Bhakshak

I don't watch Hindi movies much. They are all masala, macho, mumbo jumbo nonsense. I liked Bhakshak movie. The acting is decent, the direction is done well and the story is strong enough to grip your attention.

The story however is heart wrenching. It's not easy to watch the plight of the girls. Though it's a fictional story it makes you wonder if there are places like this in our country where children are suffering. I like the social message of this movie. I strongly think journalism is dead in our country compared to the west. I hope aspiring children of our future will give this field the respect it deserves.

I would vote to see more movies like this.

A female journalist uncovers the syndicate involved in the child abuse going on in a small orphanage located somewhere in Bihar. Sounds like Spotlight (2015), but on a serious note it's way more than that.

Bhumi Pednekar or I should say Anshuman Khurana of female actresses gives a riveting performance in this film filled with too many critically acclaimed figures. Needless to say Sanjay Mishra & Aditya Srivastav aka Abhijeet from CID are equally responsible in making this film an intense crime thriller with lots of thought provoking instances.

Never heard of the director though. Pulkit has hit the bulls eye with this project & will surely have me in queue for his next.

PS: Tagged by Netflix "Spotlight meets Khakkee", I would rather say "Spotlight with Wasseypur cast".

My god! This was heavy, both in subject material and execution. But, despite being disturbing, these are the stories are meant to be told, not because this sort of stuff happened, but because we shouldn't have to be a mere spectator, rather we should demand answers from the authority. This film is a compelling tale of the importance and power of media, and if used correctly, it truly can act as a balance against the unchecked authority of the government. Loved it! This is a labour of love and everyone gave his heart and soul to this project. Extremely well written, superbly directed and brilliantly performed, this film about an investigative journalist sifting a case of sexual assault in an orphanage is a winner on all fronts. Films like these strengthen my belief in the fact that the Hindi film industry is still going strong, and isn't as toothless as claimed by some so-called elites (people who watch only 2 Bollywood films each year, that too of mostly terrible quality is deliberately selected).

Bhumi Pednekar has proven herself to be one of the most consistent performers of this generation, along with the Taapsee Pannu's and the Alia Bhatt's. And much like them, she has the ability to deliver such a well crafted act that feels effortless - but hard to imagine that it is anything but that. In 2022 she gave us the award-winning Badhaai Do, and in 2023 we were gifted such electrifying yet subdued outings in Afwaah and Bheed. This is along those lines and it doesn't disappoint. Although time is taken in the beginning setting the scene of the film, once it gets going, it's non-stop. And the chemistry between Sanjay Mishra and Bhumi is very enjoyable. This will be one of the front runners of the best films of 2024 - and the message of the film deserves that you watch it and tell your friends and family to do the same. This is cinema.

Positive: The dialogues pack a powerful punch, delivering a strong message for society. Viewers can take away valuable lessons for their daily lives. The negative characters are portrayed excellently, with special commendation to Red Chillies for presenting such impactful content. The director has executed their role effectively, and Sanjay Mishra delivers a solid performance as always. Overall, it's a must-watch movie.

Negative: Unfortunately, the acting, particularly by the lead actress Bhumi, falls short and feels mismatched for the roles. Her performance comes across as dull and doesn't meet expectations. Additionally, the emotional aspect of the movie lacks depth, failing to connect with the audience as effectively as movies like Article 15 by Anubhav Sinha.