IMDb-BEWERTUNG
6,1/10
6231
IHRE BEWERTUNG
Orson, ein zwanghafter Bürokrat, der einen geheimen Raum entdeckt.Orson, ein zwanghafter Bürokrat, der einen geheimen Raum entdeckt.Orson, ein zwanghafter Bürokrat, der einen geheimen Raum entdeckt.
- Auszeichnungen
- 4 Nominierungen insgesamt
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Corner Office is a well-crafted dark comedy that highlights the monotony of the modern workplace and the psychological toll it takes on its characters. Through its unique, slightly surreal narrative, the film allows viewers to consider the profound impact of a soulless, routine-driven work environment. The protagonist, who is deeply affected by such an atmosphere, gradually succumbs to a kind of psychological "unraveling," a theme that permeates the film and underscores the mental strain of working in such a lifeless space.
Using dark comedy, Corner Office tackles themes of blandness and futility, emphasizing how a monotonous corporate setting can challenge one's mental health. This humorous yet deeply insightful approach invites viewers to reflect on the purpose and meaning of professional life, highlighting a particular aspect of psychological crisis that results from prolonged exposure to such environments.
One of the film's standout elements is its set and costume design, thoughtfully chosen to mirror its thematic focus. Neutral, dull colors like gray and other muted tones aptly illustrate a space devoid of vitality. This choice of colors and setting underscores the suffocating nature of an environment that figuratively and literally drains life from its inhabitants, stifling growth and pushing the protagonist toward a state of decay. From the desks to the walls, and even the uniforms, every detail reflects a stationary, numb existence, bringing to life the very essence of the protagonist's internal struggle.
Another strong point in Corner Office is the impressive acting by the cast. Each actor portrays their roles with skill, capturing the characters' psychological complexities with nuance. They successfully convey the alienation and loneliness within each of their roles, subtly emphasizing the strain of daily life in such a restrictive setting. This effective portrayal allows the audience to empathize with the protagonist's experience of isolation and disconnection.
In sum, Corner Office is a noteworthy film that explores the psychological toll of workplace mundanity with a keen, critical eye, through the lens of dark comedy. This is an intriguing watch for those interested in psychological and satirical storytelling, skillfully portraying the toll of modern work life on mental well-being. Through its careful blend of comedy and introspection, it draws viewers into the protagonist's journey, encouraging reflection on the challenges of modern-day corporate life.
Using dark comedy, Corner Office tackles themes of blandness and futility, emphasizing how a monotonous corporate setting can challenge one's mental health. This humorous yet deeply insightful approach invites viewers to reflect on the purpose and meaning of professional life, highlighting a particular aspect of psychological crisis that results from prolonged exposure to such environments.
One of the film's standout elements is its set and costume design, thoughtfully chosen to mirror its thematic focus. Neutral, dull colors like gray and other muted tones aptly illustrate a space devoid of vitality. This choice of colors and setting underscores the suffocating nature of an environment that figuratively and literally drains life from its inhabitants, stifling growth and pushing the protagonist toward a state of decay. From the desks to the walls, and even the uniforms, every detail reflects a stationary, numb existence, bringing to life the very essence of the protagonist's internal struggle.
Another strong point in Corner Office is the impressive acting by the cast. Each actor portrays their roles with skill, capturing the characters' psychological complexities with nuance. They successfully convey the alienation and loneliness within each of their roles, subtly emphasizing the strain of daily life in such a restrictive setting. This effective portrayal allows the audience to empathize with the protagonist's experience of isolation and disconnection.
In sum, Corner Office is a noteworthy film that explores the psychological toll of workplace mundanity with a keen, critical eye, through the lens of dark comedy. This is an intriguing watch for those interested in psychological and satirical storytelling, skillfully portraying the toll of modern work life on mental well-being. Through its careful blend of comedy and introspection, it draws viewers into the protagonist's journey, encouraging reflection on the challenges of modern-day corporate life.
I liked it, but then I find movies (and other art forms) concerning the act of work, especially office work, quite engrossing. I can understand why it might seem weird and unremarkable to some. Perhaps you need to have experienced office work, especially in a large, soulless space, toiling for a large, soulless organisation, to appreciate some of the nuances and petty frictions on display here. The more I think about the film, the more it chimes with me. It's one man raging against the machine and finding his own way of managing the profound frustrations of being misunderstood and under-appreciated.
In off-centre, dark dramedy "Corner Office" (adapted by Ted Cupper from Jonas Karlsson's book 'The Room') Jon Hamm (always strong) is a new employee (under Christopher Heyerdahl alongside the likes of Danny Pudi & Allison Riley (with Sarah Gafon in support)) at a dull, grey, monolithic corporation, which tho contempory feels backwards & Seventies (in a "Wristcutters: A Love Story" stylee). Told from Hamm's perspective it's soon clear he's mentally ill, imagining for example the plush titular office (which no-one else can see) where he gathers his thoughts. Joachim Back delivers a quirkily interesting film in distinctive style... but it won't be to everyone's taste.
Based on a book, 'The Room' by Swedish author Jonas Karlsson, a dark comedy.
I never found it boring in the least. It depends on your preconceptions going into it I guess? You experience it almost entirely in the head of the protagonist, and his internal monologue. The lead plays this to perfection, though I found myself envisioning Steve Carrell in the role! Its certainly not a thriller, in fact, like (I guess) a typical corporate office environment, its mundane, stifling, repetitive.
So why did I like it? It has you guessing, does the room exist? It has you thinking, why is this man like this? Have I known someone like this, and how did I, and others treat them?
The acting and direction are excellent, you buy into all of the characters as ordinary everyday types. The cinematography and soundtrack are faultless, there is nothing to distract you from the monologue. Its 1 hour 41 minutes occupying the head of a troubled individual, who's increasingly fractious interactions with his fellow workers provides drama and interest enough to keep it interesting.
I never found it boring in the least. It depends on your preconceptions going into it I guess? You experience it almost entirely in the head of the protagonist, and his internal monologue. The lead plays this to perfection, though I found myself envisioning Steve Carrell in the role! Its certainly not a thriller, in fact, like (I guess) a typical corporate office environment, its mundane, stifling, repetitive.
So why did I like it? It has you guessing, does the room exist? It has you thinking, why is this man like this? Have I known someone like this, and how did I, and others treat them?
The acting and direction are excellent, you buy into all of the characters as ordinary everyday types. The cinematography and soundtrack are faultless, there is nothing to distract you from the monologue. Its 1 hour 41 minutes occupying the head of a troubled individual, who's increasingly fractious interactions with his fellow workers provides drama and interest enough to keep it interesting.
Although I am not a professional reviewer, I genuinely enjoyed watching the movie. It does have its flaws, such as being slow-paced and lacking variety and originality. However, what captivated me was the way it depicted real-life workplace dynamics and the relatable gestures it made towards our needs in that setting. As the movie progresses, you become invested in Orson's character and desperately want to believe in him. I must mention that my initial motivation for watching the movie was Jon Hamm, as I admire his acting style, and I was certainly not disappointed. He truly shines in this film, with his absurd humor serving as the driving force behind its entertainment value. His character consistently holds enough strength and charisma to keep you engaged throughout. Additionally, I appreciated the cinematography and editing, as they effectively conveyed the psychological aspects of the story within the confined space of the film. While there may be other similar movies out there, none have managed to capture my interest quite like this one. In my opinion, it is a highly underrated gem.
WUSSTEST DU SCHON:
- WissenswertesBased on a book by Swedish author Jonas Karlsson's 2015 novel The Room
- PatzerAt 1:08:24, when Orson leaves a little early and gets to his car, his car is the only car not covered in snow, so it seems that it was a second take, and someone forgot to cover the car with snow between takes.
- SoundtracksNo Surprises
Written by Colin Greenwood (as Colin Charles Greenwood), Phil Selway (as Philip James Selway), Ed O'Brien (as Edward John O'Brien), Jonny Greenwood (as Jonathan Greenwood), Thom Yorke (as Thomas Edward Yorke)
Performed by Radiohead
Warner Chappell Music Canada Ltd obo Warner Chappell Music Ltd
Licensed courtesy of XL Recordings Ltd
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Box Office
- Weltweiter Bruttoertrag
- 10.456 $
- Laufzeit1 Stunde 41 Minuten
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