Eine neue Familie und ihre Bediensteten leben 1936 im Londoner Stadthaus am Eaton Place 165.Eine neue Familie und ihre Bediensteten leben 1936 im Londoner Stadthaus am Eaton Place 165.Eine neue Familie und ihre Bediensteten leben 1936 im Londoner Stadthaus am Eaton Place 165.
- Für 6 Primetime Emmys nominiert
- 12 Nominierungen insgesamt
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The first season is exciting to watch - the characters, the costumes, the story, the humour, the pathos... it's great! However, season is a mess. Eileen Atkins refused to return because she didn't like the scripts for season 2, and she was right. The first couple of episodes are okay, but when the writers ran out of ideas they dredged up some non-sequitur throw-away stories that include a lesbian affair and a boxing match that have no overall impact on the story. The last two episodes are dark and depressing and rush towards an unsatisfying conclusion. My advice is watch season one as a movie in three parts and pretend season 2 was never made...
I tread lightly when I anticipated this new series of Upstairs Downstairs. I was delighted that it was a continuation and not a remake. When I saw Rose walking down Belgrave Square towards Eaton Place I didn't tear up like I thought I would, but instead I was swept over by a warm tenderness. The great Jean Marsh (co-creator and whom played Rose in the original) was indeed perfect casting. All in all, it was a warm-hearted quality production. I just thought it could and should have been longer. It was like a cherry on top to the original. It completes a set, so to speak. The whole time I was expecting to hear ghostly voices from the past, but maybe that's just me.
The next generation of Upstairs Downstairs is excellent. The acting is superb. The scripts are superb. The Costumes are beautiful. Anyone finds fault is malcontent. Claire Foy is a great actress. Everything she does is perfect. Everyone in this series is very good. I wished this series went past two seasons. From what I read Downton Abbey was the hot thing during this time. There are few period pieces from the 1930s-1040s available. World War II dramas of the civilian life isn't out there. This was an excellent depiction of the time in England. I will research the actors and try to find their work.
Just finished watching the Upstairs Downstairs reboot from 2010-12, which got mostly admiring reviews when it came out, some even comparing it favorably to the original series. I'd forgotten how weird and randomly plotted the second season is--the household at 165 Eaton Place gradually comes to include Sir Hallam Holland's mother's Sikh manservant (played by a heavily bearded Art Malik, so no problem there); the little daughter of a German Jewish refugee who collapses and dies shortly after getting triggered by the chauffeur's Union of British Fascists blackshirt getup (the daughter suffers from traumatic mutism for a couple of eps as well); Sir Hallam's long-lost sister, who has Down syndrome and has been tucked away in an asylum for most of her life; his mother's much younger half-sister (who was her father again?), a lesbian archeologist whose ex-lover writes a sexy novel that causes a terrible scandal; and Lady Holland sr's monkey, Solomon (looks to be a rhesus macaque), who outlives his mistress by a couple of episodes, for reasons that have nothing to do with the story as such (see below).
The Duke of Kent, a bisexual aesthete who really did exist, keeps us updated on the gathering storm in Europe, so no complaints there either. A Jewish-American millionaire (who made his fortune selling a product that sounds like Alka-Seltzer just in time for the repeal of Prohibition) conveniently opens a garment business in the East End so Lady Agnes (Keeley Hawes, always fabulous) can embarrass her husband, yet again, by posing for a sexy ad for nylons. Claire Foy, future ER II in The Crown, draws the short straw as Lady Persephone, Lady Agnes's younger sister, a Nazi sympathizer who prefers to live in Germany, like the RL Unity Mitford, and gets into all kinds of scrapes when she returns.
No surprise then that Dame Eileen Atkins, co-creator of the original series who played Lady Holland sr in S1 of the reboot, refused to have any part of S2. The cast is uniformly excellent, except possibly for Sir Hallam himself (Ed Stoppard, son of Tom), who's meant to be what the English call a bit of a stick and doesn't get much of a chance to stretch. (He spends most of the series fretting about Why England Slept and being mortified by the outré antics of his household.)
I'm not saying the show's not entertaining, just that the storyline's really herky-jerky and OTT. The writers seem to be straining to pander to current notions of diversity and inclusiveness, which, I'm guessing, may be the reason that Dame Eileen just wasn't into it. IIRC the show got clobbered in the ratings by a soapy competitor, Downton Abbey, and was canceled after the second season.
The Duke of Kent, a bisexual aesthete who really did exist, keeps us updated on the gathering storm in Europe, so no complaints there either. A Jewish-American millionaire (who made his fortune selling a product that sounds like Alka-Seltzer just in time for the repeal of Prohibition) conveniently opens a garment business in the East End so Lady Agnes (Keeley Hawes, always fabulous) can embarrass her husband, yet again, by posing for a sexy ad for nylons. Claire Foy, future ER II in The Crown, draws the short straw as Lady Persephone, Lady Agnes's younger sister, a Nazi sympathizer who prefers to live in Germany, like the RL Unity Mitford, and gets into all kinds of scrapes when she returns.
No surprise then that Dame Eileen Atkins, co-creator of the original series who played Lady Holland sr in S1 of the reboot, refused to have any part of S2. The cast is uniformly excellent, except possibly for Sir Hallam himself (Ed Stoppard, son of Tom), who's meant to be what the English call a bit of a stick and doesn't get much of a chance to stretch. (He spends most of the series fretting about Why England Slept and being mortified by the outré antics of his household.)
I'm not saying the show's not entertaining, just that the storyline's really herky-jerky and OTT. The writers seem to be straining to pander to current notions of diversity and inclusiveness, which, I'm guessing, may be the reason that Dame Eileen just wasn't into it. IIRC the show got clobbered in the ratings by a soapy competitor, Downton Abbey, and was canceled after the second season.
Rose is supposed to be six years older than she was at the end of the seventies series. Well... It isn't easy to make 35 years look like 6. But who cares. After all, Jean Marsh is the clip between the legend and it's sequel.
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- WissenswertesIn August 2011, it was announced that Dame Eileen Atkins (Lady Maud Holland) had decided not to appear in the next season because she was unhappy with the direction the new scripts were taking.
- PatzerCertainly Ivy and Beryl would smoke cigarettes, very unlikely that they do not here.
- VerbindungenFeatured in Breakfast: Folge vom 22. Dezember 2010 (2010)
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- 35 Clarendon Square, Leamington Spa, Warwickshire, England, Vereinigtes Königreich(exterior: 165 Eaton Place)
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By what name was Rückkehr ins Haus am Eaton Place (2010) officially released in India in English?
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