Equals - Euch gehört die Zukunft

We shan't be fooled - original ideas, concepts and scripts come by very rarely these days. Over the years I've come to accept that we shall not blatantly blame the creative team for the lack of some originality whether it is on similar premise, plot points, slight clichés, or visual styles. But when the final product is just a lazy mash up all the above, ripped off of arguably better previous films, as well as famed English literature at its most obvious, is just harder to swallow. If you ever watched Kurt Wimmer's Equilibrium and Michael Bay's the Island you have most certainly watched Doremus' Equals.

Pretentiously disguising the outright obvious rehash of ideas of a dystopian society where the inhabitants are deprived of different forms of freedom for the sake of a Utopian perfect society, with slower pacing, contemplating set up shots and heartfelt-advertising- like cinematography, we are left with a most forgetful film that never once introduces a single differentiating or provocative element.

This film tells the story of a futuristic world where people have no emotions, and any display of emotions is a disorder treated by death. Two individuals find themselves feeling for each other, and they have to do everything they can to avoid their fate.

"Equals" is very visually stunning. The sets are really beautifully minimialistic. The lighting is great as well, I love how the cold colour lighting complements the atmosphere of the film. The wardrobe is great as well, the white colour scheme really works, everyone looks so stylish and smart in the film. The whole atmosphere of the film is very well thought out and effectively presented to the viewers, immersing me into this strange futuristic world. The story is very engaging too. I just love "Equals". I am blown away by it, it is my clear favourite film in this genre.

First of all I very much liked this film. It's alway lovely to watch two symmetrically perfect human beings enjoy each other and allow us to watch. Kristen Stewart is an underrated actress with the potential of great things and I hope to enjoy her more. Nicholas Hoult is a beautiful man and a very good actor who is developing well. This film is, however, an incredible rip off of George Lucas' first film, THX 1138. How the film makers weren't sued I don't know. The near future is blandly gorgeous with "clean" humans whose only dread is obsolescence by way of our frailty as emotional, thoughtful creatures.. This has been bred out of us however genetics is a persistent and ever evolving pesky little demon which has weakened our ability to resist the aforementioned weakness of emotions. We witness two intelligent but remorselessly bland individuals slowly realize that they are inflected with emotion. Unfortunately those that can not fight it are doomed to the DEN where they are ruthlessly tortured and persuaded to kill themselves. Both Hoult, "Silas" and Stewart "Nia" fall in love and the plot then revolves on them getting away with it and getting away. There is good supporting drama from Guy Pierce and the wonderful Jacki Weaver but I am haunted by the future always being shades of grey with the only hope being that of escape. I loved THX 1138 when I was a very young film lover and I remember it. Which is why I liked Equals. I only hope it was meant as a homage. However I don't think I will remember it.

Equals is set in a futuristic world where, inexplicably, people have decided to "do away with emotions." Of course this phrase never has any real meaning, since any kind of inclination to do anything can be counted as an emotion. So really it's a sci-fi setting to explore the practice of the suppression of emotions. A problem which has never existed.

OK, before I trash the movie too much: the acting is fine, the set design and look are very good, and the world-building is excellent. But what is the story here? Two people who aren't supposed to fall in love do so anyway. Call me a cynic but I need more than that.

Compare and contrast Equals with The Lobster, another sci- fi/dystopian movie about suppressing emotions. Rather, The Lobster compares the societal demand that people form couples, regardless of how dysfunctional they are, against an underground movement of people who insist that being single should not be cause for rejection by society (though the rebels go too far the other way, adopting the "no emotional connections" attitude that fits with Equals). Somehow The Lobster manages to fit an interesting and funny story into the world. Equals? It gives us practically nothing.

Perhaps this is just a distillation of the concept of Forbidden Love. I really expected more.

I'll tell you what you need to know: if you like movies like this, you'll like this one. Maybe a whole lot. It's a science fiction movie with heart, that doesn't rely on explosions and death rays and warp speed travel, and it sheds light on things that are happening in our society today. The acting is very, very good. There is genuine chemistry between the leads, and they were both born to play these parts. The movie makes you think and feel. It's smart and it's deep. It's internally consistent. The soundtrack works. You can learn from it. There aren't anywhere near enough movies like this being made these days.

Some people hated this movie. A lot of times, I think people that hate a movie like this are people who don't like the fact that their own shortcomings are being exposed.

For me, when the movie ended, I experienced body-wide chills, and my eyes filled with tears. I loved it. I subtract a point because, from time to time, it moves a bit slower than it might need to. It's not quite an all time science fiction masterpiece, but it's close. It'll move you. You'll remember it. It'll give you something to talk about. It's a date movie you can both enjoy.

If you like movies like this, you know who you are, and you can't possibly miss this movie. You won't. You're too smart for that.