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IMDbPro

MR 73 - Bis dass der Tod Dich erlöst

Originaltitel: MR 73
  • 2008
  • 16
  • 2 Std. 5 Min.
IMDb-BEWERTUNG
6,6/10
6697
IHRE BEWERTUNG
MR 73 - Bis dass der Tod Dich erlöst (2008)
A washed-up Marseilles cop (Auteuil) earns a chance at redemption by protecting a woman from the man who killed her parents as he is about to be released from prison.
trailer wiedergeben1:01
1 Video
4 Fotos
CrimeDramaThriller

Ein gescheiterter Polizist aus Marseille erhält eine Chance zur Wiedergutmachung, indem er eine Frau vor dem Mann schützt, der ihre Eltern getötet hat, als dieser kurz vor seiner Entlassung ... Alles lesenEin gescheiterter Polizist aus Marseille erhält eine Chance zur Wiedergutmachung, indem er eine Frau vor dem Mann schützt, der ihre Eltern getötet hat, als dieser kurz vor seiner Entlassung aus dem Gefängnis steht.Ein gescheiterter Polizist aus Marseille erhält eine Chance zur Wiedergutmachung, indem er eine Frau vor dem Mann schützt, der ihre Eltern getötet hat, als dieser kurz vor seiner Entlassung aus dem Gefängnis steht.

  • Regie
    • Olivier Marchal
  • Drehbuch
    • Olivier Marchal
  • Hauptbesetzung
    • Daniel Auteuil
    • Olivia Bonamy
    • Catherine Marchal
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,6/10
    6697
    IHRE BEWERTUNG
    • Regie
      • Olivier Marchal
    • Drehbuch
      • Olivier Marchal
    • Hauptbesetzung
      • Daniel Auteuil
      • Olivia Bonamy
      • Catherine Marchal
    • 26Benutzerrezensionen
    • 29Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    The Last Deadly Mission: On Demand Trailer
    Trailer 1:01
    The Last Deadly Mission: On Demand Trailer

    Fotos3

    Poster ansehen
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    Topbesetzung52

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    Daniel Auteuil
    Daniel Auteuil
    • Louis Schneider
    Olivia Bonamy
    Olivia Bonamy
    • Justine Maxence
    Catherine Marchal
    • Marie Angéli
    Francis Renaud
    Francis Renaud
    • Kovalski
    Gérald Laroche
    • Georges Matéo
    Guy Lecluyse
    • Jumbo
    Philippe Nahon
    Philippe Nahon
    • Charles Subra
    Clément Michu
    • Émile Maxence
    Moussa Maaskri
    Moussa Maaskri
    • Ringwald
    Christian Mazzuchini
    • Roques
    Louise Monot
    Louise Monot
    • Blandine
    Maxim Nucci
    • Richard
    Christine Chansou
    • Mathilde Schneider
    Mireille Viti
    • Madame Renoir
    Camille Ramos
    • Fille Matéo
    Virginie Arnaud
    Virginie Arnaud
    • Hélène Maxence
    Tony Gaultier
    Tony Gaultier
    • Surveillant Chef
    Gabriel Le Doze
    • Jap
    • Regie
      • Olivier Marchal
    • Drehbuch
      • Olivier Marchal
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen26

    6,66.6K
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    Empfohlene Bewertungen

    9abisio

    Probably the most realistic (and tough) cop movie ever made

    A couple of years ago, Mr. Marchant delivered 36 Quai Des Orfèvres (basically is the address of the Paris police department); one of the best and most complex cop movies I ever saw; a great film but not perfect. It was not as realistic as I expected; cops were ambitious but no so dirt and the end felt really forced. With MR 73 the realism is all there and if the movie lacks the continuous action of the first one, it improves dramatically aside from a few clichés. The pace however is not Dirty Harry or Lethal Weapon. It is not even Righteous Kill but it is far better than all of them. Based on real and quite tragic events, the story introduces several characters getting related as the events progress. Louis, a drunken and completely finished cop (thanks to tragic family accident and the moral remorse of his own sins). There is a serial killer on the loose (plus other getting out of jail), a few very corrupt cops and a bunch of people more worried on getting rid of problems that to hold the law or protect people. There is not a hint of humor in the movie; in fact it is really terrifying that this tribe of monsters is there to protect us. Giving up more will affect the complex of the narrative. Let's simple state that the end is far more accomplish than the previous movie and the intensity of the situations takes the breath away. A few minutes less could probably had improve the pace, but just because some moments are difficult to bear. Great movie, but aside from the cars there is nothing comparable to American cop movies.
    5SnoopyStyle

    very hard-boiled

    In grimy Marseilles, drunken disheveled Detective Louis Schneider is arrested for hijacking a bus. The driver told him to sit down which got him to pull out his gun. A car accident left his daughter dead and his wife despondent. He is relegated to work the night shift. Unrepetent killer Charles Subra is getting probation. Survivor Justine Maxence approaches arresting detective Schneider from those years ago for help. There is a serial killer on the loose. There is also a cover-up and Schneider is hounded to quit.

    Daniel Auteuil is acting through his scruffy appearance and his dangling cigarettes. He is so good at being world weary that the movie in general is drained of life. It's all grim and crumbling without any tension. The disjointed storytelling with the constant flashbacks to the same incident gets a bit tiresome. This movie has the moody style but the flow needs to be more compelling. I think I almost like this movie.
    10frenchiex2000

    Captivating & A Dark statement from an Ex Cop.

    As i was thrilled by the action, acting and dark side of MARCHAL' s "36", i decided not to miss his next film. there is less action like" Heat" but more reflection and gruesome images, like in SEVEN, if you like. Auteuil and the girl are perfect. you feel for both. you love to hate the baddies as we all did in "36", but it just shows that in the police force, of any nationality by the way, there are some who do their jobs for the right reasons and some who have lost faith, and the notion of good. i loved the ending and i will not spoil it for you. a great plot , 2 to be exact. it is refreshing to watch a film noir as good as,if not better than when they first came out 50 years ago. Auteuil is a great one for those. Depardieu in the next movie again would be the icing on Marchal' s cake.
    dbdumonteil

    Avalanche

    Some movies are saved by their actors.To write that the movie is derivative is to state the obvious .It borrows from many of the American thrillers of the nineties ,the inmate (notably) is another reincarnation of Hannibal. Fortunately,no Clarice,but Justine ,daughter of his victims ,whose part is the most interesting of the whole movie.Her commitment to her grandpa is extraordinary and the scene of the mass for the dead rings true .Her relationship with the hero is more conventional but the viewer really needed some sunlight breaking out.

    A hero who has perhaps never deserved more to be called anti hero.It takes a lot of nerve ,a lot of genius and a lot of courage to play such a demeaning part of a fallen cop,who smells urine and alcohol ,with an haggard face who seems to have suffered his misfortunes without complain. Daniel Auteuil is ,much more than Depardieu,to the French cinema what Jean Gabin was half a century ago and besides he ages more gracefully .This part and that of Nicole Garcia's "L'Adversaire" are among his finest performances.The only thing that's lacking is a firm strong screenplay.This one is a bit desultory ,but who cares?Auteuil carries the movie on his shoulders ,with fine support by Olivia Bonamy.

    Well I stepped into an avalanche,it covered up my soul..... (L.C.)
    8TdSmth5

    A wild and interesting story.

    Former cop Olivier Marchal presents us with a bleak picture of French cop on the end of the line. While things looked almost hopeless for the main character in his previous directorial work, 36, here they are utterly hopeless.

    We meet Louis, a completely alcoholic cop who downs a bottle of whiskey a day, as he in a drunken stupor hijacks a bus full of people so that the bus driver can drive him home. Internal affairs gives him a break and assigns him to answer phones during night duty. Louis used to date one of the IA officers. He's in the middle of a serial killer investigation; the killer brutally rapes and kills women in their home. Even though he's off the case, Louis can't let go and continues to investigate. In fact, he solves the case and with his partner orchestrates a fantastically botched operation to apprehend the killer. This time around he's kicked off the force.

    A parallel story involves a pregnant woman whose parents were killed 25 years ago. The killer, now an old religious man, is about to be paroled. She doesn't believe in his rehabilitation. It's only late in the film that we find out how this story connects to the main story. It was Louis who put the killer in jail. She now contacts Louis to inform him that the killer is out. And sure enough, the killer stalks and threatens the woman. Louis who at this point has nothing to lose decides to take on his last, personal, and very deadly mission with the help of a MR-73 a gun that belongs to his partner.

    We are told that this is movie is based on real events and it would be interesting to find out what aspect of it is true. This seems to be a very personal movie for Marchal. Once again, as in 36, we are exposed not to the glamorous world of law enforcement but all the nastiness and corruption. We find out what drove Louis to alcoholism, a car accident left his wife in a semi-vegetative state and he has to take care of her. Marchal presents us a very realistic picture of the police force, where ego and testosterone make for a terrible combination. These cops rarely work as partners preferring to be each others' antagonists.

    The movie is entertaining to see but there is a lot of room for improvement. Several parts of the pregnant woman's story are superfluous. A lot could have been improved via editing to make the movie shorter, tighter, to present these two stories in a more coherent and interesting way. There's only so much fun in watching a slow-mo train wreck unfold and Louis' life is an absolute wreck. I like Marchal's direction, it has a lot of style but is paced too slowly, this movie is more than 2 hours long and you feel every minute of it. I would have liked to see the serial killer story get more prominence, it ends too soon, meanwhile the woman's story is too drawn out, starting too early.

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    • Wissenswertes
      The director is a former cop from the crime department. Once as a young cop, he have to investigate a murder leaving a young girl orphan. This case hits him a lot. In 2002, he meets again with the orphan who was now a young mother. He so decided to do the movie and invite her during the filming that was quite both hard and relieving for both of them. In fact, the film's prologue seems to reflect this: "The story is based on a case that caused me indescribable pain for many years."
    • Zitate

      La psychologue: You drank, this morning?

      [pause]

      La psychologue: you won't answer?

      Schneider: You can leave if you want.

      La psychologue: You're not to blame, Mr. Schneider. You were just in the wrong place.

      Schneider: No, I never should've been there.

      La psychologue: Meaning?

      Schneider: I don't want to discuss it.

      La psychologue: What will you discuss?

      Schneider: You believe in God, doctor?

      La psychologue: Yes, or I wouldn't be here.

      Schneider: God's a son of a bitch. Someday I'll kill him.

    • Crazy Credits
      Dedication before end credits:  "For Catherine and for Léa, Zoé and Ninon, the four women in my life.  To my parents.  To Sophie and Caroline and to the memory of their parents."
    • Verbindungen
      Referenced in LOL (2008)
    • Soundtracks
      Avalanche
      Written and performed by Leonard Cohen

      Originally released 1970 Sony Music Entertainment Inc.

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    Details

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    • Erscheinungsdatum
      • 12. März 2008 (Frankreich)
    • Herkunftsland
      • Frankreich
    • Offizieller Standort
      • Gaumont (France)
    • Sprache
      • Französisch
    • Auch bekannt als
      • The Last Deadly Mission
    • Drehorte
      • Marseille, Bouches-du-Rhône, Frankreich
    • Produktionsfirmen
      • LGM Productions
      • Gaumont Production
      • TF1 Films Production
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Weltweiter Bruttoertrag
      • 9.457.734 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      2 Stunden 5 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

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