Baby John

Don't waste your time or money on this utterly awful Bollywood remake! "Baby John" is nothing but a scene-for-scene copy of a South Indian movie "Theri Movie", with absolutely no originality. It's like the makers thought they could get away with just copying every single detail without any effort to bring something fresh to the table. Bollywood should be ashamed of itself for this lazy attempt at filmmaking.

The car scene? A direct rip-off of the original, with the exact same open jeep and police stick placed on top. It's as if the filmmakers couldn't even be bothered to change a single detail. Then there's the little girl who calls the hero "Baby." Guess what? Same thing from the original movie. They didn't even try to give this character a unique twist.

And don't even get me started on the bus scene where the bus falls off a bridge into the water-this too is taken directly from the original movie. The whole "school scene" where a boy beats up a girl and she waits for "Baby" to save her is just recycled from the original, with no effort to make it different or interesting. The dialogues? Completely borrowed. The moment where the girl says to the hero, "I call you Baby, but that doesn't mean you are actually a baby," is straight from the original with no attempt to add anything new. In short, "Baby John" is a shameful copycat film that doesn't even attempt to make itself stand out. It's lazy, uninspired, and a huge disappointment. If you want to watch the original movie, go ahead and do it, but don't waste your time with this mindless, soulless remake.

Positives: 1. First, I want to thank S. Thaman for delivering an incredible score that elevates the cinematic 1. First, I want to thank S. Thaman for delivering an incredible score that elevates the cinematic experience. His music immerses you completely, creating a trance-like effect with its energy and rush.

. His music immerses you completely, creating a trance-like effect with its energy and rush.

2. Having not watched Theri, I found this movie enjoyable on its own merits.

3. The cinematography is stunning, much like Jawan. The frames and tones are well-crafted, presenting Varun Dhawan with vibrant visuals and an engaging color palette.

4. The performances are solid each actor delivered what the story demanded, neither overacting nor underperforming.

5. The direction is impressive, especially for a debut. It showcases strong scene transitions, a cohesive narrative flow, and excellent portrayal of Varun Dhawan and Jackie Shroff.

6. The screenplay is well-paced despite the 170-minute runtime. It maintains entertainment throughout with a perfect blend of comedic gags, songs, mass moments, action choreography, and romance.

Negatives: 1. While I haven't seen Theri, the story feels average it's decent but lacks novelty.

2. The emotional scenes lack impact. They're rushed due to editing, making it hard to connect with the moments.

3. The film's "mass" appeal could have been amplified with more impactful dialogues that elicit whistles and cheers.

4. The relationship between Varun Dhawan and Keerthy Suresh feels underdeveloped, failing to create the emotional depth needed for stronger engagement.

Summary: Overall, this is a film that delivers pure entertainment. It offers an adrenaline rush, keeping you engaged and making for a worthwhile experience in the theater.

The Hindi remake of Theri struggles to capture the essence of the original, despite a few strong performances. Varun Dhawan, though solid in the latter parts of the film, overacts in the early scenes, particularly with forced dialogue like "Mere jaise bahut aaye honge, but main pehli baar aaya hoon." His emotional depth is average, but a standout moment comes during an intense scene involving Nanaji's son.

Keerthy Suresh, in a role made iconic by Samantha, could have delivered more. Though she holds her own, her performance lacks the emotional intensity needed. The supporting cast shines, with Sheeba Chaddha adding charm to her role, and Jackie Shroff stealing the show as the antagonist. Wamiqa Gabbi, despite a promising character as an undercover agent, feels underused.

The film's pacing suffers due to an overabundance of songs, which slow down the narrative, though the background music does add intensity. The direction is competent but lacks the emotional depth that could have elevated the film. While the plot follows the original, the inclusion of Wamiqa's subplot doesn't feel fully integrated.

Overall, the remake is an average watch-solid performances from some, but it fails to leave a lasting impact.

Baby John is the kind of film that makes you question why certain stories still make it to the big screen. It's a loud, brain-numbing mess that recycles the same old masala formula, sprinkled generously with over-the-top slow-motion action sequences that feel more like filler than flair. Not a single punch, be it in dialogue or combat, lands with any real impact.

Keerthy Suresh, despite her undeniable talent, is reduced to a forgettable prop, adding zero charm or depth to the narrative. On the flip side, Wamiqa Gabbi emerges as the film's only silver lining, effortlessly holding her ground and adding a dash of charisma in an otherwise dull affair. The child actor is another unexpected gem, delivering a surprisingly heartfelt performance that momentarily lifts the film out of its monotony. And then there's Jaggu Da, who slips into his role with his usual effortless brilliance.

But if there's one thing that truly tests your patience, it's the background score, a relentless, ear-piercing racket that makes you wonder how anyone survived this in a cinema hall. And just when you think the nightmare is over, in walks Salman Khan during the end credits, hammering the final nail into the coffin of what's now possibly the most cringeworthy cinematic universe ever attempted.

Baby John isn't just avoidable, it's a straight-up endurance test. Watch it only if you enjoy cinematic torture.

Baby John: A Disappointing Imitation of "Theri" "Baby John" sadly falls flat as a pale imitation of the South Indian action-thriller "Theri." While attempting to replicate the successful formula of its predecessor, it stumbles into a realm of overacting and predictable plot points, leaving the audience feeling thoroughly unimpressed.

The film's narrative, a thinly veiled copy of "Theri," lacks originality and fails to captivate viewers. The predictable storyline, filled with cliches and formulaic plot twists, offers little to no surprises. The protagonist, Baby John, while attempting to embody the charismatic persona of Vijay from "Theri," comes across as a shallow imitation, devoid of the depth and nuance that made the original character so compelling.

The acting performances, unfortunately, are a major letdown. The actors seem to be overcompensating for the lack of a strong script, resulting in exaggerated expressions and melodramatic portrayals. This overacting further diminishes the film's credibility and detracts from the overall viewing experience. The dialogue, too, is often cringeworthy, filled with forced humor and predictable one-liners that fail to elicit any genuine laughter.

The action sequences, while attempting to replicate the high-octane thrills of "Theri," fall short in terms of execution. They appear poorly choreographed and lack the finesse and impact of the original. The special effects are also underwhelming, further diminishing the impact of the action scenes.

In conclusion, "Baby John" is a disappointing cinematic experience that fails to live up to the expectations set by its inspiration, "Theri." The film suffers from a lack of originality, poor acting performances, and underwhelming action sequences. Viewers seeking a thrilling and engaging cinematic experience are advised to steer clear of this predictable and underwhelming imitation.