Ein rachsüchtiger barbarischer Krieger macht sich auf den Weg, um sich an dem bösen Kriegsherrn zu rächen, der sein Dorf angegriffen und seinen Vater ermordet hat, als er noch ein Junge war.Ein rachsüchtiger barbarischer Krieger macht sich auf den Weg, um sich an dem bösen Kriegsherrn zu rächen, der sein Dorf angegriffen und seinen Vater ermordet hat, als er noch ein Junge war.Ein rachsüchtiger barbarischer Krieger macht sich auf den Weg, um sich an dem bösen Kriegsherrn zu rächen, der sein Dorf angegriffen und seinen Vater ermordet hat, als er noch ein Junge war.
- Auszeichnungen
- 2 Nominierungen insgesamt
Diana Lyubenova
- Cheren
- (as Diana Lubenova)
Handlung
WUSSTEST DU SCHON:
- WissenswertesJason Momoa undertook an intense six-week training program at a stunt and martial arts academy in Los Angeles for his part while still finalizing negotiations for the film. After putting tremendous effort into the role, he later expressed regret about the mediocre quality of the film. "I've been a part of a lot of things that really sucked, and movies where it's out of your hands," Momoa stated in an interview with GQ magazine. "'Conan was one of them. It's one of the best experiences I had and it [was] taken over and turned into a big pile of shit."
- Patzer(at around 1h 11 mins) The fight on the ship starts out at night but finishes in daylight.
- VerbindungenFeatured in Trailer Failure: Conan, Real Steel, and Final Destination 5 (2011)
- SoundtracksNazlah Al Sallallem
Performed by Cairo Orchestra
Written by Sami Nossair
Published by Tenvor Music (BMI) o/b/o Kousan Music Publishing
Courtesy of Hollywood Music Center
Ausgewählte Rezension
Conan the Barbarian is born in war, a product of blood and steel. Thus the film should be a visceral, violent portrayal of a warrior set against the fantasy backdrop of Robert E. Howard's Hyboria. What emerges on screen is a set of one dimensional characters placed in a world that feels half heatedly brought to life.
The film has been accused of being like viewing a video game. I would disagree. The nature of video games, particularly those of the fantasy and RPG genres, is immersion. There is no immersion here. We flit from place to place in a lame attempt to show the vastness of the world through a mediocre CGI backdrop of a castle or slave camp or pirate city. None are ever fully realised before Conan jaunts off somewhere else. The violence itself is the most disappointing. Nispel manages to create fight scenes that lack the kinetic quality of a dance. The camera is misplaced, the editing focusing on the wrong points. You never feel the hits, the power of the blows or Conan's qualities as a warrior. It feels clumsy.
There are more grunts and warcries than lines of dialogue and those spoken feel like the actors are running them in rehearsal for the first time. There is no commitment to the lines so again the audience fails to immerse in their characters. McGowen in contrast overly plays the sorcerer.
Given this is a reboot, the film does not feel fresh, but instead feels dated. It's almost as though Nispel wanted it to feel like the 1982 version, but taking only the worst qualities and none of the charm. Conan reinforces the assertion of refraining from producing reboots where there is nothing original the writers or director bring to the table. Conan is a stale rehash that will offer no reward to its audience.
The film has been accused of being like viewing a video game. I would disagree. The nature of video games, particularly those of the fantasy and RPG genres, is immersion. There is no immersion here. We flit from place to place in a lame attempt to show the vastness of the world through a mediocre CGI backdrop of a castle or slave camp or pirate city. None are ever fully realised before Conan jaunts off somewhere else. The violence itself is the most disappointing. Nispel manages to create fight scenes that lack the kinetic quality of a dance. The camera is misplaced, the editing focusing on the wrong points. You never feel the hits, the power of the blows or Conan's qualities as a warrior. It feels clumsy.
There are more grunts and warcries than lines of dialogue and those spoken feel like the actors are running them in rehearsal for the first time. There is no commitment to the lines so again the audience fails to immerse in their characters. McGowen in contrast overly plays the sorcerer.
Given this is a reboot, the film does not feel fresh, but instead feels dated. It's almost as though Nispel wanted it to feel like the 1982 version, but taking only the worst qualities and none of the charm. Conan reinforces the assertion of refraining from producing reboots where there is nothing original the writers or director bring to the table. Conan is a stale rehash that will offer no reward to its audience.
- richard-s-bellamy
- 6. Sept. 2011
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Conan the Barbarian
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 90.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 21.295.021 $
- Eröffnungswochenende in den USA und in Kanada
- 10.021.215 $
- 21. Aug. 2011
- Weltweiter Bruttoertrag
- 63.523.283 $
- Laufzeit1 Stunde 53 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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