Jekyll

This is a brilliant modern adaption of Jekyll and Hyde. The bbc are now on the 2nd episode out of 6 and its getting tenser and tenser and it is brilliant.

After recently studying Jekyll and Hyde this year for GCSE, this mini series really pays tribute to Stevenson's story.

Many adaptions portray Hyde and a mutated monster or something along these lines. However in the novel he is descibed has having a deformity about him which can't be explained. The suttle changes in this adaption really had an impact and aren't over whelming like the in the Michael Caine version...which was pure trash.

This is a truly brilliant piece of TV and i can't wait to watch the further episodes i would advise watching this, or if they come out on DVD definitely buy!!!!

A new, fresh take on the same old Jekyll/ Hyde theme which has so captured fans of literature and all other kinds of popular culture since its inception in the C19th.

Stephen Moffat is known well as the writer on Doctor Who (soon to replace Russell T. Davies) and as such one can see how he can make material like this work so well. The main theme of good vs evil - captured with genius by Stevenson in the original story as the dichotomy in one individual man - is a great, meaty topic to dig into and Moffat certainly does. There are brilliantly written moments of drama, comedy and sheer horror, all well constructed and the plotting is perfect. The way the series is shot too is quite stylish, capturing the darkness of Hyde, and accentuating the pacy tension-building story.

However, despite a great start, this series does not end quite as well as it begins. It turns from a tense, stomach churning thriller into a 'Run!' style action/horror story. That said, it does not detract from a brilliantly written and acted, fresh drama.

Perhaps the best thing about it is James Nesbitt in the dual role of Jackman and Hyde. He both perfectly captures the exasperated, desperate family man of Jackman and relishes the delectable evil of Hyde. This performance not only holds the whole story together, but brings it into spectacular Technicolour.

If you want to watch an exciting, well-written, and well-made drama, with a punchy script, fast pace and great performances, then this is for you.

Steven Moffat's new thriller is a breath of fresh air for the BBC1 Saturday night evening post-"Casualty" slot. Beginning with super-sexy Michelle Ryan preparing the restraining straps on a chair, you just know this is going to be fun. Ryan is a delight and it comes as no surprise to learn she is the new "Bionic Woman".

The always-excellent James Nesbitt is the star of the show. As Jackman, Nesbitt plays a man who is living literally two separate lives. There's a thick air of mystery in the air and more than a scent of a conspiracy. His transformation into "Hyde" is genuinely unnerving.

The beautiful Gina Bellman has always had a place in my heart, ever since I watched Dennis Potter's puzzling but erotic "Blackeyes" in '89. Bellman remains devastatingly gorgeous and is as watchable as ever.

Comic relief is provided by Meera ("Life Isn't All Ha Ha Hee Hee" and "The Kumars at No.42") Syal as Miranda, a private detective who is mysteriously paid not to investigate Jackman any further.

"The League of Gentlemen" and "Doctor Who" fans will be pleased to know that Mark Gatiss will be making an appearance later in the series as Robert Louis Stevenson.

This is an interesting show - part mystery, part horror, part comedy. It's certainly unique and well worth a viewing. The BBC really have Saturday nights sorted out at the moment as this is a great "book-end" companion with "Doctor Who"!

For those who may find the first episode a little disappointing, stick with it. The later episodes are darker and more satisfying installments.

Just watched the first of the series on the BBC. Was not sure what to expect as I had not seen any publicity leading up to the broadcast.

I was very pleasantly surprised. Not just with the slowly revealing dark tones of the plot but also with the underlying eroticism from both the female and male protagonists.

There is quite a lot of attention to detail which hand in hand with the competent acting makes this very believable and therefore watchable. I very much hope the same quality is maintained throughout the series.

I have to say that I like the choice of James Nesbitt in the lead role. Not only because he is an actor who demonstrates, very admirably, human frailty but also he can show that hard edged centre which is believably portrayed.

Looking forward, very much, to the next instalment.

As much as I tend to be an Anglophile when it comes to all things British in the cinema and on TV, I know that just because the actors have plummy accents it doesn't necessarily make something good. However, I'm glad to discover that BBC America's new series is a welcome exception to that rule.

When a post-modern adaptation of "classic" material such as this is attempted, the filmmakers had better bring something fresh and different to the table, if they expect the project to make an impression beyond the first moment or two. And luckily, "JEKYLL" has a real asset in James Nesbitt's tour-de-force portrayal of Dr. Tom "Jackman", the 'hero' of the piece who is sharing his mind and body grudgingly with the absolutely amoral and insane "Mr. Hyde". Blessedly, Nesbitt chose to take the Spencer Tracy route with this version, relying more on acting ability than cheap prosthetics, (though there are some makeup effects used very sparingly, which makes them that much more gruesome when they appear.)

This take is part-mystery, part-conspiracy thriller and part-psychological drama, which at times hints that it might even be headed into old "X-FILES" territory. It is fascinating to try and second-guess Steven Moffat's excellent script, but just when you think you know where it's going, the plot line swerves in another direction, but not with such unexpectedness or contrivance as to make you want to turn it off and ditch the whole thing. (Too bad I can't say the same thing about "LOST".)

I'm coming up on the last couple of episodes, and I'm hoping that it will be back for another installment, if things don't get wrapped up towards the end. Nesbitt, whose work I've never seen before, is outstanding, and he's backed by a terrific supporting cast, especially a nearly unrecognizable Denis Lawson, whom I only ID'ed thanks to IMDb.

If you haven't been following this on Saturdays on BBC America, be sure to catch it when it becomes available on DVD.