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Crutch

  • 2004
  • R
  • 1 Std. 29 Min.
IMDb-BEWERTUNG
5,0/10
786
IHRE BEWERTUNG
Crutch (2004)
DramaRomance

Füge eine Handlung in deiner Sprache hinzuTeenager David's dysfunctional family life leads to substance abuse and exploitation by an older actor, spiraling into addiction. His journey to overcome and find himself.Teenager David's dysfunctional family life leads to substance abuse and exploitation by an older actor, spiraling into addiction. His journey to overcome and find himself.Teenager David's dysfunctional family life leads to substance abuse and exploitation by an older actor, spiraling into addiction. His journey to overcome and find himself.

  • Regie
    • Rob Moretti
  • Drehbuch
    • Paul Jacks
    • Rob Moretti
  • Hauptbesetzung
    • Eben Gordon
    • Rob Moretti
    • Juanita Walsh
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,0/10
    786
    IHRE BEWERTUNG
    • Regie
      • Rob Moretti
    • Drehbuch
      • Paul Jacks
      • Rob Moretti
    • Hauptbesetzung
      • Eben Gordon
      • Rob Moretti
      • Juanita Walsh
    • 10Benutzerrezensionen
    • 6Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos3

    Poster ansehen
    Poster ansehen
    Poster ansehen

    Topbesetzung30

    Ändern
    Eben Gordon
    Eben Gordon
    • David Graham
    Rob Moretti
    Rob Moretti
    • Kenny Griffith
    Juanita Walsh
    Juanita Walsh
    • Katie Graham
    Jennifer Laine Williams
    Jennifer Laine Williams
    • Julia
    Jennifer Katz
    • Maryann
    • (as Jennifer J. Katz)
    James A. Earley
    • Jack Graham
    • (as James Earley)
    Robert Bray
    • Michael Graham
    Laura O'Reilly
    • Lisa Graham
    Tim Loftus
    • Zack
    Frankie Faison
    Frankie Faison
    • Jerry
    Tia Dionne Hodge
    Tia Dionne Hodge
    • Janice
    Michael W Ellison
    • Bobby
    • (as Michael Ellison)
    Salvador Castillo
    • Drug Dealer
    Michael Philip Anthony
    • Casting Director #1
    Jack Pesin
    • Casting Director #1 Voice
    • (Synchronisation)
    Nancy Heins-Glaser
    • Casting Director #2
    Patricia Goldberg
    • Casting Director #2 Voice
    • (Synchronisation)
    David Ian Lee
    • Director of PSA
    • Regie
      • Rob Moretti
    • Drehbuch
      • Paul Jacks
      • Rob Moretti
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen10

    5,0786
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    Empfohlene Bewertungen

    10dmoorejdrf

    Refreshingly Honest and Raw Coming of Age Presentation

    Rob Moretti's story, based on his real life experiences, opens wide the often difficult struggles of "coming out". The complication is heightened by a family falling apart, parental mental illness, an older mentor prepared to take advantage and access to recreational drugs. Dealing with one or two or these issues would be more than most could handle, however this movies main character was dealing with all of them. Crutch/Moretti masterfully works this into the story without making the lead character seem pathetic. Eben Gordon does a magnificent job of playing the title character while Rob Moretti very effectively portrays the mentor that enables our lead characters move toward a path of destruction. The end credits let the audience know what became of each character. Our main character found his way to seven years of sobriety. That character is Moretti himself and gives the audience the reward of knowing he is okay! This movie really touched me.
    6rqwxyz

    Watchable, uneasy, not for people who tend to scandalize

    I can't really tell whether I liked the film or not, but what I do can say is that it is an uneasy story about a boy that happens to be gay (I don't buy the preyed thing...) and everything around him just going wrong, So it is not like you're going to enjoy it or have a good time, which is quite an achievement by itself, but at some (but few) points things get pretty... TV-ish, I would say. Acting at moments is noticeably awkward, and that is not a luxury you could afford while dealing with such an angstful environment. Some things get a little bit too dashingly resolved, which makes some "passages" sadly missable. The movie has spirit and is quite watchable, given how boring/ridiculous most disfunctionality films are. Anyways, is not a film you should watch if you tend to get scandalized (You really shouldn't, since it has a high level of subjectivism, the director is not only telling his story, he's also playing the teacher's role). I'll just give it a six, by now, it qualifies for its slot in the rack :)
    mrnaturalsez

    A Tale of a Sexual Predator

    MAY BE SPOILERS - I guess if I would have known more about this movie, I probably wouldn't have watched it. Even though I believe that, as adults, we should have the right, without fear of retribution, to experiment with, or get involved in, whatever lifestyles or sundry aspects of life we desire, even when others may regard this behavior as sordid, or however distasteful to them. Of course this is dependent on this behavior being by, and between, consenting adults of sound mind, and that no other persons, animals, etc. are harmed, burdened, or unduly subjected to it. Given this, it does not mean that I have to personally like it or want to view it (hence, the "I probably wouldn't have watched it" comment). This film would probably be characterized as a gay-themed film, although it was more than that, and touched on a variety of issues. Again, what consenting adults do is their own business, but this situation was quite a bit different. The main character is a very confused 16-year-old boy, who is preyed upon by a 30-year-old male teacher of an acting class the boy takes. The boy, whose parents are too self-absorbed in their own problems, is in desperate need of someone he can talk to and confide in about his awful home situation - and about life in general for someone evolving through, what are possibly, the most confusing, emotional, and important formative years in one's life. Unfortunately, the teacher is only concerned with his own agenda (as we see is the case of all the characters in this film), which is seducing the boy. Little by little, the teacher works on this seduction until it evolves into David (the youth) being a regular visitor at his apartment, where the minor is plied with plenty of alcohol and marijuana, and eventually he turns the boy, and Kenny (the teacher) and David are seen spending most of their time together getting loaded and engaging in sex. It gets progressively worse for David. The teacher is also a heavy cocaine user. One day, while snooping around in his bathroom, David finds a healthy bag of the powdered form of the drug, and steals it (Apparently Kenny must have had quite a stash, as he never even misses the 1-2 gram bag). With all of David's difficulties, the cocaine looks like something to alleviate his mental anguish. Unfortunately, it's just another "crutch," and what looks like a temporary solution, inevitably develops into just one more problem.

    I won't go into the whole story here, but with all the problems and pressures in David's life - the very dysfunctional home life; his use of drugs and alcohol; his confusion over his sexual identity and unhealthy "relationship" with his teacher; and the fact that he's just a teenager in the first place, and sorely equipped to logically deal with his condition; his mental state gets worse.

    Maybe I'm getting old, and more responsible, but I had a problem with this film, and that was that the filmmakers didn't really seem to see anything wrong with a 30-year-old sexual predator, in the role of a teacher, taking advantage of a very vulnerable and mixed up kid of 16. Nothing seems to ever have been done about Kenny, and even at the end of the film, they mentioned something on the order of "his whereabouts is unknown, may be teaching somewhere else." How many people out there would want this character as a teacher for their children? It doesn't take a genius to figure out how all but a very few would answer.

    Whether I agree with all of them or not, this guy has broken a whole raft of serious laws, and he needs to spend a few years behind bars. I don't know how accurate this portrayal was, but, supposedly, this was an autobiographical film based on the life of this picture's writer/director, Rob Moretti (his first). As is the case with most of us, we might be able to come up with solutions, or otherwise advise and help others with their problems, but when it comes to stepping back and taking an objective assessment of our own difficulties, we quite often are unable to do a very good job. Perhaps this is what happened here with Mr. Moretti. Do society a favor, Mr. Moretti. If this guy is for real, find this monster and have him arrested - before he works his evil on more troubled and impressionable youths.
    labng

    After school special with partial nudity, drug use and some violence

    The acting was so poor it was literally distracting. Some of the topics touched on during the film, were divorce, generational substance abuse, predatory sexual abuse, alcohol related death,codependency, grooming, etc, etc, etc... In other words-- a hot mess.
    10inevins

    Impressive

    Wonderfully filmed, poignant story, fantastic actors. An impressive film to say the least. I hope to see it in wide release so all can enjoy. The story is a coming of age story of an endearing young man and his struggles with addiction, family, and love. Writer/Director/Actor Rob Moretti must have had a roller-coaster of a ride creating this film. It is charged with honesty, hardship, and an underlying theme of Making/Creating and fighting the Unmaking/Destroying. The demons of this film reside in each of the characters, but they are ousted by the goodness and will of those same characters. Eben Gordon is brilliant. I can't wait to see his next project. He plays David, the protagonist. His execution of character development reminds me of Edward Norton's in "American X". He goes from young and innocent to hardened and wiser within a wonderfully timed and subtle arc.

    Rob Moretti impresses as David's mentor, Kenny. The relationship these two actors create is potent, real, and honest. It brings to mind the torrential joy and disaster of my first love certainly. With everything else Moretti must have dealt with on set as director/writer I find it very impressive that he and Gordon created such synergy. Most of the other actors did very well, though I would have loved to see more of Frankie Faison as Jerry. An intricate film and wonderful experience. It was very impressive.

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    • Patzer
      Errol Flynn and W.C. Fields action upon John Barrymore's death story is said to be true in the film. Experts say it is not. Here is the story from Errol Flynn biographer Louis Kraft: "Sorry, but it is yet another telling of a legend based upon fiction, Russ Williams, and one that I have not heard before. Someone got inventive with what supposedly happened. Flynn was close to Barrymore, and I believe looked up to him (certainly Barrymore's 'Don Juan' played a part in Flynn wanting to play the great lover and swordsman on film). ... Flynn, Barrymore, Fields, the artist John Decker, and Sadakichi Hartmann often met to drink, tell tales, and discuss any and everything, along with playing jokes; Flynn was closest to Decker and Barrymore. When Barrymore died in 1942, Flynn and director Raoul Walsh were at Flynn's 'Mulholland Farm,' his great house overlooking the San Fernando Valley, drinking. John Decker, who was supposedly with Barrymore in the hospital, arrived and told them the news. Decker, who had supposedly been up for almost 24 hours, left to go to bed, Flynn supposedly received a phone call from his lawyer and left to sign paperwork. Before leaving he asked Walsh (who was close to him) to stay, and that he wouldn't be gone long. After Flynn left, Walsh decided to go to the mortuary, He knew one of the owners, as he was a former actor, and asked if he could borrow Barrymore's body for a crippled friend to see him one last time. The owner (Dick Malloy?) agreed, dressed the corpse, and helped Walsh get Barrymore into his car. After arriving at Flynn's house, Walsh got Flynn's man, Alex, who had gone a bender the day before (his day off) and hadn't sobered up yet, to help him get Barrymore into the house and propped up where he liked to sit on the couch in the living room. As hungover as he was, Alex commented that Barrymore looked dead; Walsh supposedly said that he was just dead drunk. After a while Flynn returned home, entered the house and saw Walsh sitting across from Barrymore. He did an about face and screamed as he raced out of the house and hid behind a bush. When Walsh stepped outside Flynn accused him of doing what he had done. Still, Flynn stayed behind the bush until Alex helped Walsh get Barrymore back into his car drove away to the mortuary. The above story is Walsh's retelling of the 'Barrymore episode' (from his autobiography 'Each Man in His Time,' 1974). Flynn told the story first in his autobiography, 'My Wicked, Wicked Ways' (1959). In Flynn's retelling Barrymore is in chair in Flynn's den holding a drink. This time he is alone, but Flynn again flees from his house. Walsh and his cohorts, who had hidden, had to race after him. Buster Wiles, a stunt man and great pal of Flynn, told another version of Barrymore's death. That night he, Walsh and Flynn ate dinner at Gracie Allen and George Burns' house. Jack Benny and wife, among others were also present. A phone call announced the death. Later, they sat outside drinking to 'Jack' Barrymore and discussed bribing the mortuary to have the body released to them while they got drunk. Wiles claims that he pointed out that if they did and it became public news knowledge, there would be a possibility that their films might be banned by churches and other do-gooders. Nothing happened. Flynn's best biographer to date, Thomas McNulty ('Errol Flynn: The Life and Career,' 2004) shares the various stories while not going into detail until he describes a 1977 interview with Wiles (above). He is certain that the Flynn/Barrymore/Walsh [and W.C. Fields] event is a Hollywood legend and just fiction. And I know that various retelling [versions] of the story have been printed in magazines numerous times over the years, as I have several of them. ... I agree with Tom McNulty, who is a good friend of mine."
    • Verbindungen
      Featured in Crutch: A Personal Film (2004)

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    Details

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    • Erscheinungsdatum
      • 17. September 2004 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • HP Productions
    • Sprache
      • Englisch
    • Auch bekannt als
      • Опора
    • Drehorte
      • New Jersey, USA
    • Produktionsfirma
      • HP Productions LLC
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 420.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 14.189 $
    • Eröffnungswochenende in den USA und in Kanada
      • 6.245 $
      • 19. Sept. 2004
    • Weltweiter Bruttoertrag
      • 14.189 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 29 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

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