IMDb-BEWERTUNG
6,9/10
7417
IHRE BEWERTUNG
Einem Möchtegern-Regisseur werden von einem Produzenten 48 Stunden gegeben, um den besten Schmerzensschrei zu finden, der einen Oskar wert wäre - die einzige Auflage für die Finanzierung sei... Alles lesenEinem Möchtegern-Regisseur werden von einem Produzenten 48 Stunden gegeben, um den besten Schmerzensschrei zu finden, der einen Oskar wert wäre - die einzige Auflage für die Finanzierung seines Films.Einem Möchtegern-Regisseur werden von einem Produzenten 48 Stunden gegeben, um den besten Schmerzensschrei zu finden, der einen Oskar wert wäre - die einzige Auflage für die Finanzierung seines Films.
- Auszeichnungen
- 2 Gewinne & 4 Nominierungen insgesamt
Empfohlene Bewertungen
This is an incredibly odd film that basically occupies itself with contradicting everything you might expect. From the narrative structure of the film itself, down to the smallest details. A little girl's name is Reality yet she experiences things that can't possibly happen like seeing a videotape come out of a boar's stomach or her mother reading her a bedtime story that exactly recounts what happened to her that day. A cooking show host wears a rat costume (hygiene?), a french speaking producer has an American name (Bob Marshall), a starting director pitches the worst idea for a movie ever and says it took him four years to come up with it and the producer likes it but focuses on a very small detail. The movie is build on these types of contradictions, leading to funny scenes (the smoking scene is hilarious), but often to just plain absurdity.
Because the narrative structure of the movie itself is contradictory to what you as a viewer expect from a movie the whole thing stays enjoyable, literally anything can happen. In the end everything sort of works out and the story lines are tied in with each other in a way that makes sense. Not 'real' sense, but within the movie's logic (or lack thereof). I agree with another reviewer that one can't really compare this movie to anything else (maybe Dupieux earlier film Wrong), which makes grading it a tad difficult. On the whole I found it an incredibly amusing experience, though I can understand that other people might not. But if you are open minded about movies...
Step into the world of Realité, in which secretaries are creepy, you can go into work and discover that you are already there and if you decline a cigarette because you don't smoke, you will get one forced on you.
Because the narrative structure of the movie itself is contradictory to what you as a viewer expect from a movie the whole thing stays enjoyable, literally anything can happen. In the end everything sort of works out and the story lines are tied in with each other in a way that makes sense. Not 'real' sense, but within the movie's logic (or lack thereof). I agree with another reviewer that one can't really compare this movie to anything else (maybe Dupieux earlier film Wrong), which makes grading it a tad difficult. On the whole I found it an incredibly amusing experience, though I can understand that other people might not. But if you are open minded about movies...
Step into the world of Realité, in which secretaries are creepy, you can go into work and discover that you are already there and if you decline a cigarette because you don't smoke, you will get one forced on you.
I've seen my fair share of confusing films throughout my life. But they're usually confusing in such different ways. I don't think i'd ever seen a film quite like this. It can definitely be enjoyable on a scene-to-scene basis, no doubt, but it can also leave you wondering just what exactly is going on. Does the film amount to anything? I'm not quite sure, but I did enjoy it. It's ded=finitely a very divisive film, one where people will either love or hate (and the reason I don't either is because I do think I'm more open tot his sort of thing. I wouldn't recommend this to all audiences (maybe not even to most) but I do think there is a lot of merit here.
There is genius in this film. If you are bored with much of the formulaic output of Hollywood, but still have a passion for film, this might just be for you. Granted, it's not for everyone. I can only speak for myself. I still have chills from my first viewing. Only after it was over did I understand I had just watched the second film from the man behind Rubber. Glad I didn't even know, as expectations would have been quite high. Having grown up with rented video tapes in the 80's, this speaks to me on an intuitive level, using a language of cues, but remixed with a great deal of finesse and an engaging visual style, which had me grabbing frames here and there for inspiration in my architectural work. While shot with a keen eye for color, depth and composition, the film's strength lies in its mastery of the time domain.
The storyline edits weave jaggedly into each other in a provocative manner and the art house ingredient, psychedelic in its simplicity, works its magic once it has taken hold of you. I see no room for improvement here, it is simply a great work. Where Rubber was a testament to the strength of the storytelling formula, this is the master wielding it just forcefully enough to grab people's attention. I suspect there's a lot more where this came from. As someone who lives with parts of stories, unfinished tracks slaved over in the recording studio, this ode to the behind- the-scenes heroics of unsung heroes was beyond captivating. Like an Ayahuasca trip, it is best described as liberating...like an itch, scratched at last. Bravo!
The storyline edits weave jaggedly into each other in a provocative manner and the art house ingredient, psychedelic in its simplicity, works its magic once it has taken hold of you. I see no room for improvement here, it is simply a great work. Where Rubber was a testament to the strength of the storytelling formula, this is the master wielding it just forcefully enough to grab people's attention. I suspect there's a lot more where this came from. As someone who lives with parts of stories, unfinished tracks slaved over in the recording studio, this ode to the behind- the-scenes heroics of unsung heroes was beyond captivating. Like an Ayahuasca trip, it is best described as liberating...like an itch, scratched at last. Bravo!
I saw this film at the Film Fest Ghent 2014, where it was part of the official Competition. Previously, I saw Rubber of the same film maker at the Imagine film festival 2011 in Amsterdam. I wrote a positive review at the time, accepting the fact that I was a minority. Most others could not appreciate the absurd undertone and the almost absent narrative.
Recalling my good memories in favor or Rubber, it may be possible that I had expected more of this successor. Nevertheless, it delivers an absurd story you'd expect from this film maker. Compared with Rubber there are less LOL (laughing out loud) moments, however. Instead, we can enjoy a humorous undertone all along the running time, while contradictions and absurdities come along in abundance.
It is no use to condense the story in a few lines, not even several paragraphs won't do, still without any chance of getting the absurd message(s) across. Brace yourself, and let this movie come over you. It may change your view on film and film making. On the other hand, I sincerely hope that we do not have to take this backstage view on the film industry seriously.
All in all, in spite of (or thanks to) all the controversies this film maker causes, I look forward to more products along the same line. His products are well made, and supported by good actors. That his narratives lack a logical story line, is more like a signature rather than a defect.
Recalling my good memories in favor or Rubber, it may be possible that I had expected more of this successor. Nevertheless, it delivers an absurd story you'd expect from this film maker. Compared with Rubber there are less LOL (laughing out loud) moments, however. Instead, we can enjoy a humorous undertone all along the running time, while contradictions and absurdities come along in abundance.
It is no use to condense the story in a few lines, not even several paragraphs won't do, still without any chance of getting the absurd message(s) across. Brace yourself, and let this movie come over you. It may change your view on film and film making. On the other hand, I sincerely hope that we do not have to take this backstage view on the film industry seriously.
All in all, in spite of (or thanks to) all the controversies this film maker causes, I look forward to more products along the same line. His products are well made, and supported by good actors. That his narratives lack a logical story line, is more like a signature rather than a defect.
damn, before watching, i had no clue what to expect, and after watching it, i still don't know what happened. The name is very suiting and everything about the story is insane, its so confusing and amazing. At least for me. The first half of the movie is just like a normal movie, with a few interesting scenes and story lines. but once you get into the 50 minute mark, your mind gets blown and the score you were planning on giving rises from a 6 to a 8, 9 or 10. But if you don't like unique and strange movies (which i don't think a lot of people do, this is truly unique to not like it) your score might drop lower to a 3 or a 4. I saw one review of this movie saying he got too bored after 30 minutes and stopped watching the movie, well i guess he missed the good crazy parts that make this movie so special, unique, bizarre, and in a strange way incredibly good. The simple utter confusion of the movie is what makes this one so special and good. simply a must watch. Be prepared to get confused!
WUSSTEST DU SCHON:
- WissenswertesIn one scene you can clearly see that ''Rubber 2'' is playing in the cinema that shows "Waves".
- PatzerWhen Alain Chabat is going to his car to sleep, we can see him lower the seat and preparing his pillow, when he woke up from his dream, the seat is up and the pillow is not there anymore.
- VerbindungenFeatured in In My Dreams (2018)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Reality
- Drehorte
- Los Angeles, Kalifornien, USA(main setting)
- Produktionsfirmen
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Box Office
- Weltweiter Bruttoertrag
- 429.220 $
- Laufzeit1 Stunde 35 Minuten
- Farbe
- Seitenverhältnis
- 1.66 : 1
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