Chi Ming yi Chun Kiu

Love in a Puff is a light-hearted romantic comedy examining typical romantic relationships in Hong Kong nowadays. It starts creatively and ends with a catchy song. However, the film is far from perfect because of several reasons.

First, the story with some witty and authentic dialogue is not flawless. That Cherie leaves her boyfriend whom she has been with for 5 years because of a newly met male friend she fancies simply does not convince me. Her character should at least experience some emotional turmoil when she makes the decision. Also, it is unlikely for her to go to a motel with Jimmy with her luggage. Instead, she should look for a place to settle in first. Apart from this, the twist at the end seems unlikely.

Second, although Miriam Yeung is able to perform naturally, her character is not three dimensional enough to showcase her acting skills. Judging from her character's tone and choice of words, the audience only sees Miriam, instead of Cherie in the movie. Miriam's character should be called Miriam. Moreover, the scene in which she argues with her husband in the bedroom is devoid of tension, which is a solid proof of her average performance.

Third, the use of foul language is slightly over the top. After watching the movie, I cannot help but ask if it is necessary for most characters (a health inspector included) to use foul language so often. It seems to me that the movie is stereotyping smokers as foul-mouthed. By the way, it is interesting to observe that some members of the audience burst into laughter whenever a character uses foul language. In other words, this kind of joke does not work on everybody.

Fourth, the interviews are insignificant and insipid. Indeed, most of the things they talk about in the interviews are not thought-provoking. Besides, is it necessary to show the boom mic intentionally in every interview?

On the whole, Love in a Puff, at times, has a subtle insight into romantic relationships in Hong Kong nowadays, whereas it is far from perfect.

A realistic novel, set against the backdrop of an improbable and much-needed theme, the harm caused by cigarettes, actually seems to address only the positives here, as the couple meets each other through the smoking area, the realistic tone captivates along with the characters naturally interpreted, natural chemistry, he is 4 years younger, familiar, cute, convincing a light and uncommitted which makes the smokers' drama in the contemporary tender reprisal enthralling...

Men and Women has a lot of story, but most of them are normal. The deeper truth is the most normal story has an exciting part in your heart. This movie moves you by show you the misty mood of ambiguity. It's an enjoyment of inner world.

First of all, it is very subjective as I am a smoker. Second, you may find a way out if you are a non-smoker or anti-smoking, you are not the target audience of this romantic comedy.

Since smoking is prohibited in all indoor area in Hong Kong, people used to smoke in the alley nearby the... workplace. In the smoking break, the cosmetic salesgirl, Cherie (Miriam Yeung) and Jimmy (Shawn Yue), they begin the relationships under this unique circumstance.

From time to time, they text each other, smoke tons of cigs and hang around together. Director (Pang Ho-Cheung) flawlessly captures the habit, manner and weird things nowadays. Meanwhile, the Mandarin dialogue is sarcastic in a very roundabout way. However it couldn't be fully translated as it relates local culture.

Text messaging, smoke and drinks, hang out, facebook or whatsoever. The movie reflects bundle of social behavior and interaction, it's truly a picture of the relationships between twenties / thirties. No matter how easy to communicates, they failed to express their own feeling, especially Jimmy, who does it by text messaging rather than facing each other. The natural mind-set is another enjoyable piece of the movie. Besides, the mockumentary-like video clips intersecting to the film is like a bunch of snacks or tricks. It's not bad at all, conversely, I would rather say this is essential and constructive to the plot.

As a final point, Pang sets it well but hardly to say it is structured firmly. Yet, this smoking break is interesting and enjoyable.

I don't smoke, but I will tell you that from time to time my admiration of the smokers is that camaraderie formed given the gathering of like-minded (erm, addicted?) folks within Singapore's context of the yellow box, where they are permitted to light up and puff to their hearts' content in public (now with even stricter regulations it must be 5m away from an building entrance). It's an "us against the world", but that doesn't faze them at all. In need of a light? Well, someone at the box will gladly assist you. Need another stick but have smoked your last? Somebody else can offer you one. For free. And not to mention the many talk-cock-sing-song sessions that occur, where the yellow box has evolved into a bona fide grapevine for news, jokes and gossips to be traded. This yellow box bonding is much envied.

But of course that isn't reason enough to convert me, but it sure is reason enough for Hong Kong director Pang Ho-cheung to weave a romantic comedy based on this premise, and he does so with much aplomb in the opening scene being a direct result, that it just grabs you and holds your attention all the way until the end, with an astute sense and insightful capture of the essence and psyche of the modern day dating game. Being a young (though established) director, he combines the in-thing of today's technology, with SMS and doctored Facebook profile pictures into a commentary of sorts about the games people play when looking for love.

Hong Kong too has similar strict regulations in the areas where one can smoke, and these are all explained in the film. Ho uses them as a social background to weave the story of two characters - the English title is nowhere remotely close to the Chinese one, which is "Jimmy and Cherie", named after the two characters played by Shawn Yue and Miriam Yeung, in a sort of Romeo and Juliet fashion and the likes. They meet at one of the smoking areas where they trade stories with folks from other parts of the neighbourhood, and soon become fast friends, hitting it off almost instantaneously after cosmetics salesgirl Cherie learns of the unfortunate infidelity of ad executive Jimmy's (soon to be ex) girlfriend, which provides enormous punctuations of laughter since she (and others not supposed to be in the loop) are sworn to secrecy.

Despite their age gap (in real life as well) which is made explicitly known in the narrative, both Shawn and Miriam (last seen on screen some 3 years ago with Hooked on You, another Hong Kong romantic comedy I dig) share a lovable, natural chemistry which is hallmark of any great romance, despite roadblocks placed in their way like current relationships gone sour, and the questioning of the What If when someone else who does seem more like one's soulmate comes along. Unravelling itself over seven consecutive days, we follow these two wonderfully crafted characters as they hit it off, and quietly root for them to come together, though it's no mean feat, almost reminiscent of anyone's experience in a relationship when the beginning phase seems pretty awesome, until expectations start settling in and the mind games start to creep in.

The jokes here are laugh a minute when the director gets his story to deliver punchline after punchline which worked almost all the time, and shows his unique knack at pace and knowing what works. Included are some documentary-reel like clips containing faux pas interviews with the characters which while a tangent from the main narrative, contains plenty of rip-roaring revelations that continue all the way until during the end credits (which contains those which don't exactly fit into the main narrative proper). The main theme from the soundtrack is also beautiful to listen to, and becomes instant earworm.

This is another winner from Pang Ho-cheung, and is definitely highly recommended. I think it'll make its way to Singapore despite the focus on the smokes (with some redeeming factors), but surely, this is one film that will lose out tremendously if dubbed in Mandarin, since the colourful, fast-and-furiously delivered-only-in-Cantonese swear phrases will lose their shine (the audience was just going nuts!). Oh and thanks to this film, I will also want to try out the dry-ice toilet bowl effect, nothing like taking a heavenly dump!