reference, and also a curious one with Margo Taft (Jennifer Beals) whom I can only assume is suppose to be Merle Oberon. Any way, this does suck you in. And I loved the production design. The characters have their intentions known and fascinating when they cut between the stories. You can keep up.
IF you are interested in old Hollywood, this is a great series to remind you that movie worlds were once made by people who really cared about the content.
Sad that this series was only one season. Really awesome acting, awesome show in itself. I know they're having issues at Amazon Prime but this is one of the series that needs to continue. I hope they figure everything out and are able to continue this show. It was really really good
Just a quick review, as I see many of the stream services shows (except the big ones like Netlfix superhero series and such) do not get many opinions. I have seen the whole season and my feelings are mixed. I mean, it is slow. Very slow. Scenes are basically beautiful people talking about movies of the golden era of Hollywood - from the production side of view. I often found myself wondering what was the point of all of it, and yet... it kept me interested. However, I love classic musicals from the era depicted, and seen and enjoyed most if not all Fred Astaire, Gene Kelly, Danny Kaye, etc movies, so visiting the period again from a modern perspective is appealing to me. It might not be for all, and I would completely understand if we do not get another season. I have not read the source material the show is based on, and I am unfamiliar with Fitzgerald writings. I will say, nonetheless, that this show requires some patience if great visuals are not enough for you. If on a time constraint and still wanting to see the "whole show", I can safely say that if you just see episode 1 (the pilot), maybe 2 to get to know the characters, and then skip ahead to 7, 8 and 9 you would actually not miss much, as the "central" conflict really just begins at the end of episode 7 (the "big" story reveal for one of the characters). I enjoyed my time watching the rest, however, so the quality is still there... it is just very personal, so I would say you will either like it or not based on the pilot. There are no major changes to the formula after that, so see for yourself and decide :)
Once again, a series I have really enjoyed has been canceled by the powers that be! I will admit the first few episodes of the first season were a little slow (perhaps there was room for improvement in the dialogue), but as the series progressed, I was fully engrossed in the story. The physical details of the hairstyles and clothing were absolutely believable and the filming itself was gorgeous. I was particularly impressed by Kelsey Grammar's performance.
For anyone who has not yet seen the mere two seasons that exist, allow me to inform you there is an extremely interesting twist in the plot! I don't think this will disappoint. How it was canceled with such a high IMDb rating remains a mystery.
For anyone who has not yet seen the mere two seasons that exist, allow me to inform you there is an extremely interesting twist in the plot! I don't think this will disappoint. How it was canceled with such a high IMDb rating remains a mystery.
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- WissenswertesIt was in development for HBO until Amazon picked it up in 2014.
- PatzerIn the opening scene telling the story of Minna Davis, the Brady-American News card shows the copyright date as MXMXXXVI. MXM is improper usage and given the period should read MCMXXXVI, which translates to 1936.
- Zitate
Monroe Stahr: That's a lovely dress, Cecelia.
Cecelia Brady: You should see what it looks like in a ball on the floor.
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