IMDb-BEWERTUNG
5,3/10
7463
IHRE BEWERTUNG
Rassismus kollidiert mit der Gier der Unternehmen, wenn neun Fremde - einer von ihnen hat eine Bombe - in einem Aufzug an der Wall Street gefangen sind.Rassismus kollidiert mit der Gier der Unternehmen, wenn neun Fremde - einer von ihnen hat eine Bombe - in einem Aufzug an der Wall Street gefangen sind.Rassismus kollidiert mit der Gier der Unternehmen, wenn neun Fremde - einer von ihnen hat eine Bombe - in einem Aufzug an der Wall Street gefangen sind.
Aníta Briem
- Celine Fouquet
- (as Anita Briem)
Luis Jose Lopez
- Party Security
- (as Luis Lopez)
Johannes Alfvén
- EMT
- (as Johannes Alfven)
Empfohlene Bewertungen
ELEVATOR has a decent set-up: a group of characters are trapped in a stuck lift, and one of them holds a secret that's going to put them into a dangerous situation. It's a clear copy of the recent Shyamalan-produced horror movie DEVIL, except this one's non-supernatural. The box proclaims that it's the film that DEVIL could have been, but that's a downright lie.
Because ELEVATOR is a disappointment. Sure, the set-up is fine and the character mix is okay. You can't really fault the acting, either, even if most of the cast are unrecognisable aside from THE FLY's John Getz playing a typically jerkish character. Everyone puts in solid, if unspectacular performances, and I did like Joey Slotnick as the loud-mouthed comedian despite his character's brash, irritating nature.
The problem with this is the script. It's fair to say that nothing really happens in ELEVATOR, and there's certainly nothing here to make this unmissable viewing. I can think of two good, suspenseful sequences in the entire movie, and the rest of it is just endless build-up leading to a pay-off that never arrives. I actually enjoyed the first half more than the second, purely because of the expectation value. The ending is particularly disappointing and lightweight.
This should have been much better than it is, because Stig Svendsen does a good job of shooting within the claustrophobic confines of his small-scale set and there are all the right ingredients; it's just that they don't amount to much in the end. And the incredibly irritating girl in it should have been killed; it was criminal that she never got punished for her daft actions.
Because ELEVATOR is a disappointment. Sure, the set-up is fine and the character mix is okay. You can't really fault the acting, either, even if most of the cast are unrecognisable aside from THE FLY's John Getz playing a typically jerkish character. Everyone puts in solid, if unspectacular performances, and I did like Joey Slotnick as the loud-mouthed comedian despite his character's brash, irritating nature.
The problem with this is the script. It's fair to say that nothing really happens in ELEVATOR, and there's certainly nothing here to make this unmissable viewing. I can think of two good, suspenseful sequences in the entire movie, and the rest of it is just endless build-up leading to a pay-off that never arrives. I actually enjoyed the first half more than the second, purely because of the expectation value. The ending is particularly disappointing and lightweight.
This should have been much better than it is, because Stig Svendsen does a good job of shooting within the claustrophobic confines of his small-scale set and there are all the right ingredients; it's just that they don't amount to much in the end. And the incredibly irritating girl in it should have been killed; it was criminal that she never got punished for her daft actions.
This film begins in New York with a lavish party being held in the penthouse of a high-rise building on Wall Street. To that effect, the CEO of the corporation holding the event, by the name of "Henry Barton" (John Getz), joins several other people in the elevator to take them to the event. In the elevator with him is his young granddaughter "Madeline Barton" (played by both Rachel Pace and Amanda Pace), along with several employees of who work for Henry Barton. Also included in this group is a stand-up comedian by the name of "George Axelrod" (Joey Slotnick) who is extremely claustrophobic and lets everybody know how he feels about the elevator being too crowded. Being quite mischievous, Madeline decides to play a prank on him by pressing the emergency stop button near the 49th floor. What she doesn't realize, however, is that the gears on the elevator are in need of repair and as a result there is no immediate way to get out of their current dilemma. Even worse is the fact that one of the other people in this group has brought a bomb into this elevator which is set to detonate within 2 hours-and this may not be enough time for maintenance to correct the situation. Now, rather than reveal any more, I will just say that this turned out to be a fairly entertaining movie which managed to keep my attention pretty much from start-to-finish. Admittedly, the film could have also used a bit more suspense here and there, but even so it was good enough for the time spent and I have rated it accordingly. Average.
I liked the movie Devil (2010) and also liked the movie Blackout (IV) (2008)
All three of these have on thing in common, is that most of movie takes center stage in the Elevator and they all very different in a way
This movie was a lot better then I thought it would, it had some decent cast, some were not likable.
I thought the movie flowed really well from to start to end,even it just one location.
There one really bloody moment in this movie, which wasn't to much.
i Thought the movie was Entertaining
All three of these have on thing in common, is that most of movie takes center stage in the Elevator and they all very different in a way
This movie was a lot better then I thought it would, it had some decent cast, some were not likable.
I thought the movie flowed really well from to start to end,even it just one location.
There one really bloody moment in this movie, which wasn't to much.
i Thought the movie was Entertaining
"Elevator" in most respects has a pretty simple plot - almost too simple, which made me think it would be rather thoughtless. A bunch of people are stuck on an elevator - and there happens to be a bomb among them. So, the question is, can they get unstuck in time before the bomb goes off.
There's nothing complicated or pretentious here, and the movie is barebones. Except for a few minutes in both the opening and the closing, the entire movie is set on the crowded elevator. At first, they don't know there's a bomb, and you basically just watch the group dynamic among a diverse group of people who deal with being trapped in a variety of ways - from complete calm to claustrophobia. For a while I was thinking that just the story of this diverse group being stuck together could have made for an interesting study of group dynamics without the bomb, and I was wondering if introducing the bomb was necessary. The bomb actually worked surprisingly well. The whole group dynamic study was still there, but the introduction of the added tension worked very well to ratchet this up.
None of the characters were well developed, but we learn enough about them as they interact on the elevator to at least get a sense of who they are. None of the actors are major stars. The best known and most recognizable to me was probably Jerry Slotnick. That lack of a big name created more a of a composite cast and helped us focus on the group rather than on one individual within the group. There are some story points that didn't work all that well for me. The reporter beaming some video out on her cell phone seemed contrived; and the attempt to free the elevator using a small crack through which an arm could be reached had predictable results - why would anyone even try that, given that the result of any success was so obvious? All things considered though I was surprised by how watchable I found this, made even more so by its very short (1:20) run time. (7/10)
There's nothing complicated or pretentious here, and the movie is barebones. Except for a few minutes in both the opening and the closing, the entire movie is set on the crowded elevator. At first, they don't know there's a bomb, and you basically just watch the group dynamic among a diverse group of people who deal with being trapped in a variety of ways - from complete calm to claustrophobia. For a while I was thinking that just the story of this diverse group being stuck together could have made for an interesting study of group dynamics without the bomb, and I was wondering if introducing the bomb was necessary. The bomb actually worked surprisingly well. The whole group dynamic study was still there, but the introduction of the added tension worked very well to ratchet this up.
None of the characters were well developed, but we learn enough about them as they interact on the elevator to at least get a sense of who they are. None of the actors are major stars. The best known and most recognizable to me was probably Jerry Slotnick. That lack of a big name created more a of a composite cast and helped us focus on the group rather than on one individual within the group. There are some story points that didn't work all that well for me. The reporter beaming some video out on her cell phone seemed contrived; and the attempt to free the elevator using a small crack through which an arm could be reached had predictable results - why would anyone even try that, given that the result of any success was so obvious? All things considered though I was surprised by how watchable I found this, made even more so by its very short (1:20) run time. (7/10)
Look at the title. You see that one word title, now tell me, what do you expect from a movie like that? I actually think it provides exactly what it is supposed to. Maybe a bit more. Not a lot more, but I did like the (obvious) characters. It's not amazing or earth shattering, but it is more than decent.
A few things are over the top of course, but still kudos to the actors, they did a good job on this. Things are predictable of course, but that doesn't change the fact, that you can enjoy the movie as it is. The inciting incident is of course something that would drive everyone mad in real life. Try to take the movie in, as it was intended if you can
A few things are over the top of course, but still kudos to the actors, they did a good job on this. Things are predictable of course, but that doesn't change the fact, that you can enjoy the movie as it is. The inciting incident is of course something that would drive everyone mad in real life. Try to take the movie in, as it was intended if you can
WUSSTEST DU SCHON:
- WissenswertesThe newspaper clipping in Jane Redding's wallet says:
Neil Redding, Tragic Victim of Collapsed Economy. By Samantha Halbert, Cleveland Spectator.
Neil Redding, 76, was pronounced dead yesterday, the apparent victim of a self-inflicted gunshot wound. The body was discovered at 6:20 PM, by his wife, Jane Redding. She told investigating officers that her husband had become increasingly depressed after learning that their life savings was lost by a New York investment firm. Investigating officers ruled out any suggestion of foul play, and determined the death was suicide. The wound was caused by a U.S. Army service revolver once owned by ther son, Jeffery Redding. Jeffery Redding died in the US invasion of Iraq. Ms. Redding said, "After Jeffery's death, my husband found it hard to regain his footing. When we lost our money, it was too much." Ms. Redding said that a memorial service would be held for close friends at a date yet to be determined.
- PatzerNo buttons are pushed in the elevator. Incorrect, many buttons are pressed on many occasions.
- Zitate
[last lines]
Martin Gossling: [composing himself on now being trapped with a bomb] Well... I guess... I'm the hero
- VerbindungenReferences Das Rettungsboot (1944)
Top-Auswahl
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Details
Box Office
- Budget
- 200.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 14.221 $
- Laufzeit1 Stunde 24 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1
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