A Seat at the Table
- Folge lief am 8. Dez. 2022
- TV-MA
- 1 Std. 8 Min.
Füge eine Handlung in deiner Sprache hinzuAl Ruddy gets the job of producing an adaptation of the bestselling novel "The Godfather" for Paramount Pictures, but rising crime boss Joe Colombo has a different fate planned for the film.Al Ruddy gets the job of producing an adaptation of the bestselling novel "The Godfather" for Paramount Pictures, but rising crime boss Joe Colombo has a different fate planned for the film.Al Ruddy gets the job of producing an adaptation of the bestselling novel "The Godfather" for Paramount Pictures, but rising crime boss Joe Colombo has a different fate planned for the film.
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An excellent start to the series. I watched this because it tells of the making of one of the greatest films of all time, The Godfather, and I am a keen follower of cinema and the film-making process. However, I was half-expecting a dry documentary-like telling of the making of The Godfather so didn't set my expectations very high.
How wrong I was. The plot, whose writing involves input from Al Ruddy himself, is very interesting and engaging. The writers and director Dexter Fletcher, aided by some great performances, give the whole thing a great vibe and energy. The three-character focus (Ruddy, Puzo, Joe Colombo) makes for an intriguing, fateful meeting of careers and worlds. There's a smoothness that is immediately riveting.
On the downside it is maybe too smooth. Ruddy never puts a foot wrong. When questioned he immediately has a great story and sell, even if he hadn't thought of the question before. One or two moments of analysis on his part would have gone a long way.
It's a minor negative though and the only thing from making the opening episode perfect.
The casting is just outstanding. Matthew Goode has Bob Evans down to a 'T.' I don't know much about Al Ruddy, so Miles Teller had a blank canvas, but I like what he's done with it. Dan Fogler IS FF Coppola. Burn Gorman captures the highly eccentric Charlie Bluhdorn. The only portrayal I'm not liking, and this also surprises me, because I like the actor, is Giovanni Ribisi, as Joe Columbo. Ribisi is playing a stereotype as opposed to a character.
If you are a big Godfather fan the 'inside baseball' stuff is particularly satisfying. If not, then you're probably not a big movie fan and this series might not be for you.
The writing is great and the cast was carefully curated for both looks and talent, but Goode's precision in his performance is attention- and award-worthy. I had no idea who he was before tonight, but boy oh boy, he does his homework.
First episode of mini series of The Offer titled A Seat at the Table was an entertaining and well paced episode. It sets the tone for the whole series. And what can I tell from it, it's going to be a fun and entertaining series. About the accuracy of events, well, probably not so much. More like pulp about creation of arguibly the best film ever - The Godfather.
Series uses a lot of real names from 70's Hollywood era, and it's a fun to watch for me because I'm a movie fan. I heard most of the names seen in first episode before.
Overall, entertaining if not the most accurate story but fun to watch so far.
WUSSTEST DU SCHON:
- WissenswertesIn the scene where Albert S. Ruddy visits the Zoetrope editing suite to convince Francis Ford Coppola to co-write and direct his film, a man, uncredited, walks through behind Coppola; he is later seen sitting on a couch in the background with a young woman (and another man, seen from the back) as Ruddy and Coppola continue to talk. This "walk through" man is clearly George Lucas, the woman is likely Marcia Lucas or Gloria Katz, and the other man is probably Willard Huyck, all of whom were friends and acolytes of Coppola circa 1970.
- PatzerThey didn't just come up with Coppola directing, but he was their 8th choice after Sergio Leone, Peter Bogdanovich, Peter Yates, Richard Brooks, Arthur Penn, Costa-Gavras, and Otto Preminger were all offered the position and declined.
- Zitate
Albert S. Ruddy: Bob Evans? I'm Al Ruddy. I want to talk to you. You got a minute?
Robert Evans: I'm pretty sure we don't have a meeting this morning. But then you knew that, didn't you? How'd you get on the lot?
Albert S. Ruddy: It ain't exactly Fort Knox.
Robert Evans: Fair enough. So what can I do for you, Mr. Ruddy?
Albert S. Ruddy: It's about what I can do for you. I want to produce for Paramount.
Robert Evans: You know, you told a good story once. It was ballsy of you to walk away from Hogan's Heroes.
Albert S. Ruddy: So you do know who I am?
Robert Evans: I know who everybody is, kid. Do you know what a producer does, Mr. Ruddy? He does everything he has to do to get his picture made the way he wants it made. Now, what makes you think you're qualified to do that?
Albert S. Ruddy: You know, I read an article on you in Variety. It said you started out selling women's slacks and doing bit parts in movies. You still figured it out.
Robert Evans: [Smiling] Don't call them bit parts when you're kissing somebody's ass! I worked with Jimmy Fucking Cagney, my friend. Toe to toe! So: unknown computer guy creates CBS's hit comedy about Nazis. Go figure.
[pause]
Robert Evans: All right, Mr. Ruddy. I'm a sentimental guy, you remind me of me, and you caught me on a good day. Let's set a lunch, Mr. Ruddy. And talk about your future.
- VerbindungenFeatured in Javo & Temoc: Top 10 Series: Lo 'mejor' del año (2022)
- SoundtracksNinna Nonna
(uncredited)
Performed by The Cardellini Group
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Drehorte
- Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, Kalifornien, USA(New York street, San Gennaro Festival)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 8 Minuten
- Farbe
- Sound-Mix