IMDb-BEWERTUNG
7,7/10
73.437
IHRE BEWERTUNG
Ein High-School-Mädchen namens Makoto lernt, in die Vergangenheit zu reisen. Sie beschließt diese Kraft zu ihrem eigenen Vorteil zu nutzen. Sie ahnt nicht, dass sie das Leben anderer genauso... Alles lesenEin High-School-Mädchen namens Makoto lernt, in die Vergangenheit zu reisen. Sie beschließt diese Kraft zu ihrem eigenen Vorteil zu nutzen. Sie ahnt nicht, dass sie das Leben anderer genauso beeinflusst wie das eigene.Ein High-School-Mädchen namens Makoto lernt, in die Vergangenheit zu reisen. Sie beschließt diese Kraft zu ihrem eigenen Vorteil zu nutzen. Sie ahnt nicht, dass sie das Leben anderer genauso beeinflusst wie das eigene.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 12 Gewinne & 2 Nominierungen insgesamt
Riisa Naka
- Makoto Konno
- (Synchronisation)
Takuya Ishida
- Chiaki Mamiya
- (Synchronisation)
Mitsutaka Itakura
- Kosuke Tsuda
- (Synchronisation)
Ayami Kakiuchi
- Yuri Hayakawa
- (Synchronisation)
Mitsuki Tanimura
- Kaho Fujitani
- (Synchronisation)
Yuki Sekido
- Miyuki Konno
- (Synchronisation)
Utawaka Katsura
- Makoto's Father
- (Synchronisation)
Midori Ando
- Makoto's Mother
- (Synchronisation)
Fumihiko Tachiki
- Fukushima-sensei
- (Synchronisation)
Keiko Yamamoto
- Obasan
- (Synchronisation)
Shiori Yokohari
- Moriko Uesugi
- (Synchronisation)
Sonoka Matsuoka
- Sekimi Nowake
- (Synchronisation)
Takayuki Handa
- Kato
- (Synchronisation)
Maho Kurashima
- Female Newscaster A
- (Synchronisation)
Taeko Hase
- Additional Voices
- (Synchronisation)
Keiko Aizawa
- School Nurse
- (Synchronisation)
- …
Kiyomi Tanigawa
- Home Economics Teacher
- (Synchronisation)
- …
Atsuko Yuya
- Additional Voices
- (Synchronisation)
Empfohlene Bewertungen
This terrific fantasy focuses on a girl who discovers she can jump back in time, and much of the movie is a light-hearted exploration of what a teenage girl would do with that power, which is essentially relive life better, avoid uncomfortable conversations, and eat pudding. The lead character is likably average.
There are a few oddities in this movie. Some of them are because it turns out, as I learned at wikipedia, that this isn't actually the same story as the novel upon which it is based but a sequel containing a character from the original movie, which explains a lot. Apparently the original story has been made into several movies and TV series in Japan, so the assumption was probably that everyone would understand a lot of references I didn't get.
Also, towards the end, we are given little pieces of information that suggest there is a whole other story to learn, although whether that story is in the original book or whether that would be the subject of yet another narrative I don't know.
Then there's the ending, which is logically unsatisfying and yet which I ultimately found emotionally resonant. It's one of these puzzling endings that has you reading wikipedia and going through the IMDb forum posts (which offer a lot of fascinating theories).
Well worth watching.
There are a few oddities in this movie. Some of them are because it turns out, as I learned at wikipedia, that this isn't actually the same story as the novel upon which it is based but a sequel containing a character from the original movie, which explains a lot. Apparently the original story has been made into several movies and TV series in Japan, so the assumption was probably that everyone would understand a lot of references I didn't get.
Also, towards the end, we are given little pieces of information that suggest there is a whole other story to learn, although whether that story is in the original book or whether that would be the subject of yet another narrative I don't know.
Then there's the ending, which is logically unsatisfying and yet which I ultimately found emotionally resonant. It's one of these puzzling endings that has you reading wikipedia and going through the IMDb forum posts (which offer a lot of fascinating theories).
Well worth watching.
10oncex
This film is one of those films that comes once in every generation. The voice actors give the characters a sense of realness that makes you suffer or feel joy. The detail of the work is phenomenal and the story doesn't drag or end in a familiar way. I specially like the detail they put to little things as the sliding doors bouncing back open when Makoto tries to close them. This is one of those films that in the end it leaves you a good feeling and not guilty for spending two hours enjoying yourself. When you see this film you might have to find time to think when was the last time you saw something so good.I just wish there's a sequel for it, because I just couldn't get enough of it. But maybe is one of those stories that you wish it never ended but you know that it has to end.
P.S. Now I have to buy the DVD.
P.S. Now I have to buy the DVD.
Based on Yasutaka Tsutsui's 1967 novel, - which has been adapted several times over the years, including 1983's The Little Girl Who Conquered Time - The Girl Who Leapt Through Time is a charming mix of drama and romantic comedy, with a slight infusion of science fiction ideas. Makoto (Riisa Naka) is a high school girl who, through serendipity, gains the ability to leap back in time (but she only manages moments or hours back). She has platonic relationships with two high school boys, Chiaki (Takuya Ishida) and Kousuke (Mitsutaka Itakura), and they spend their time playing baseball.
With her new-found abilities, she does nothing spectacularly profound, and the films intentions aren't to comment on paradoxes or to shift the space-time continuum as is usually the case with time travel narratives. Makoto uses her abilities to repeat events that pleasure her, to ace a school test, and also to avoid certain embarrassing situations with her friends. But as her relationships with, particularly, Chiaki and Kousuke, her leaps become more personally profound, as she attempts to possibly save the people she cares for (within the context of small human moments of danger, and not the usual global/country catastrophes.
I love the fact that in Japan, they do not distinguish between live- action cinema and animated (anime if you like) films, they are all simply movies. Now I'm going to contradict this with a Western perspective: This beautifully animated film is a delight to view, with its traditional two-dimensions, it is evidence to the west that 3D, computer generated animation is not the overbearing format, and 2D is still a genuinely viable medium. The film is filled with charming human moments, both touching and thoughtful. Teenage comedies rarely have this level of tenderness of character, that also explores concepts of fate, the passage of time and the intricacies of small human moments, and the delicate nature of human relationships.
www.the-wrath-of-blog.blogspot.com
With her new-found abilities, she does nothing spectacularly profound, and the films intentions aren't to comment on paradoxes or to shift the space-time continuum as is usually the case with time travel narratives. Makoto uses her abilities to repeat events that pleasure her, to ace a school test, and also to avoid certain embarrassing situations with her friends. But as her relationships with, particularly, Chiaki and Kousuke, her leaps become more personally profound, as she attempts to possibly save the people she cares for (within the context of small human moments of danger, and not the usual global/country catastrophes.
I love the fact that in Japan, they do not distinguish between live- action cinema and animated (anime if you like) films, they are all simply movies. Now I'm going to contradict this with a Western perspective: This beautifully animated film is a delight to view, with its traditional two-dimensions, it is evidence to the west that 3D, computer generated animation is not the overbearing format, and 2D is still a genuinely viable medium. The film is filled with charming human moments, both touching and thoughtful. Teenage comedies rarely have this level of tenderness of character, that also explores concepts of fate, the passage of time and the intricacies of small human moments, and the delicate nature of human relationships.
www.the-wrath-of-blog.blogspot.com
Alert: This movie has the most fantastic background graphics, equal in quality to the very best--like cowboy bebop or something from studio ghibli (spirited away). just wonderful color of the sunsets, schools houses etc.
As a teen slice of life/tentative romance/drama the story seems like it could be cliché, but they do interesting things with it, make it more dramatic in the middle, and at the end i was satisfied. the emotional depth sort of sneaks up on you.
Sounds were well-integrated into the film and the voice actors were spot-on in their portrayals.
just a fine experience watching this on here in Asia.
Highly recommended for all, but a must for anyone who's into anime.
wow I'm gonna look out for anything by this studio and director in the future.
As a teen slice of life/tentative romance/drama the story seems like it could be cliché, but they do interesting things with it, make it more dramatic in the middle, and at the end i was satisfied. the emotional depth sort of sneaks up on you.
Sounds were well-integrated into the film and the voice actors were spot-on in their portrayals.
just a fine experience watching this on here in Asia.
Highly recommended for all, but a must for anyone who's into anime.
wow I'm gonna look out for anything by this studio and director in the future.
"I wonder how someone was able to create such a beautiful painting, when it must have seemed that the world was coming to an end."
When high school student Makoto inadvertently discovers that she's gained the ability to leap (literally) backward through time, she immediately begins using it to her advantage - with little concern for how and why she's gained this mysterious power. No problem is too trivial to be solved by a little time travel, from pop quizzes to uncomfortable conversations. But, nothing in the past can be changed without consequence, and Makoto's frivolous use of her ability may result in one or more of her friends being lost forever.
The Girl Who Leapt Through Time is about as mainstream and accessible as anime gets. The characters are all pretty normal, likable, and relatable. There's a lot of humor in the first half of the story, while the last half is quite serious, heartfelt, and poignant. The animation and character designs are clean and smooth, and have a very modern appeal. The score has a lot of piano pieces that occasionally caught my ear in a very pleasant way.
I recommend this both to anime fans, and to those who aren't particularly familiar with eastern animation. The story is an entertaining mix of moments both somber and lighthearted, the characters are great, and the visuals were top-notch. The Girl Who Leapt Through Time isn't just a good animated movie, it's good by any standards.
When high school student Makoto inadvertently discovers that she's gained the ability to leap (literally) backward through time, she immediately begins using it to her advantage - with little concern for how and why she's gained this mysterious power. No problem is too trivial to be solved by a little time travel, from pop quizzes to uncomfortable conversations. But, nothing in the past can be changed without consequence, and Makoto's frivolous use of her ability may result in one or more of her friends being lost forever.
The Girl Who Leapt Through Time is about as mainstream and accessible as anime gets. The characters are all pretty normal, likable, and relatable. There's a lot of humor in the first half of the story, while the last half is quite serious, heartfelt, and poignant. The animation and character designs are clean and smooth, and have a very modern appeal. The score has a lot of piano pieces that occasionally caught my ear in a very pleasant way.
I recommend this both to anime fans, and to those who aren't particularly familiar with eastern animation. The story is an entertaining mix of moments both somber and lighthearted, the characters are great, and the visuals were top-notch. The Girl Who Leapt Through Time isn't just a good animated movie, it's good by any standards.
Wusstest du schon
- WissenswertesThis movie is an indirect adaptation of Yasutaka Tsutsui's novel "The Girl Who Leapt Through Time" - the main character's aunt is Yoshiyama Kazuko, the protagonist of the novel.
- PatzerSpoiler: During the time-stop sequence Chiaki laments that he will not be able to see the painting he has come to the past for because it is in restoration and he will not be around the next day when it is put on the wall. But Makoto knows that the picture is worked on by her aunt and so they could just go upstairs and take a look at it (they may find the door locked but the possibility is not even mentioned). Chiaki's last jump could not have erased that memory because Makoto's knowledge predates the event.
- Zitate
Yuri Hayakawa: [Makoto Leaves the room, then Yuri watches the Blackboard] Makoto: Time waits for no one
- VerbindungenFeatured in Glass Reflection: The Girl Who Leapt Through Time (2010)
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Details
Box Office
- Weltweiter Bruttoertrag
- 1.421.529 $
- Laufzeit1 Stunde 38 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.78 : 1
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What is the Hindi language plot outline for Das Mädchen, das durch die Zeit sprang (2006)?
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