Erwarte nicht zu viel vom Ende der Welt
Originaltitel: Nu astepta prea mult de la sfârsitul lumii
- 2023
- 2 Std. 43 Min.
Ein überarbeiteter und unterbezahlter Produktionsassistent muss im Auftrag eines multinationalen Unternehmens ein Video zur Sicherheit am Arbeitsplatz drehen.Ein überarbeiteter und unterbezahlter Produktionsassistent muss im Auftrag eines multinationalen Unternehmens ein Video zur Sicherheit am Arbeitsplatz drehen.Ein überarbeiteter und unterbezahlter Produktionsassistent muss im Auftrag eines multinationalen Unternehmens ein Video zur Sicherheit am Arbeitsplatz drehen.
- Auszeichnungen
- 10 Gewinne & 33 Nominierungen insgesamt
Alex M Dascalu
- Dan Trofaila
- (as Alex Dascalu)
Handlung
WUSSTEST DU SCHON:
- WissenswertesAll of the car scenes were filmed in real-life Bucharest traffic.
- VerbindungenFeatures Casablanca (1942)
Ausgewählte Rezension
DO NOT EXPECT TOO MUCH FROM THE END OF THE WORLD (2024). Radu Jude's caustic ramble about the state of mind of the Romanian public. Jude's film is intentionally messy and, seemingly, disorganized, but the filmmaker has a lot on his mind.
The main protagonist is Angela Raducani (Ilinca Manolache; quite remarkable) a production assistant on a safety video being produced locally for an Austrian client. She's required to drive around all over the area, seemingly the only P. A. on the production. She interviews accident victims who are 'auditioning' to be the spokesperson for the industrial short. Jude intersperses extended clips from a 1981 Romanian film (ANGELA MOVES ON) about a taxi driver also named Angela. Jude sets up the contrast by saying his film is in 'conversation' with the earlier one. The two Angelas meet when the P. A is doing her vetting interviews. The older Angela is played by the same actress from the earlier film (Dorina Lazar).
Jude uses various film and digital techniques (including aspect ratio) throughout. Slow motion, freeze frames and other tricks of the trade. Angela blows off steam by adopting a male alter ego - Bobita that she posts on social media, complete with cellphone camera filters. "Bobita" is an extreme misogynist in the Andrew Tate mold spouting the most vile rants imaginable. The movie is leisurely paced, but never dull. One fun side story involves Director Uwe Boll (playing himself) who is in town shooting a low budget sci-fi flick; Boll is introduced thusly: "He beats people up!"
Jude's themes coalesce, more or less, in the final hour. The great German actress Nina Hoss (TAR, PHOENIX) arrives in Bucharest playing the Austrian producer, Doris Goethe. Angela picks her up and drives her to a hotel. The next day is the shoot which Jude films as a remarkable 40 minute single take. The victim's family (including the now elderly taxi driver Angela) is placed at the scene of his unfortunate accident on a dreary, rainy afternoon. Of course, the company responsible doesn't really want to hear from the man (Ovidiu Pirsan) as much as spread their propaganda using the 'victims' as human props. As the family sit in a dank alley in a light rain, they are told what to say and do over the phone by Doris as she sits comfortably in her well apportioned hotel.
Jude is fully committed to his vision of Romania as a sad sack society. There's a mention of road so dangerous that citizens have put up crosses for those that have perished because of the government's indifference (it's a long montage). The nation is now 'free' from the Iron Curtain, but, it's leaders, including the much reviled Nicolae Ceausescu, have left deep wounds in the Romanian psyche. Being an EU member has only magnified the country's status on the lowest rung of that ladder. The two Angelas may represent two different generations, but, are their circumstance that much different? They each believe the "End of the World" is happening - and don't expect it to be a happy one.
DO NOT EXPECT TOO MUCH FROM THE END OF THE WORLD is currently streaming on Mubi and is available for rental.
The main protagonist is Angela Raducani (Ilinca Manolache; quite remarkable) a production assistant on a safety video being produced locally for an Austrian client. She's required to drive around all over the area, seemingly the only P. A. on the production. She interviews accident victims who are 'auditioning' to be the spokesperson for the industrial short. Jude intersperses extended clips from a 1981 Romanian film (ANGELA MOVES ON) about a taxi driver also named Angela. Jude sets up the contrast by saying his film is in 'conversation' with the earlier one. The two Angelas meet when the P. A is doing her vetting interviews. The older Angela is played by the same actress from the earlier film (Dorina Lazar).
Jude uses various film and digital techniques (including aspect ratio) throughout. Slow motion, freeze frames and other tricks of the trade. Angela blows off steam by adopting a male alter ego - Bobita that she posts on social media, complete with cellphone camera filters. "Bobita" is an extreme misogynist in the Andrew Tate mold spouting the most vile rants imaginable. The movie is leisurely paced, but never dull. One fun side story involves Director Uwe Boll (playing himself) who is in town shooting a low budget sci-fi flick; Boll is introduced thusly: "He beats people up!"
Jude's themes coalesce, more or less, in the final hour. The great German actress Nina Hoss (TAR, PHOENIX) arrives in Bucharest playing the Austrian producer, Doris Goethe. Angela picks her up and drives her to a hotel. The next day is the shoot which Jude films as a remarkable 40 minute single take. The victim's family (including the now elderly taxi driver Angela) is placed at the scene of his unfortunate accident on a dreary, rainy afternoon. Of course, the company responsible doesn't really want to hear from the man (Ovidiu Pirsan) as much as spread their propaganda using the 'victims' as human props. As the family sit in a dank alley in a light rain, they are told what to say and do over the phone by Doris as she sits comfortably in her well apportioned hotel.
Jude is fully committed to his vision of Romania as a sad sack society. There's a mention of road so dangerous that citizens have put up crosses for those that have perished because of the government's indifference (it's a long montage). The nation is now 'free' from the Iron Curtain, but, it's leaders, including the much reviled Nicolae Ceausescu, have left deep wounds in the Romanian psyche. Being an EU member has only magnified the country's status on the lowest rung of that ladder. The two Angelas may represent two different generations, but, are their circumstance that much different? They each believe the "End of the World" is happening - and don't expect it to be a happy one.
DO NOT EXPECT TOO MUCH FROM THE END OF THE WORLD is currently streaming on Mubi and is available for rental.
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Details
- Erscheinungsdatum
- Herkunftsländer
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- Auch bekannt als
- Do Not Expect Too Much from the End of the World
- Drehorte
- Produktionsfirmen
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Box Office
- Bruttoertrag in den USA und Kanada
- 73.983 $
- Eröffnungswochenende in den USA und in Kanada
- 13.626 $
- 24. März 2024
- Weltweiter Bruttoertrag
- 92.360 $
- Laufzeit2 Stunden 43 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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What is the Canadian French language plot outline for Erwarte nicht zu viel vom Ende der Welt (2023)?
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