Monsieur Lazhar

This film has what it takes to be one of the 5 entries in Oscar 2012 foreign film category. Unlike another french film 'un class', Monsieur Lazhar deals with the issue of moving on from a tragic event, to continue carrying out the role of teaching schoolchildren.

I am only half correct to say that this movie deals with the healing process, because while it seems to be that way, observers will realize that it is not quite possible to heal the wounds of all parties, due to bureaucracy, conflicts and cultural differences. And it is not possible to pretend that nothing has happened either. What I find fascinating about this film is that it chose not to be too ambitious in finding a good conclusion, but introduces all the elements of restraint and helplessness by the characters.

However, the movie offered surprises especially in the development of certain characters. Even though I disagreed with some of the support methods carried out (the movie sometimes forget these kids were below 12 years old) and I would have hoped to see more positive aftermath from the movie, the ending was very satisfying, when Lazhar, given the compromising situation, decides to give his classroom something that their previous teacher failed to do.

Monsieur Lazhar is another in a long line of inspirational teacher films set to show viewers that teachers are an unending source of inspiration and worldly advice. I have grown tired of this plot line and subsequent variations, but Monsieur Lazhar is a shining example of the inspirational teacher film and the poignancy of said films if executed correctly, with honesty and maturity.

Philippe Falardeau's (It's Not Me, I Swear and Congorama) film adaption of Evelyne de la Chenelière's play (she also plays Alice's mother), Monsieur Lazhar was nominated for an Oscar in the Best Foreign Language Film category as the official Canadian submission. The film tells the story of Bachir Lazhar (Mohamed Fellag), an Algerian immigrant hired at Montreal public grade school after the original teacher was found hanging from the ceiling of her classroom. The teacher, Martine Lachance, was found by one of her students, Simon (Émilien Néron) while he was delivering milk to the classroom as he always does every Thursday. The film continues to show the effects of death and the ways that the children try to deal with the loss, but also their grief, which at times seem to be stifled by the school.

Monsieur Lazhar, at the same time, is dealing with a loss of his own; having come to Canada seeking asylum and waiting for his wife and children to join him, only to have his family killed the night before they were supposed to leave Algeria. The film cuts between Bachir in the classroom (having the children do a dictation of Balzac, rearranging their desks, etc.) and Bachir outside of the classroom (picking up his wife's belongings, preparing for a hearing, etc.). No one knows of his painful past, nor of his refugee status; the school is under the impression that he is a permanent resident of Canada.

Bachir notices, because of his current dealing with grief, that the children are trying to communicate or express their feelings about the death of their teacher. The school has brought on a psychologist to help the children come to grips with their loss. Bachir realizes that it is merely a stop-gap, but is told "not to make waves". He continues to witness things that lead him to believe that the children want to talk about their teacher, Martine and also of the trouble they are having trying to understand something that may well be beyond their comprehension.

Monsieur Lazhar is a heart-warming, but at the same time, heart-wrenching story of how people (whether it be children or adults) trying to come to terms with the loss of a family member (albeit for the children it was a teacher, but school, at that young age, can be something like a second home). Bachir, himself, uses a very personal and poignant short story, that he wrote himself and reads to his class, in an effort to say goodbye - something that Martine Lachance never did. The film features some great performances from Mohamed Fellag as Monsieur Lazhar, Émilien Néron as Simon - a guilt-ridden child that feels responsible for his teacher's suicide - and Sophie Nélisse as Alice, the surprisingly mature young girl that has the courage to speak about the effects of Martine's decisions.

Kevin FilmPulse.net

Monsieur Lazhar is based on a play by Evelyne de la Cheneliere and it is a Canadian film in French with English subtitles. The film is about an immigrant from Algeria named Bachir Lazhar, who applies for a job at the local elementary school when there is a position open. In desperate need of a new teacher, the school hires him and Bachir starts shortly after. He is teaching a grade six class and what he was not prepared for is that several of the students are still in a state of grief because the previous teacher died and they were all quite attached to her and that is why the position was open and how he got the job. Bachir has a different teaching method than the class's previous teacher and a lot of what he says and does seems different to the students and a lot of what the curriculum and how the students behave and just life in Canada in general is somewhat strange to Bachir, having lived most of his life in Algeria. Putting those differences beside, Bachir tries to move on and be the best teacher that he can and soon he starts to warm up to the children in his class and he seems to get through to several of them as well and they start to really like him. However both at school in his classroom and even in his personal life, Bachir will have to deal with memories from the past, both of his own and his students and teach them how to grieve and deal with death as he has to face some of his own demons and personal problems as well. Over the years there have been many films made about inspirational teachers who win over classrooms of at once reluctant, or delinquent students only to have a big happy ending at the end. Some of those type of films have worked in the past and some have not. However, I find that it is a premise and plot device that has been used perhaps too often in films and is starting to get predictable and clichéd. I am very happy to say that Monsieur Lazhar avoided all that and went through a different formula with it's storytelling. Yes, it is about a teacher who has to win over his students, but there is so much more to the story as well. For one thing everything in this Montreal town in Quebec, is very foreign to Bachir, but he has a lot of self esteem and determination to set out and do his best for not only himself, but his students as well. He wants to leave behind his troubled past and start something new, which is hard at first, but he is giving his best effort to make it work. In dealing with the children he has a calm and very likable quality to him when he is teaching them. He generally also wants what is best for his students and for them to succeed not only in his class, but further along in life as well. What prevents this from coming together is the painful memories of the student's beloved first teacher who died just before Bachir, took the job. The school has counselors come in and the parents all try to do their best with the children and help them with the grief, guilt, sadness and other emotions that they are feeling, but unbeknownst to all of them, that the one who can truly relate to this incident and be the most help to the children at this time is Bachir, who is just getting to know the children and has never met the previous teacher, or really know anything about her. Putting the cultural and personal differences beside, he can reach these children in surprising and uplifting ways. This is a film just as much about death and how it not only affects children, but everyone else as well. How the film shows the different individuals trying to cope with it and how it doesn't always work, or perhaps takes more time for some than others, is an accurate picture and more lifelike and precise which I also appreciated about the film. The film plays everything quite quiet and low key, but the emotion we get out of the actors, and from the great script and direction is priceless. I felt extremely moved by the end of this film and felt that I got to know these characters and share their grief, heartaches and also loves and happiness. Bachir, himself is also a very interesting character with kind eyes and a warm smile and I really got to like him and his character throughout the movie. He is brilliantly played by Mohamed Fellag, who does a quiet and low key character, but with a lot of depth and feeling. It's a great performance. The performances from all the children are great in here as well. I liked this film because I think so many people will be able to relate and connect to it on several different levels, but we are also given a tremendous piece of entertainment to go along with it. I liked that this film took chances with what it talked about and showed us and ends up turning out to be quite relevant and relatable. The film will probably please most adult viewers and older teens may get a lot out of it as well. Even a day after seeing this film I still thought about it quite a lot and about the hold and power it held over me. At times happy, sad and overall an experience that I would certainly recommend. One of 2011's best films.

What happens when a class of 6th graders loses their beloved teacher to suicide? What happens when an Algerian immigrant applies to be their new teacher in a culture he is just beginning to understand? What is behind the teacher's stillness, his smile and his sad eyes? This film is a beautiful rendering of a stage play about love and loss, but also about hope. In this wonderfully-told story, the hope isn't trite, contrived or artificial. It's something you almost have to feel. It comes from the growing relationship between this strange teacher in a strange land, and his student children, so in need of his help.

The movie's cast is rich with great acting, by the kids of course, but here, if anything, they're outshone by Algerian actor Mohamed Fellag, whose face tells 1000 stories about where he has been and, perhaps, where he hopes to go.

The only things not perfect are the characters, for this writer and director have been too careful to give them - even the "best" of the children - no flaws. They are all more good than bad, but also complex in their own way, suffering the loss of one teacher and the growing pains of learning to learn from another.

This film gets my vote for Best Foreign Language Film, even over the excellent A Separation. Don't miss it!

It was just in today's newspaper where it was reported that teachers here would be given a code of conduct which they have to adhere to. I can only guess what these guidelines are and perhaps how strait-jacketed they will be in reducing the teacher to being a pure administrator and educator, without vested personal emotions to his or her class, something that only a robot or cyborg can deliver, lessons without emotion. And it's uncanny that this was also one of the themes being featured in this Canadian-French movie, a powerful tale revolving around a makeshift teacher and his students, moving from a period of confusion, blame and tragedy, toward reconciliation and healing for both parties.

I'm pretty sure all of us have a favourite teacher, or teachers, throughout our education in schools and institutions, and I bet it is likely that they all happen to be very personable and approachable, not to mention dedicated and committed to seeing that their students do well. They have their own style, and despite some little oddities, are never lacking in effort and desire to teach, and impart knowledge. They may not adhere to the school's culture, and at times may even do things to the contrary of established rules, but save for the few bad hats with ulterior motives, there's no short of innovation in their lessons, or in this instance, somewhat trying to instill some old school techniques into a class that is comfortable with new methods of learning.

Beginning in very grim terms, this Canadian nomination for Best Foreign Language Film at the 84th Academy Awards has an elementary school student in Montreal chance upon his teacher's body, being hung from a pipe in their classroom in an apparent suicide. Why she had to do this, which is quite deliberate and knowing jolly well who would find her, is left to be debated, as the screenplay moves to deal with the aftermath of this tragedy, where a psychologist got hired for regular counselling sessions with that teacher's class, and any other school person who needed someone to talk to. For the principal, priority remains in getting a replacement teacher, and he comes in the form of the titular Lazhar (Mohamed Fellaq), who walked in to offer his services, having an impressive educator's record.

But there's more to Monsieur Lazhar as we would soon find out, as one of the rare male figures in a school led predominantly by female educators. Tragedy seems to connect teacher and class together, and through their semester together, learn how to cope with their demons in their own ways. The relationship building between teacher and student is just about what's best about this moving drama, in addition to having to tackle some politics of the day, especially when Lazhar administers some vigilante styled discipline of his own, before being lectured to stick to the code of conduct and guidelines. Which mirrors how power has shifted these days from teachers, once feared in the classroom, to the students and protective parents who will have no qualms at taking on the teacher, principal and anyone else in the educational hierarchy.

Mohamed Fellaq puts in a superb performance as the titular character, and we share in his earnest efforts at doing his best despite not being what he truly is., and grieve with him during his most personal of times during the movie. writer-director Philippe Falardeau (who also did It's Not Me, I Swear!) adopts a somewhat documentary feel when dealing with scenes involving the classroom, sort of reminiscent of the Cannes Film Festival 2008 Palme d'Or winner The Class, with a myriad of student characters performed by very charismatic young actors and actresses boasting naturalness in their delivery, that it makes it seem like a real class rather than a rehearsed one. It is this interaction, as well as painful revelation, that makes Monsieur Lazhar a little heart-wrenching to sit through.