IMDb-BEWERTUNG
4,8/10
16.270
IHRE BEWERTUNG
Eine verzweifelte alleinerziehende Mutter zieht mit ihren drei Kindern in das berüchtigte, angeblich verhexte, reale Haus in Amityville, um zu versuchen, dessen dunkle Kräfte zu nutzen, um i... Alles lesenEine verzweifelte alleinerziehende Mutter zieht mit ihren drei Kindern in das berüchtigte, angeblich verhexte, reale Haus in Amityville, um zu versuchen, dessen dunkle Kräfte zu nutzen, um ihren komatösen Sohn zu heilen.Eine verzweifelte alleinerziehende Mutter zieht mit ihren drei Kindern in das berüchtigte, angeblich verhexte, reale Haus in Amityville, um zu versuchen, dessen dunkle Kräfte zu nutzen, um ihren komatösen Sohn zu heilen.
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This film has had a long, strange road behind it. Starting with a Daniel Farrands (Halloween 6) and Casey La Scala (Grind) found footage style script in play, over time it was scrapped. Leading to this film. Written and directed by Franck Khalfoun (P2, Maniac).
Straight away, Khalfoun has a solid list of directed films under his belt. Being said, ones written prominently by other writers turned out a much better product. With this film, cliché and limitations are at play. Early on, this film sought a theatrical release and I can see what changed it all. It is lacking a cinematic punch. Lighting and atmosphere gave way to what was ultimately a tightly wound production schedule. Followed by even more delays. Even so, the film the film is directed well. Some effective scares and setups set a decent tone at times. Again, those missing atmospheric ingredients keep us in the dark with knowing who is at the helm.
I did find this film an interesting blend of the catatonic, ESP driven thriller Patrick with Amityvilles sense of possession an interesting take on the property. It provides a decent backstory and drama to the plot to keep the terrors grounded in reality. Solid writing there.
The rating is a problem here too. Originally an R, it was recut to suit a PG-13. Why? The Ryan Reynolds remake was a hard R and found solid success. This merely added less scares and a plethora of cutaways. Missed opportunities and a waste of filmmakers time and money that could've gone elsewhere.
The actors are actually quite solid, ranging from new stars and seasoned ones. They manage to convey conviction to each of their roles, even when moments seem over done.
The issue here is that this film is an okay film mostly because of its delay, but also because of its redundancy. How many Amityville films do we have at this point? Including redbox DTV's, it's off the charts. Hence why Farrands and La Scalas earlier premise may have been a better pay off.
Instead of replaying the Amityville saga again and again, maybe a modern deconstruction of the age old tale is just what that old haunted house needs to set those demon eyed Windows ablaze again.
Straight away, Khalfoun has a solid list of directed films under his belt. Being said, ones written prominently by other writers turned out a much better product. With this film, cliché and limitations are at play. Early on, this film sought a theatrical release and I can see what changed it all. It is lacking a cinematic punch. Lighting and atmosphere gave way to what was ultimately a tightly wound production schedule. Followed by even more delays. Even so, the film the film is directed well. Some effective scares and setups set a decent tone at times. Again, those missing atmospheric ingredients keep us in the dark with knowing who is at the helm.
I did find this film an interesting blend of the catatonic, ESP driven thriller Patrick with Amityvilles sense of possession an interesting take on the property. It provides a decent backstory and drama to the plot to keep the terrors grounded in reality. Solid writing there.
The rating is a problem here too. Originally an R, it was recut to suit a PG-13. Why? The Ryan Reynolds remake was a hard R and found solid success. This merely added less scares and a plethora of cutaways. Missed opportunities and a waste of filmmakers time and money that could've gone elsewhere.
The actors are actually quite solid, ranging from new stars and seasoned ones. They manage to convey conviction to each of their roles, even when moments seem over done.
The issue here is that this film is an okay film mostly because of its delay, but also because of its redundancy. How many Amityville films do we have at this point? Including redbox DTV's, it's off the charts. Hence why Farrands and La Scalas earlier premise may have been a better pay off.
Instead of replaying the Amityville saga again and again, maybe a modern deconstruction of the age old tale is just what that old haunted house needs to set those demon eyed Windows ablaze again.
There's just not a lot here to review, honestly. Stuff happens, some of it is creepy, then it's over. The only really good thing I can say about it is Cameron Monaghan delivers quite an unsettling performance, despite the fact his character is immobile for most of the movie.
Amityville the Awakening is finally here after many, many push-backs and delays. Was it worth the wait? Well like many films that use the Amityville name, not really.
The cinematography is fine, the actors are okay. One of the biggest issues with the film itself is the audio, there are plenty of scenes where dialog is drowned out by background sound.
The film starts off on a good step, using what looks like old police footage to explain about the Defeo murders, unfortunately from there the movie makes a steady decline into worthlessness.
Instead of making the movie about the house, murders and haunting, they choose to focus on a bratty girl and her vegetable of a brother. The haunting takes a back seat to the family drama, which makes the movie even worse. Poor pacing, poor writing, the movie is less than thrilling.
Let's put it this way, there's a reason why they opted for a limited theatrical release and putting it up for free on Google play in October through December. It's a film even the producers and directors can't stand behind.
The reality is, the original Amityville was popular because it was portrayed as a true story, so the family drama was more humanized. With these other films, it's about the horror and this film completely ignores that.
The cinematography is fine, the actors are okay. One of the biggest issues with the film itself is the audio, there are plenty of scenes where dialog is drowned out by background sound.
The film starts off on a good step, using what looks like old police footage to explain about the Defeo murders, unfortunately from there the movie makes a steady decline into worthlessness.
Instead of making the movie about the house, murders and haunting, they choose to focus on a bratty girl and her vegetable of a brother. The haunting takes a back seat to the family drama, which makes the movie even worse. Poor pacing, poor writing, the movie is less than thrilling.
Let's put it this way, there's a reason why they opted for a limited theatrical release and putting it up for free on Google play in October through December. It's a film even the producers and directors can't stand behind.
The reality is, the original Amityville was popular because it was portrayed as a true story, so the family drama was more humanized. With these other films, it's about the horror and this film completely ignores that.
"Amityville: The Awakening" is the tenth installment in the "Amityville" series (but honestly, who's counting anymore?), and it follows Belle, a teenager girl who move into the famed 112 Ocean Avenue with her mother, little sister, and brain-dead twin brother on life support. Bad things happen, including her brother become a vessel for demonic energy.
It's been a long road for "Amityville: The Awakening": I remember seeing trailers at the movie theater for it at least two years ago, but it had numerous delays in typical Weinstein Company fashion—it also, if my suspicious are correct, was chopped to pieces by the Weinstein Company's subsidiary Dimension Films, who distributed (or were supposed to distribute) the film.
I have a soft spot for the "Amityville" movies, and have found even the worst of the installments at least amusing—what can I say? I love a haunted house flick. "The Awakening" starts out rather nicely with atmospheric, mundane goings-on as the family settles in, punctuated by genuinely chilling moments: On their second day in the home, the little sister says to Belle that their brother, James, has been cursing at her. The punchline? James is brain-dead and in a vegetative state. These sorts of moments in "The Awakening" genuinely work, and Franck Khalfoun's script gets meta when Bella and her outcast friends have an "Amityville Horror" movie marathon at the Amityville House. As they're watching the infamous "red room" scene from the 1979 original, the power goes out; it's 3:15am. While this move is risky in that it relegates all the other "Amityville" films to fiction, it's clever.
Unfortunately, as the film progresses, things get sloppier and sloppier; uneven editing and pacing matches uneven development of plot lines that are fairly one-note to begin with. About three- quarters of the way through, one begins to realize that there really is not much happening; the subtleties of the first act lead to payoffs that are frankly not that interesting. As I mentioned before, it's difficult to say who is at fault for the film's shortcomings, as the Weinsteins are notorious for cutting films to pieces (see "Halloween: The Curse of Michael Myers," or "Cursed" for reference), and a lot of the issues come from what seems to be bad editing. Franck Khalfoun proved himself a talent in my eyes with 2007's "P2," and with people like Jennifer Jason Leigh, Kurtwood Smith, and Jennifer Morrison on board, there is considerable talent here. The young cast is even quite good, with Bella Thorne playing a sympathetic lead.
In the end, "Amityville: The Awakening" is actually one of the better sequels in the series, if we can call it that, and while it does offer some subtle and clever moments, it spins its wheels in the last act and errs into a rote, albeit shoddily-pieced-together conclusion. For series diehards, it's a must-see for the reasons I've stated above, but in general, it's a fairly unremarkable effort. 6/10.
It's been a long road for "Amityville: The Awakening": I remember seeing trailers at the movie theater for it at least two years ago, but it had numerous delays in typical Weinstein Company fashion—it also, if my suspicious are correct, was chopped to pieces by the Weinstein Company's subsidiary Dimension Films, who distributed (or were supposed to distribute) the film.
I have a soft spot for the "Amityville" movies, and have found even the worst of the installments at least amusing—what can I say? I love a haunted house flick. "The Awakening" starts out rather nicely with atmospheric, mundane goings-on as the family settles in, punctuated by genuinely chilling moments: On their second day in the home, the little sister says to Belle that their brother, James, has been cursing at her. The punchline? James is brain-dead and in a vegetative state. These sorts of moments in "The Awakening" genuinely work, and Franck Khalfoun's script gets meta when Bella and her outcast friends have an "Amityville Horror" movie marathon at the Amityville House. As they're watching the infamous "red room" scene from the 1979 original, the power goes out; it's 3:15am. While this move is risky in that it relegates all the other "Amityville" films to fiction, it's clever.
Unfortunately, as the film progresses, things get sloppier and sloppier; uneven editing and pacing matches uneven development of plot lines that are fairly one-note to begin with. About three- quarters of the way through, one begins to realize that there really is not much happening; the subtleties of the first act lead to payoffs that are frankly not that interesting. As I mentioned before, it's difficult to say who is at fault for the film's shortcomings, as the Weinsteins are notorious for cutting films to pieces (see "Halloween: The Curse of Michael Myers," or "Cursed" for reference), and a lot of the issues come from what seems to be bad editing. Franck Khalfoun proved himself a talent in my eyes with 2007's "P2," and with people like Jennifer Jason Leigh, Kurtwood Smith, and Jennifer Morrison on board, there is considerable talent here. The young cast is even quite good, with Bella Thorne playing a sympathetic lead.
In the end, "Amityville: The Awakening" is actually one of the better sequels in the series, if we can call it that, and while it does offer some subtle and clever moments, it spins its wheels in the last act and errs into a rote, albeit shoddily-pieced-together conclusion. For series diehards, it's a must-see for the reasons I've stated above, but in general, it's a fairly unremarkable effort. 6/10.
This is my first movie of this entire series. I don't know, there is any connection with other movies or not but I really get the whole story without watching the previous ones. All I can say, it's a decent movie which can be enjoyed with your whole family. If I talked about story, all horror movies stories are same xD. All horror movies either start with moving into a haunted house which they didn't know :) but eventually get to know or someone has possessed someone.
Personally, I kind of love this. It was average type of movie. It has what I usually look for ''Jump scares''.
Personally, I kind of love this. It was average type of movie. It has what I usually look for ''Jump scares''.
Wusstest du schon
- WissenswertesThe movie had several failed theatrical release dates including January 27, 2012; January 3, 2014; January 2, 2015; April 15, 2016; April 1, 2016; January 6, 2017 and June 30, 2017. The film was finally given a limited theatrical release on October 28, 2017 before the eventual Blu-ray and DVD release on November 14.
- PatzerIn the first few minutes of the film, when showing the flashback of the original Amityville murders in 1974, a shot of the Amityville Long Island Rail Road train station is shown. The train seen is a modern model that was only put in service after the year 2000. Also, what looks to be a very tall cell phone tower is clearly visible.
- Alternative VersionenUS prints remove Harvey Weinstein's executive producer credit, due to victims coming forward about the sexual assault and harassment they experienced at his hands in the many years prior to its release.
- VerbindungenFeatured in WatchMojo: Top 10 Biggest Scandals that Cursed Movies (2018)
- SoundtracksWhen The Sun Came Down
Written by Mathieu Carratier & Greg Taieb (as Gregory J Taieb)
Performed by Artificial Darkness
Courtesy of Mathieu Carratier and Gregory J Taieb
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- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Amityville: el despertar
- Drehorte
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Box Office
- Bruttoertrag in den USA und Kanada
- 742 $
- Eröffnungswochenende in den USA und in Kanada
- 742 $
- 29. Okt. 2017
- Weltweiter Bruttoertrag
- 8.481.997 $
- Laufzeit1 Stunde 27 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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What is the Japanese language plot outline for Amityville: The Awakening (2017)?
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