Uprising

A Visually Striking but Confused Film

Uprising (2024) delivers stunning visuals and impressive fight choreography, yet it struggles with its identity. The film swings between being an action-packed spectacle and a historical drama, but never fully commits to either. This results in a movie that feels disjointed, with brutal violence often coming across as excessive, more for shock than to drive the story forward.

While the action sequences, especially the sword fights, are captivating, the plot itself is chaotic. It's easy to get lost in the non-linear timeline and convoluted character motivations. The emotional stakes feel underdeveloped, and the complex relationship between the two main characters doesn't receive the depth it deserves.

In the end, Uprising excels in style but falters in storytelling. Those seeking pure action without a deep narrative may enjoy it, but for anyone craving a cohesive plot, the film may leave them unsatisfied.

"Uprising" is a gripping and intense film that delves into the complexities of rebellion and the fight for freedom. Set against a backdrop of political turmoil, the movie masterfully captures the raw emotions and sacrifices of those who dare to stand up against oppression. The screenplay is well-crafted, weaving together personal stories with larger historical events, making the narrative both engaging and thought-provoking. The protagonist's journey is particularly compelling, showcasing the internal and external struggles faced by someone caught in the crossfire of revolution. Overall I think it's a well watch.

Uprising delivers a thrilling cinematic experience, particularly with its exceptional fight sequences. Showcasing not only physical prowess but also the emotional stakes of each battle. Each clash is intense, capturing the energy and desperation of the characters fighting for their freedom.

The cinematography during the fight scenes is remarkable, utilizing dynamic angles that heighten the tension.

What sets these fight scenes apart is how they intertwine with the story, highlighting the characters' motivations and the gravity of their struggles. Each skirmish feels earned and significant, rather than just a display of martial arts.

The performances are also compelling, Supporting actors also shine, delivering nuanced portrayals that enhance the overall narrative. Their chemistry adds layers to the relationships depicted on screen.

An issue with historical fiction mediums is that they can either bend too far and become so detached from the period that you don't feel connected. The other side is that they can be so rigid, sticking to the history, that it struggles to be a narrative. I find Uprising to be a beautiful blend. Whereas the series Kingdom deals with the Imjin War (the invasion of the late 16th century by Toyotomi Hideyoshi) with a mix of zombies, Uprising looks at the issues of a top-down power structure in human terms. Honestly it helps one to see how and why the top views the people as near less than human -- while also wholely calling it evil.

That aside, I love single-shot action sequences. There are two, looking from either perspective, that are right next to one another. I was squealing with delight. The scenes were absolutely heavy, but I'm also a fan of the Berserk manga by Kentaro Miura, so it's my safe space.

The storytelling, action sequences, choreography, and even the English dub all are great. Highly recommended.

An evil king cares nothing for his people and even less for the countries slaves, but then comes the Japanese invasion and it is the slaves and peasants who subdue it. You would think the king would be grateful but instead returns to the capital planning to once again exploit the people. The story has two main characters, a lord and a slave who befriend each other but later a misunderstanding leads to conflict. It is an interesting plot with over the top fight scenes but fails to really develop any of the characters and this is its main failing. Having said that it is an ok watch and an interesting death, look for the hand holding the sword.