Basierend auf dem Aufstieg und Fall der Prominenten Edie Sedgwick, die sich auf ihre Beziehungen zu Andy Warhol und einer Folksängerin konzentriert.Basierend auf dem Aufstieg und Fall der Prominenten Edie Sedgwick, die sich auf ihre Beziehungen zu Andy Warhol und einer Folksängerin konzentriert.Basierend auf dem Aufstieg und Fall der Prominenten Edie Sedgwick, die sich auf ihre Beziehungen zu Andy Warhol und einer Folksängerin konzentriert.
- Auszeichnungen
- 1 Nominierung
Handlung
WUSSTEST DU SCHON:
- WissenswertesSienna Miller improvised the scene in which Edie tells The Musician about her brothers' deaths.
- PatzerEdie Sedgwick's relationship to Nico is depicted incorrectly: in reality they were friends and Edie warned Nico about Andy Warhol's behavior. Edie's death was very sad for Nico.
- Zitate
Andy Warhol: I wonder if people are going to remember us?
Edie Sedgwick: What, when we're dead?
Andy Warhol: Yeah.
Edie Sedgwick: Well, I think people will talk about how you changed the world.
Andy Warhol: I wonder what they'll say about you... in your obituary. I like that word.
Edie Sedgwick: Nothing nice, I don't think.
Andy Warhol: No no, come on. They'd say, "Edith Minturn Sedgwick: beautiful artist and actress...
Edie Sedgwick: ...and all-around loon.
Andy Warhol: ...Remembered for setting the world on fire...
Edie Sedgwick: ...and escaping the clutches of her terrifying family...
Andy Warhol: ...Made friends with eeeeverybody and anybody...
Edie Sedgwick: ...creating chaos and uproar wherever she went. Divorced as many times as she married, she leaves only good wishes behind.
[laughs]
Edie Sedgwick: That's nice, isn't it?
- Crazy CreditsDuring the first part of the end credits, photos are shown of the real Edie Sedgwick. Also people who knew her give testimonies about her.
- Alternative VersionenAccording to the FAQ section: "For the home theatre market, an unrated version was released aside from the R-rated theatrical version. Most scenes which were re-inserted or alternately shifted, serve to specify character drawings and various aspects of the story which were only embedded in the theatrical version to some extent. However, there are also a few extensions with sexual contents and more explicit depictions of drug use."
- SoundtracksDino's Song
Written by Chet Powers (uncredited)
Performed by Quicksilver Messenger Service
Courtesy of Capitol Records
Under License from EMI Film & Television Music
Did Hickenlooper paint Edie as a perpetual victim (notice how throughout the film she is never injecting herself but is bent over while others inject her?) just so that he could show her as a victim of Andy Warhol and his drug fiend factory friends? Or that she was always a victim of people like her friend Chuck who did a complete turn on her for that villain Andy? Is Hickenlooper trying to say that the biggest mistake of Edie's life was not choosing Dylan over Warhol in that elevator scene where her future self voices over, "that was the biggest mistake of my life"? Edie Sedgwick came to the factory a sick person, she was already headed for a crash even before she set eyes on Andy Warhol. In reality, she was rejected by the factory friends and many others for the drugs she brought with her everywhere, she was not introduced to them at the factory as the movie shows.
Hickenlooper seems to me to be trying to say that Edie Sedgwick, that fresh faced wasp in knee socks and pearls who left Cambridge with sketches tucked under her arms could have potentially had a wonderful and peaceful life, even a stable marriage with Bob Dylan had she only not met Andy Warhol and been subject of those movies.
I have a problem with this film because I am so interested, most people are, in the real Edie Sedgwick and I agree with another poster who suggested you see Ciao!Manhattan to get a better sense of who she was. If you want a tragic love-story about a good girl who chose the wrong guy, watch Factory Girl.
The real Edie Sedgwick was a person whose hystrionics and drugs were symptoms of a soul that was always trying to fly away, for her the world was always too small and her pain was always too big, and she lived her life as though she dreamed of having her wings singed flying too close to the sun.
- maryamishani
- 4. Feb. 2007
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- Erscheinungsdatum
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- Auch bekannt als
- Fábrica de sueños
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Box Office
- Budget
- 7.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.675.241 $
- Weltweiter Bruttoertrag
- 3.572.632 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1