Ein Leuchtturmwärter und seine Frau, die vor der Küste Westaustraliens leben, ziehen ein Baby auf, das sie aus einem treibenden Ruderboot gerettet haben.Ein Leuchtturmwärter und seine Frau, die vor der Küste Westaustraliens leben, ziehen ein Baby auf, das sie aus einem treibenden Ruderboot gerettet haben.Ein Leuchtturmwärter und seine Frau, die vor der Küste Westaustraliens leben, ziehen ein Baby auf, das sie aus einem treibenden Ruderboot gerettet haben.
- Auszeichnungen
- 2 Gewinne & 19 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe movie was filmed in Stanley, a quiet seaside town in north-west Tasmania. Local spokespersons hoped the film would enhance the amount of tourists in the area.
- PatzerA framed photograph of Frank and Grace is shown on a shelf at approximately 1:08 in the movie. It appears that Frank is holding the baby in his right arm. This is a reversed image as evidenced by the direction his vest is buttoned. The same framed photo is shown twice later in the movie: at 1:35 sitting on what looks to be the same shelf and again at 1:57 being held in Hannah's hands. These show the correct orientation of the image with the child being held in his left arm.
- Zitate
Frank Roennfeldt: You only have to forgive once. To resent, you have to do it all day, every day, all the time. You have to keep remembering the bad things. It's too much work.
- Alternative VersionenIn Singapore, the film was edited in order to obtain a PG classification. The distributor removed an entire sex scene from the film (between Tom and Isabel, in which some sexual movements and brief breast nudity is shown). The film was later passed M18 uncut for it's video release.
- SoundtracksAll Things Bright and Beautiful
Music by William H. Monk (uncredited) and lyrics by Cecil F. Alexander (uncredited)
[Incorrectly credited as 'Traditional']
Ausgewählte Rezension
Derek Cianfrance, who directed the poignant Blue Valentine and the riveting The Place Beyond the Pines, brought probably the best out of Michael Fassbender and Rachel Weisz in quite some time, even if the film pulls at your heart strings a few too many times.
Amidst the beautiful landscaping shots of sunsets, beaches, and oceanic views, Cianfrance crafts the story of a couple who desperately want a child but can't have one, extremely well. As much as this film deals with tragedy, grief, and sorrow there was something so beautiful about the way Cianfrance tells the story. It unfortunately becomes flooded with sadness and difficult circumstances, but I never stopped rooting for these characters. Even when they are at the brink of a bad decision, I wanted the best.
That can be directly contributed to the terrific performances from the cast, and particularly Fassbender, Vikander, and Weisz. Fassbender brings so much power and gravitas to his roles, but I've never seen him so vulnerable. We saw a peek at the emotional weight he can bring to his characters in X-Men: Apocalypse last spring, but nothing can prepare you for his heartbreaking turn in this film.
Vikander and Weisz are just as good. All 3 characters have bad qualities and choices that could turn them into unlikable human beings, but Weisz and Vikander add a graceful human touch to their roles. Though Vikander doesn't have children in real life, I believed she could be a mother someday with her turn. Weisz on the other-hand is a mother, and that motherly instinct exudes onto the screen. Both performances are so mind-bendingly good.
One of the issues that's been brought up about this film is its over-reliance on pulling at your heart strings. It's a valid argument, especially considering all of the tragedy and horrible circumstances that occur. I can't really say it's a film I will revisit, but at the same time, I found Cianfrance's directing and the performances enough to get over the depressing nature of the film's plot. It's not an easy watch by any stretch of the imagination, but it's an important one for sure.
+Oscar worthy performances from all 3 leads
+Beautifully shot
+Cianfrance's style
-Manipulative at times
7.7/10
Amidst the beautiful landscaping shots of sunsets, beaches, and oceanic views, Cianfrance crafts the story of a couple who desperately want a child but can't have one, extremely well. As much as this film deals with tragedy, grief, and sorrow there was something so beautiful about the way Cianfrance tells the story. It unfortunately becomes flooded with sadness and difficult circumstances, but I never stopped rooting for these characters. Even when they are at the brink of a bad decision, I wanted the best.
That can be directly contributed to the terrific performances from the cast, and particularly Fassbender, Vikander, and Weisz. Fassbender brings so much power and gravitas to his roles, but I've never seen him so vulnerable. We saw a peek at the emotional weight he can bring to his characters in X-Men: Apocalypse last spring, but nothing can prepare you for his heartbreaking turn in this film.
Vikander and Weisz are just as good. All 3 characters have bad qualities and choices that could turn them into unlikable human beings, but Weisz and Vikander add a graceful human touch to their roles. Though Vikander doesn't have children in real life, I believed she could be a mother someday with her turn. Weisz on the other-hand is a mother, and that motherly instinct exudes onto the screen. Both performances are so mind-bendingly good.
One of the issues that's been brought up about this film is its over-reliance on pulling at your heart strings. It's a valid argument, especially considering all of the tragedy and horrible circumstances that occur. I can't really say it's a film I will revisit, but at the same time, I found Cianfrance's directing and the performances enough to get over the depressing nature of the film's plot. It's not an easy watch by any stretch of the imagination, but it's an important one for sure.
+Oscar worthy performances from all 3 leads
+Beautifully shot
+Cianfrance's style
-Manipulative at times
7.7/10
- ThomasDrufke
- 1. Sept. 2016
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- The Light Between Oceans
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 20.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 12.545.979 $
- Eröffnungswochenende in den USA und in Kanada
- 4.765.838 $
- 4. Sept. 2016
- Weltweiter Bruttoertrag
- 25.975.621 $
- Laufzeit2 Stunden 13 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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