Fair Game - Nichts ist gefährlicher als die Wahrheit

First of all: I'm not an American, so I have no interest in any of the left wing vs right wing political immaturity that goes on there. And since I'm being honest: if this film was a work of fiction - it wouldn't have been that great, maybe a 6/10 IMDb rating.

What makes this film absolutely mind blowing is that this stuff actually happened. Wow! You can argue the little details if you wish, but the bulk of this is public record and you're not kidding anyone. This gets an 8/10 on IMDb from me because it's non-fiction and it's a very very important story.

The war in Iraq was a crime and the guilty should be required to watch this movie, a few times. How many thousands of lives could have been saved? Feel shame and learn from your mistakes. Get mad! Don't ever be fooled like this again!!!

Frankly this movie should be shown in schools for the next 100 years - it should be considered required viewing in History classes. I think it's important that this little piece of the past is not swept under the rug anytime soon. I praise the makers of this film, I praise Joe Wilson and Valerie Plame.

Those who forget history are doomed to repeat it - so cherish this 108 minute reminder of America's greatest mistake.

"When did the question move from 'Why are we going to war?' to 'Who is this man's wife?'"

Fair Game takes the huge media storm of a few years ago surrounding the leaked identity of CIA agent Valerie Plame Wilson, and focuses on the strain placed on her and her family by the intentional exposure of her identity by government officials in retaliation for her husband's infamous New York Times op-ed piece. 

Movies based on actual, heavily politically-charged events usually aren't my thing, but Naomi Watts as Valerie and Sean Penn as her husband really do an excellent job of conveying this serious, and at times troubling, story. Watts portrays Plame as an intelligent and capable woman who is easy to sympathize with. As she's effectively blocked out from her job at the CIA and her personal life begins to swiftly unravel, she keeps a steely resolve that's wholly believable. And while Sean Penn doesn't have to stretch far for his character, he also makes him feel like a genuine person. Great acting from them both to compliment the solid script. 

Anyone even casually interested in the Valerie Plame scandal should check this out, as it's a pretty darn good (and thought-provoking) adaptation of a dark time in our country's recent history.

In retrospect, the George "Dubyah" Bush administration seems to have been more incompetent than evil, but this movie holds the Bushies to account for what was a completely malicious and unjustified act, the outing of the covert CIA operative Valerie Plame, which put numerous undercover operations and informants at risk, solely because her husband former Ambassador Joe Wilson IV had the temerity to dissent publicly from the White House line that the Iraqi dictator Saddam Hussein had tried to buy uranium from Niger for bomb-making purposes. It is also evident that the CIA's soundly based advice that Saddam's bomb-making activities had ceased after the first Gulf War in 1991 was studiously ignored by the White House in the run-up to the invasion of Iraq in 2003.

The actual leaker, Deputy Secretary of State Richard Armitage got away scot-free, a crucial matter not discussed in the film , but "Scooter" Libby, Vice President Chaney's chief of staff carried the can and nearly spent 30 months inside for lying to investigators before being pardoned by the President. The film focuses on Libby and implies he was the leaker, acting with the knowledge of Karl Rove, the man who described Valerie Plame as "fair game", and Vice President Cheney.

Director Doug Liman is best known as a producer of thrillers ("Bourne Ultimation" etc) but here he and the Butterworths (Jez and John Henry) as scriptwriters have focused not only on the political intrigue but also the effect the Bushies' bastardry had on Joe and Valerie's personal lives. This gives some great acting possibilities to Sean Penn as Joe and our very own Naomi Watts as Valerie, and they both rise to the occasion, although Sean Penn might be a little self-righteous for some tastes. The personal impact aside, what the leakers did was a good deal worse than anything Julian Assange has done, and it is ironic that some of the conservative commentators who tried to discredit Joe and Valerie are now in the front line of those attacking the Wikileaks founder.

Regardless of the politics, this movie is entertaining enough to pass the watch test despite some dodgy hand-held photography. Near the end Valerie has a meeting with a very senior CIA officer glimpsed earlier, on a park bench in front of the White House. This man, played by Bruce McGill, bears a remarkable physical resemblance to the then director of the CIA, George Tenet. He warns her that she and Joe are up against the most powerful men in the world and asks her to stay silent for the sake of the agency. Valerie points out the agency won't even give her family any protection against death threats, to which Tenet, if that's who it's meant to be, merely shrugs his shoulders. What are the film makers trying to say here - that the agency doesn't look after its own?

Both Joe Wilson and Valerie Plame were patriots and, I believe, from Republican backgrounds. This did not bother the leakers who clearly couldn't care less who they hurt in the propaganda battle over the Iraqi invasion they were determined to launch. This film is based on two books by Joe and Valerie so I suppose it is a somewhat partisan account. Nevertheless it is hard to imagine a film treatment justifying what was done to them. George Bush in his memoirs mentions the Libby pardon issue but is otherwise silent on who did what. Never mind, his place in history as one of the lesser presidents is assured.

Fair Game follows in the tradition of All The President's Men as presenting a probing look into an important political issue in the form of a crackling thriller. Director Doug Liman uses his Bourne Identity/Mr & Mrs Smith skills to move the true story of exposure of Valerie Plame (Naomi Watts), the wife of US senator Joe Wilson (Sean Penn), as a CIA undercover agent by the Bush Administration at breakneck speed. Plame's research based on her contacts in Iraq had put serious doubts on the existence of WMD in Iraq, which was not in line with White House's view point. They thus considered her "fair game" for discrediting and public exposure. Fair Game is fascinating for all those interested in the mechanism of power and use/abuse of it; and is also a riveting piece of film making. In my view it's Liman's best film to date.

Valerie Plame Wilson (Naomi Watts) is a woman with double life: she is the wife of the former Ambassador Joe Wilson (Sean Penn) and mother of two children. But she is also and efficient CIA Operations Officer working in the Nonproliferation Center and in charge of several operations.

In 2003, when Bush administration manipulates the information relative to massive destruction weapons to justify the invasion of Iraq, Joe Wilson writes an article in the New York Times criticizing the government and telling that the intelligence research had been manipulated. In reprisal, the government leaks Valerie's identity to discredit Joe, affecting their professional and private lives and almost destroying their marriage.

"Fair Game" is a bold film about the life of Valerie Plame Wilson, who has had her life destroyed by Bush administration in part of the farce about the existence of massive destruction weapons in Iraq to justify the invasion of that nation. But it seems that later the Wilson family wrote two books and won lawsuits against members of the government and they might have resolved their lives at least financially speaking.

The film glances also at the lives of Iraqi scientists that trusted on Valerie and were murdered by the Iraqi secret service, but does not show the fate of the civilian population that had their country bombed and invaded due to a farce. My vote is seven.

Title (Brazil): "Jogos de Poder" ("Power Game")