HIT: The 3rd Case
- 2025
- 2 Std. 34 Min.
Füge eine Handlung in deiner Sprache hinzuArjun Sarkaar, a top HIT officer from Visakhapatnam, is sent to Jammu and Kashmir to investigate a series of brutal murders. As he pursues a group of elusive killers, the case tests his skil... Alles lesenArjun Sarkaar, a top HIT officer from Visakhapatnam, is sent to Jammu and Kashmir to investigate a series of brutal murders. As he pursues a group of elusive killers, the case tests his skills and his bravery.Arjun Sarkaar, a top HIT officer from Visakhapatnam, is sent to Jammu and Kashmir to investigate a series of brutal murders. As he pursues a group of elusive killers, the case tests his skills and his bravery.
Pavani Gangireddy
- Shraddha
- (as Pavani Gangireddi)
Chaitu Jonnalagadda
- Diwakar
- (as Chaitanaya Jonnalagadda)
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Did HIT the 3rd case really do justice to the first 2 cases? The answer is yes, it justice. The way the movie present the story and the characters really impressive. The character of Nani as Arjun Sarkar a violent and arrogant officer and Pratik Babbar as a psychopath was mind-blowing. The first half of the movie really perfect but the 2nd half was crazy ever. The climax keeps you shocked. The performance of every character specially Nani give justice to the story line and the way the character written. It's going to be a blockbuster. And now coming to the cameos it was a wow moment for me and the last cameo which setup the 4th part of the movie really work and I'm excited for it's part 4. But one problem that I have is what happened to the first case actor Vishwask Sen, why he is still not coming to any part and and what happened to him is still a mystery? I wanna see him in this universe once again. But go to theatre and enjoy the movie, I suggest you to not to miss this movie.
The HIT franchise, which began with a promising start, has unfortunately seen a steady decline in narrative quality and originality with each installment.
HIT-1, while not without flaws, stood out for introducing the investigation thriller genre to mainstream Telugu cinema. The storytelling had noticeable shortcomings-particularly in pacing and a rather underwhelming, even silly, climax. However, it managed to keep audiences reasonably engaged with its freshness and novelty, which contributed to its success.
HIT-2, though attempting to build upon its predecessor, ended up being a weaker effort overall. Despite a few intriguing elements, the film suffered from a lack of narrative depth and an even less impactful climax. The genre conventions felt overly familiar, and the execution lacked the tension and originality expected from a thriller, making it feel like a retread of what we've seen before-only with less conviction.
HIT-3, regrettably, falls further down the slope. It leans heavily on violence and genre clichés, offering very little in terms of fresh content or emotional engagement. The film feels like a generic action thriller with a glossy exterior-thanks largely to improved production values and a notable star cast-but devoid of substance.
The first half trudges through a formulaic investigation arc that adds no innovation to the narrative. The second half abruptly shifts into a survival-action mode, seemingly inspired by the John Wick franchise, but lacks its finesse or justification. The action is over-the-top, the violence excessive, and the plot twists are painfully predictable. As a result, the film loses credibility and emotional connection with the audience.
Overall, HIT-3 feels overly cinematic and detached from reality, sacrificing depth for style. It's unfortunate that a franchise that began with potential has now become an exercise in style over substance.
HIT-1, while not without flaws, stood out for introducing the investigation thriller genre to mainstream Telugu cinema. The storytelling had noticeable shortcomings-particularly in pacing and a rather underwhelming, even silly, climax. However, it managed to keep audiences reasonably engaged with its freshness and novelty, which contributed to its success.
HIT-2, though attempting to build upon its predecessor, ended up being a weaker effort overall. Despite a few intriguing elements, the film suffered from a lack of narrative depth and an even less impactful climax. The genre conventions felt overly familiar, and the execution lacked the tension and originality expected from a thriller, making it feel like a retread of what we've seen before-only with less conviction.
HIT-3, regrettably, falls further down the slope. It leans heavily on violence and genre clichés, offering very little in terms of fresh content or emotional engagement. The film feels like a generic action thriller with a glossy exterior-thanks largely to improved production values and a notable star cast-but devoid of substance.
The first half trudges through a formulaic investigation arc that adds no innovation to the narrative. The second half abruptly shifts into a survival-action mode, seemingly inspired by the John Wick franchise, but lacks its finesse or justification. The action is over-the-top, the violence excessive, and the plot twists are painfully predictable. As a result, the film loses credibility and emotional connection with the audience.
Overall, HIT-3 feels overly cinematic and detached from reality, sacrificing depth for style. It's unfortunate that a franchise that began with potential has now become an exercise in style over substance.
Before I delve into the issues I have, I would like to express my admiration for certain aspects of the film, first & foremost, Nani's performance, and the script's able handling of intense scenes, be it the investigative segments or the climactic confrontation in the final half of the story.
Now coming to the problems, I found that the whole plot lacked emotional resonance; it couldn't effectively harness emotions in a meaningful way.
Now as for someone who enjoys relentless gore and bloodshed, I found the kills and the overall bloodbath in the final hour to be engaging. However, I was left with a sense of dissatisfaction, mainly because these moments of violence did not feel 'earned' or 'justified.' They appeared to be mere byproducts of style and encashing the present day trend rather than yielding substance with some meaning.
Whilst, Nani's performance left a significant impression on me, his character could have benefited from deeper material.
If the filmmakers had taken the time to elaborate on his troubled past, it would have enriched his character and provided a more compelling understanding of his eccentric personality.
Now coming to the problems, I found that the whole plot lacked emotional resonance; it couldn't effectively harness emotions in a meaningful way.
Now as for someone who enjoys relentless gore and bloodshed, I found the kills and the overall bloodbath in the final hour to be engaging. However, I was left with a sense of dissatisfaction, mainly because these moments of violence did not feel 'earned' or 'justified.' They appeared to be mere byproducts of style and encashing the present day trend rather than yielding substance with some meaning.
Whilst, Nani's performance left a significant impression on me, his character could have benefited from deeper material.
If the filmmakers had taken the time to elaborate on his troubled past, it would have enriched his character and provided a more compelling understanding of his eccentric personality.
Nani's one man show. He is the trump card. No need to say anything about his acting, it looked as if it's tailor made to him. Conversations between Nani and his father Samudrakani brings little smiles. More brutal and bloodshed second half. Story line is weak. Heroine looked good but has nothing much to offer. Biggest drawback is Villain character. Could have been much stronger . I hardly remember the songs. I guess there are 2 which are easily forgettable. Other side characters are decent but didn't create any impact. Last 10min comes as a surprise raising the bar of next part in HIT franchise.
Nani never disappoints! Wall Poster Cinema and Unanimous Productions have delivered great production values. Mickey J. Meyer's background score is peak-level excellence. Sanu John Varghese's cinematography is outstanding. The action and stunts are mind-blowing!
Writer and director Sailesh Kolanu has made a strong comeback with Hit 3. Nani, Srindhi, and the rest of the cast deliver impressive performances. The first half is engaging, with a gripping investigation and Nani's witty dialogue. The second half is packed with intense action sequences that keep you on the edge of your seat.
Every character is utilized effectively, and the climax is full of surprises. While the movie does contain violence, it's justified by the story. Overall, Hit 3 is a thrilling ride that lives up to expectations.
Writer and director Sailesh Kolanu has made a strong comeback with Hit 3. Nani, Srindhi, and the rest of the cast deliver impressive performances. The first half is engaging, with a gripping investigation and Nani's witty dialogue. The second half is packed with intense action sequences that keep you on the edge of your seat.
Every character is utilized effectively, and the climax is full of surprises. While the movie does contain violence, it's justified by the story. Overall, Hit 3 is a thrilling ride that lives up to expectations.
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- WissenswertesNani in an interview revealed that while the previous films in the HIT franchise were whodunit (who committed the crime) thrillers where the investigation started and the killer was revealed only in the end, HIT 3 was not about 'who' but about 'how'. He further added that the film did not justify police brutality.
- VerbindungenFollows Hit (2020)
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Details
Box Office
- Budget
- 600.000.000 ₹ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 955.000 $
- Eröffnungswochenende in den USA und in Kanada
- 955.000 $
- 4. Mai 2025
- Weltweiter Bruttoertrag
- 1.420.344 $
- Laufzeit2 Stunden 34 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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