FLICKA ist die zeitgemäße Filmadaption von Mary O'Haras bekanntem Roman Mein Freund Flicka, der Generationen von Pferdefreunden begeisterte.FLICKA ist die zeitgemäße Filmadaption von Mary O'Haras bekanntem Roman Mein Freund Flicka, der Generationen von Pferdefreunden begeisterte.FLICKA ist die zeitgemäße Filmadaption von Mary O'Haras bekanntem Roman Mein Freund Flicka, der Generationen von Pferdefreunden begeisterte.
- Auszeichnungen
- 3 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesAt 27 years of age, Alison Lohman was 11 years older than the character she plays in the film.
- PatzerDuring one of the first times Katy mounts Flicka to ride her around, Flicka isn't wearing a bridle. Then there's suddenly a bridle visible.
- Zitate
Katherine "Katie" McLoughlin: The stories we hear about how the West was won are all lies. The history of the West was written by the horse. Wherever a settler left his footprint there was a hoof print beside it. Men came further and further west to stake their claim on the great American wilderness. But they encountered a strength that couldn't be tamed - wild horses. Mustangs. The settlers called them parasites that would strip the land and starve their own herds. They couldn't domesticate them so they destroyed them. Isolated and hungry, they were on their way to disappearing from the face of the earth. Sometimes when the light disappears an afterimage remains - just for a second. Mustangs are an afterimage of the West, no better then ghosts, hardly there at all. No one really wants them, not ranchers, not city people - that's their destiny. Let them disappear once and for all, along with all the other misfits, loners, and relics of a wilderness no one cares about anymore. Lucky for us a few mustangs survived, hidden away in the mountains. We need to protect them, for they are the hope of some kind of living memory of what the promise of America used to be - and could be again. I believe there is a force in this world that lives beneath the surface, something primitive and wild that awakens when you need an extra push just to survive, like wildflowers that bloom after fire turns the forest black. Most people are afraid of it, and keep it buried deep inside themselves. But there will always be a few people who have the courage to love what is untamed inside us. One of those men is my father. There was once a time when Americans came West to discover their destiny. Today they seem to move around every which way, restless and unsettled. But I think they're still looking for the same thing - a place where they can be optimistic about the future, a place that helps them to be who they really want to be, where they can feel that this life makes sense, a place where they can feel what I feel when I'm riding Flicka - because when we're riding, all I feel... is free.
- Crazy CreditsBecause of the accidental death of two horses during filming, the usual disclaimer of "No animals were harmed in the making of this film" does not appear in the end credits.
- VerbindungenFeatured in Flicka: Turning a Beloved Novel Into Film (2006)
- Soundtracks4:35 A.M.
Written and Performed by Gemma Hayes
Courtesy of Astralwerks
Under license from EMI Film & Television Music
It's also an Alison Lohman film and in all fairness contains one of her best performances. Lohman is always excellent and in "Flicka" she is given a lot to work with and handles it all quite well. However, the scripting and editing assembly work are so weak that her strong performance (and nice supporting work by Maria Bello and Ryan Kwanten) cannot turn this thing into a high quality film. You might notice that neither the two screenwriters nor the director have been involved in any feature productions since the release of the film.
"Flicka" was a major release (over 2900 theaters in the U.S.) and turned a profit at the box office. I credit shrewd packaging by the film's producers as they focused from inception on insuring that the project would be bankable. They incorporated elements that pre-sold the film beyond its target audience of pre-teen girls. Tim McGraw was cast to bring in his large fan base, Kwanten was counted on to draw a fair number of teenage girls into the multi- plex, and there were so few live action family films in 2006 that it was able to tap into an under-supplied market.
As for Mary O'Hara's beloved children's book (My Friend Flicka-previously adapted into two feature films and a television show, is credited), it would be more accurate to say "inspired by" rather than "adapted from". The original's ten-year-old hero has been changed to a 16-year-old heroine named Katy McLaughlin (Lohman).
I normally rant a bit when an older actress is cast as a teenager but Lohman is the Mary Pickford of her day and with her cute face and freckles still looks physically believable playing a teen. Her new look for the film, long curly hair-dyed dark, makes her look a lot like Kari Russell (insert "very Irish" here). In this remake it's totally Katy's story (in the original the parents had a more central role) and is told from her point-of-view. She even does a short voice-over commentary to begin and close the film. Normally this POV stuff leads to viewer identification and connection, but the scripting and directing works against Lohman and you stay distanced from her character.
Katy is mega-headstrong, uncomfortable and bored at her boarding school but at one with the wilds of her family's horse ranch in Wyoming. Her father is grooming Katy's older brother Howard to eventually take over the ranch, clueless about Howard's desire to escape and about Katy's affinity for the place. She is the chip-off-the-old-block, not her brother.
The title character is a two-year old black mustang mare that is a source of conflict between Katy and her father for most of the film. While the movie looks pretty the thin plot, the poor sequencing, and absence of "genuine" emotion" doesn't add up to a particularly satisfying viewing experience.
Then again, what do I know? I'm only a child.
- aimless-46
- 9. Aug. 2007
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Flicka
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 21.000.147 $
- Eröffnungswochenende in den USA und in Kanada
- 7.703.551 $
- 22. Okt. 2006
- Weltweiter Bruttoertrag
- 21.893.591 $
- Laufzeit1 Stunde 35 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
- 2.35 : 1