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T2 Trainspotting

  • 2017
  • 16
  • 1 Std. 57 Min.
IMDb-BEWERTUNG
7,1/10
138.138
IHRE BEWERTUNG
BELIEBTHEIT
2.927
508
Ewan McGregor, Robert Carlyle, Jonny Lee Miller, and Ewen Bremner in T2 Trainspotting (2017)
First there was an opportunity......then there was a betrayal.
 
Twenty years have gone by. Much has changed but just as much remains the same. Mark Renton returns to the only place he can ever call home. They are waiting for him: Spud, Sick Boy, and Begbie.
trailer wiedergeben1:54
82 Videos
99+ Fotos
Dark ComedyComedyCrimeDrama

Fortsetzung der Trainspotting-Saga, in der die alten Figuren wieder zusammentreffen.Fortsetzung der Trainspotting-Saga, in der die alten Figuren wieder zusammentreffen.Fortsetzung der Trainspotting-Saga, in der die alten Figuren wieder zusammentreffen.

  • Regie
    • Danny Boyle
  • Drehbuch
    • John Hodge
    • Irvine Welsh
  • Hauptbesetzung
    • Ewan McGregor
    • Ewen Bremner
    • Jonny Lee Miller
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,1/10
    138.138
    IHRE BEWERTUNG
    BELIEBTHEIT
    2.927
    508
    • Regie
      • Danny Boyle
    • Drehbuch
      • John Hodge
      • Irvine Welsh
    • Hauptbesetzung
      • Ewan McGregor
      • Ewen Bremner
      • Jonny Lee Miller
    • 348Benutzerrezensionen
    • 406Kritische Rezensionen
    • 67Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 6 Gewinne & 8 Nominierungen insgesamt

    Videos82

    Legacy Trailer
    Trailer 1:54
    Legacy Trailer
    U.S. Trailer #2
    Trailer 2:15
    U.S. Trailer #2
    U.S. Trailer #2
    Trailer 2:15
    U.S. Trailer #2
    Trailer #1
    Trailer 1:56
    Trailer #1
    Teaser Trailer
    Trailer 0:51
    Teaser Trailer
    Ranting Renton
    Clip 0:40
    Ranting Renton
    Ranting Renton
    Clip 0:40
    Ranting Renton

    Fotos305

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    Topbesetzung77

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    Ewan McGregor
    Ewan McGregor
    • Renton
    Ewen Bremner
    Ewen Bremner
    • Spud
    Jonny Lee Miller
    Jonny Lee Miller
    • Simon
    Robert Carlyle
    Robert Carlyle
    • Begbie…
    Logan Gillies
    • Simon (aged 9)
    Ben Skelton
    • Renton (aged 9)
    Aiden Haggarty
    • Spud (aged 9)
    Daniel Smith
    • Begbie (aged 9)
    Elijah Wolf
    Elijah Wolf
    • Tommy (aged 9)
    Steven Robertson
    Steven Robertson
    • Stoddart
    John Kazek
    • Tom (Rehab Group)
    Shirley Henderson
    Shirley Henderson
    • Gail
    Charlie Hardie
    • Fergus (aged 9)
    Scott Aitken
    • Farmer
    Gordon Kennedy
    Gordon Kennedy
    • Tulloch
    Angela Nedyalkov
    Angela Nedyalkov
    • Veronika
    • (as Anjela Nedyalkova)
    Tereza Duskova
    Tereza Duskova
    • Tourism Girl
    Elek Kish
    • Dozo
    • Regie
      • Danny Boyle
    • Drehbuch
      • John Hodge
      • Irvine Welsh
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen348

    7,1138.1K
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    Empfohlene Bewertungen

    8grantss

    Great follow-up to a brilliant movie

    20 years after betraying his friends and running off with (almost) all the money from a scam, Mark Renton is back in Edinburgh. It is his first time back since the events that split him, Spud and Simon apart. He looks up Spud and Simon but their lives are hardly much better than when he last saw them. Spud, after getting his life together, has seen it all unravel, to the point that he is suicidal. Simon is running his father's loss-making pub, in between bouts of blackmail. Meanwhile, the fourth person in their caper of 20 years' ago, the psychotically intense Begbie, is in jail. He has no intention of staying incarcerated and revenge is foremost on his mind...

    The original Trainspotting was brilliant. Funny, gritty and harrowing it dealt with the issue of drug addiction in a suffocatingly intense yet humorous way. It wasn't just about drug addiction but friendship and, ultimately, about a crime caper and betrayal.

    Directed by Danny Boyle, who directed Trainspotting 1, Trainspotting 2 doesn't have the grimness of the first movie, as the drug addiction side is hardly a factor. For me, that is what made Trainspotting 1 a masterpiece, the way it covered drug addiction in a realistic yet humorous manner. T2 is more about friendship and the after-effects of T1's betrayal, resulting it being more of an action-revenge sort of movie.

    Plot is good, though there are some contrivances and inconsistencies. Quite emotional at times too, as we see some loops from T1 closed, friends reunited and 40-somethings taking stock of their lives.

    Humour-wise, T2 is great, and as good as, if not better than, T1. Some very funny scenes and dialogue.

    Not essential that you've watched T1 to follow and enjoy T2, as there are enough flashbacks and other clues to fill you in on what happened in T1. However, watching T1 before T2 certainly would help the experience. There are plenty of side-references and subtle nods to T1 and these enhance the enjoyment of T2.

    Overall, a great movie, though not in the same league as Trainspotting 1. Very funny at times, with a good plot and some interesting themes.
    6showmethemoviescontact

    T2 Trainspotting

    An immensely challenging sequel to produce; Danny Boyle's reprisal was never going to satisfy old fans and newcomers alike.

    After twenty years, there would be obvious ambiguity in how to go about writing and directing this cult-classics' sequel. 2017 is brimming with sequels of both original movies and installments to well-established series; thus this may be a recurring issue in the near future. T2 Trainspotting is very clearly a movie made for the fans of the original, for people who loved the first film but haven't watched it in years, and have fond memories of it. This film preys upon the fact that some people will be so wound up in their own nostalgia that they won't give this film the independence from the original it needed.

    T2 struggles to declare itself a story of its own; literal scenes from the original Trainspotting are shown to portray a reflection on the past repeating itself; but all that this shows is an unwillingness to write a completely original plot. It is likely Danny Boyle did this to appease fans, as going in a completely different direction would then annoy those who are devoted to the first film.

    The story has a great premise; the Mark Renton (Ewan McGregor) returns to Scotland and meets with the lovable Spud (Ewen Bremner) and best-pal Simon (Jonny Lee Miller) once again - much to their initial disgust. Not long after, the return of Begbie (Robert Carlyle) fills the plot with more drama than a soap opera. The events that take place are mostly for comedic purpose, under the premise that the audience already know the characters (fair to assume, but not taking into account standalone viewers). A specific scene in which Simon and Mark are forced to perform a song in a loyalist pub had me laughing out loud in the cinema; so often the attempts at making the film light- hearted were received with a good response.

    That being said, one of the things about the original is that it wasn't light hearted in the slightest. The characters were the only thing lovable about the film, not what happened to them necessarily, whereas T2 swaps this around - the environments were far more ostentatious in this film, bright neon lighting and fewer disgusting and dull backdrops make for a more optimistic view in this film - quite the opposite of what the original was about. It seems in trying to appease the fans of the original and placing the same characters in a repetitive-yet more flamboyant setting has managed to stray from the roots of what made Trainspotting great.

    T2 could have been set anywhere provided the main characters still acted in the way that they do, and that's a shame - every piece of Trainspotting was necessary to put together the plot that was made.

    Despite all of this - T2 is a good film. It's not a great film, but it certainly isn't awful either. Its' greatest failing is that it can't decide whether to create an entirely new story - which would abandon the roots of the original - or to re-hash Trainspotting - which would be total cowardice. The film does the worst of both worlds, in that it doesn't have a great deal of original thought but it also doesn't capture what the first film did.

    On its own merits, T2 is a funny film; and it is enjoyable to watch. I didn't leave the theatre as disappointed as I would have anticipated, and the film didn't fail to put a smile on my face during. Despite the 20 year gap, the actors clearly haven't lost track of their alter-ego's nature - the performances were great and the chemistry that the actors had was immense, with a gleaming nod to Robert Carlyle.

    I can still say I recommend T2, its not like the original in terms of quality or theme, but I would be lying if I said I didn't enjoy myself. I can make an odd comparison to another sequel, Aliens, in that both T2 and Aliens are very enjoyable, but both films also spoil the point of their predecessor in a sense.
    bob the moo

    Has enough style and energy to get over its weaknesses, and has a lot that will work for people of a certain age

    The return of Trainspotting to the screen such a weird bit of timing. The cast are almost all moved on to very successful careers in cinema and television, with a range of big and personal projects between them. Likewise the film sits in a period in the mid-90's where cinema seemed so vibrant with ideas and new directors (most of whom are now the new establishment); so returning to a place with that establishment didn't think it would work - particularly seeing so many big name actors trying to convince as broken shells. It felt like it would be an exercise in looking back, rather than being a new film in and of itself.

    I thought this would be a negative, but actually this is what the film does, but it is a strength not a weakness. The film reconnects with the characters, who are all in their different places, some having moved more than others. Regardless though, they are all looking back. Some of them look back with fondness when their violence was at its peak, others feel regret for what little they have to show for life - some putting that on themselves, others putting it into blame on others for closing off options. This sense of hitting a certain age and looking back is universal I think, and it works well here. The base plot is not as good, but this element of nostalgia (fond and regretful) mixes across the film well and carries it through.

    It also allows the film to do what it does in terms of style. It references the original film a lot, but thanks to this theme, it doesn't feel like it is trying to replicate it or ride on its coattails, but rather it is a touchpoint for the characters, the cast, the crew, and the viewer. Doing this strengthens that theme. Of course, it also repeats the energy of the original film, with the director/cinematographer very much pushing the style and design. This doesn't work quite as well when sometimes there is not quite the substance to carry it off.

    How it would work for younger viewers, or those who have never seen the first film, I don't know. But for me it had the style and energy it needed to keep it all moving, but what worked most was that it took that feeling of a backwards looking film, and made that a strength that ran through the 4th wall from the characters out to the production and to the viewer. It is not a match for the original film but it works very well as a companion piece.
    7subxerogravity

    It was OK, If you're looking for it to be more than that, too bad.

    It's an OK movie. Don't really need to see the first one to like the second one, as it's about four people reconnecting with each other after twenty years, and most of the story's content is like that. Although, most of the plot does revolve around what happen in the original movie and is implemented with the idea that you did see the first one as Mark stupidly returns to his old stomping grounds knowing he stole money from his "mates"(As they say across the pond) and you can only imagine what happen afterwards.

    The Franco character was the most interesting to catch up with. Despite spending most of his time in jail since the last movie, he seemed to have the most interesting situation to come back to, with a wife who did not truly miss him and a son who's becoming a man far different than the one he is as Franco has the same mentality he had when he got locked up, that no longer fits.

    When we last left Mark, it seemed like he was going to do something more with his life, but as it turned out that was not the case as he has some what of a mid-life crisis when he realized his life sucks.

    While Sick Boy (Now preferring Simon) and Spud seem to be stuck where they were Twenty Years ago (It happens, especially when drugs are in the mix).

    T2 does not seem as lively as the originally, but in many ways this makes perfect sense, as the movie is all about getting older, and the type of person you are in your Twenties vs. who your are later in life.

    It has it's amusing moments, but it does make me question weather Danny Boyle made this sequel simply for nostalgia reasons. He does not seem like that type of filmmaker, yet this movie falls into the great sequel trap as I felt not enough has changed in the past twenty years and I was expecting more.

    Although I did like how the film making was done to reflected how these characters have not changed. Using a lot of camera angles and other tricks Boyle did in the very first movie.

    I like the first movie, but not that much to really care about T2, but it did make me wonder what would happen next to these guys. For those of you who did love the original that much, I think you are in for a little bit of a let down.

    http://cinemagardens.com
    8gricey_sandgrounder

    It's as if they never left

    Sequels long after its original is always risky business. Especially one that I did not think needed it. But director Danny Boyle is back with a follow-up to one of the most influential British films of all-time.

    I had only seen Trainspotting for the first time several years ago. I remember being quite impressed by it, despite me never going nuts for drug-related films. I was more interested by the style of film- making and well developed characters. It also contain one of the most distressing scenes I have seen in any film.

    21 years later, and now we see where the lads are now. I saw the trailer to see if it's going to be worth it, and I was surprised how good it looked. Some of the dialogue I was hearing sounded like we were instantly back in this mad environment. With the trailer doing plenty to get me intrigued, I had pretty solid hopes for a worth sequel.

    Amazingly, I felt it managed to all come together. For something that I'm sure Boyle holds very dearly to his heart, you would expect him to never go near this work again. Especially when he has never done a sequel before. But we are now here, and I think everyone did a grand job. I did not get the sense that the makers made this for an easy box office return. I felt it was there to be an actual follow-up to the events from 1996, which is fantastic to see. The tone is definitely being aimed at the people who grew up with the original. With that in mind, it will be interesting to see how it works to the generation that are of the age the cast were in the original, and see if it can relate to a broad age range.

    The gang are back, and all four of them were great in their performances. Honestly, it was like they had never left. Ewan McGregor holds the film well as Renton, has many strong moments and you can tell he is enjoying getting back in the saddle. Roberty Carlyle continues to be as hilarious as Begbie was back in the day. Ewen Bremner as Spud shines the most for me, was given great development and became such a pivotal part of this sequel. I was really surprised to see Johnny Lee Miller give a great performance, as it is only recently that he has got back into movie acting after being busy with a TV series.

    Another thing some sections of the audience like to see with sequels, is the level of nostalgia. The use of that and memory was cleverly done. It felt like it meant something, instead of just making us think "I'd rather be watching the original".

    I have only very minor negatives. There were moments that felt a bit scattered at times and did not feel that well connected to the main story.

    I was not expecting this to be so enjoyable. Boyle and his done have done a great job by keeping this a down-to-earth story and making feel like it deserves a second installment. I think what the films big strengths are, is what made the original so successful. The characters are still as memorable as ever, the writing is sharp and funny when needed, the visuals are engrossing and impactful, and the soundtrack is strong. They also managed to make the film worth seeing for people who haven't even seen the original, which was impressive to see.

    When you think about it, a lot of Danny Boyle's work is about friendship, and this one is no different. I will continue to be excited for his next project, after making what will probably one of the big surprises of 2017. What a start to the year!

    Rating: 8/10

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    • Wissenswertes
      Jonny Lee Miller offered to shave his head to look older, but Danny Boyle insisted that Sick Boy retain his iconic blond hair.
    • Patzer
      Spud and Renton both state that Renton left Spud £4,000 at the end of Trainspotting. "His share." If you go back and watch Trainspotting the money is in £2,000 bundles. Renton only leaves 1 bundle in the box at the airport.
    • Zitate

      Veronika: What's 'Choose life'?

      Renton: What?

      Veronika: 'Choose life'. Simon says it sometimes. He says "Choose life, Veronika!"

      Renton: 'Choose life'. 'Choose life' was a well meaning slogan from a 1980's anti-drug campaign and we used to add things to it, so I might say for example, choose... designer lingerie, in the vain hope of kicking some life back into a dead relationship. Choose handbags, choose high-heeled shoes, cashmere and silk, to make yourself feel what passes for happy. Choose an iPhone made in China by a woman who jumped out of a window and stick it in the pocket of your jacket fresh from a South-Asian Firetrap. Choose Facebook, Twitter, Snapchat, Instagram and a thousand others ways to spew your bile across people you've never met. Choose updating your profile, tell the world what you had for breakfast and hope that someone, somewhere cares. Choose looking up old flames, desperate to believe that you don't look as bad as they do. Choose live-blogging, from your first wank 'til your last breath; human interaction reduced to nothing more than data. Choose ten things you never knew about celebrities who've had surgery. Choose screaming about abortion. Choose rape jokes, slut-shaming, revenge porn and an endless tide of depressing misogyny. Choose 9/11 never happened, and if it did, it was the Jews. Choose a zero-hour contract and a two-hour journey to work. And choose the same for your kids, only worse, and maybe tell yourself that it's better that they never happened. And then sit back and smother the pain with an unknown dose of an unknown drug made in somebody's fucking kitchen. Choose unfulfilled promise and wishing you'd done it all differently. Choose never learning from your own mistakes. Choose watching history repeat itself. Choose the slow reconciliation towards what you can get, rather than what you always hoped for. Settle for less and keep a brave face on it. Choose disappointment and choose losing the ones you love, then as they fall from view, a piece of you dies with them until you can see that one day in the future, piece by piece, they will all be gone and there'll be nothing left of you to call alive or dead. Choose your future, Veronika. Choose life.

    • Crazy Credits
      The initial final credits appear over modified scenes of tower blocks and other buildings being demolished. Once the cast credits appear, the background changes to amorphous, swirling, mainly black/ white/ grey shapes.
    • Verbindungen
      Featured in Film '72: Folge #45.10 (2016)
    • Soundtracks
      Shotgun Mouthwash
      Performed by High Contrast

      Written by Lincoln Jordan Barrett

      Courtesy of 3 Beat Productions Ltd / All Around The World

      Under license from Universal Music Operations Ltd

      Published by 3Beat Music Limited

      Administered By Kobalt Music Publishing Ltd

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    Details

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    • Erscheinungsdatum
      • 16. Februar 2017 (Deutschland)
    • Herkunftsländer
      • Vereinigtes Königreich
      • Vereinigte Staaten
    • Offizielle Standorte
      • Official Facebook
      • Official Twitter
    • Sprachen
      • Englisch
      • Bulgarisch
      • Schottisch
    • Auch bekannt als
      • T2 Trainspotting: La vida en el abismo
    • Drehorte
      • Sofia, Bulgarien(final sequence with Veronika at train station)
    • Produktionsfirmen
      • TriStar Pictures
      • Film4
      • DNA Films
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    Box Office

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    • Budget
      • 18.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 2.402.004 $
    • Eröffnungswochenende in den USA und in Kanada
      • 170.575 $
      • 19. März 2017
    • Weltweiter Bruttoertrag
      • 41.681.746 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 57 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.85 : 1

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