Tamara - Tochter des Teufels

I was fortunate to have seen an early screening of TAMARA and was quite impressed with the final result. The film is propelled by the star-making turns of its two leading female characters, Tamara (Jenna Dewan) and Chloe (Katie Stuart). Dewan is a real find, striking a terrific balance between pathos and horror. She makes quite an impact in her first starring role, and the fact that she's also quite stunning certainly does nothing to diminish her screen presence! Stuart's performance as the tragic do-gooder lends real weight and credibility to the film. It's a smart and sincere performance and not just another sassy-talking teen role that too often occupies this genre. The film is engaging throughout and provides some well-placed shock-and-gore to keep its pace humming along. Credit Jeff Reddick's screenplay for that- here's a film clearly written by someone who respects the genre. He never condescends to his audience, and just like in his film, FINAL DESTINATION, includes enough cleverly gruesome moments to ensure that the experience will memorable. While certain performances and scenes could have been tighter, all in all TAMARA makes for a solid entry in the horror genre and mercifully rises above the pack of overly slick (and perhaps overly sick) entries that horror fans have had to contend with as of late.

Tamara is pretty much a Carrie rip-off, even the poster art is almost identical. Whether it was intended to be original or not, I'm not sure, but with a few less clichés and a bit more character development, this could have been a film like May, smart and scary, and eccentric. Perhaps this film is a 'takes one to know one' kind of story. socially troubled girls, may find this emotional but everyone else will see Tamara as what it is, a sexy, but shallow horror movie.

Tamara Riley becomes the most hated girl in school after she writes a news paper article which rats out a number of her school mates in a certain way. One night, a bunch of them play a nasty prank on her, but things go wrong and she is accidentally killed. In the panic, they bury her body in the woods, but somehow she comes back from the dead, more cunning and sexy than before, and with a mind for revenge.

The trick to enjoying the movie is whether or not you feel engaged enough to root for the protagonist. She was done a major injustice but she is also doing injustice to others. The sex appeal of Tamara is really secondary. Tamara is nothing more or less than amusing in a twisted way, but if you want a similar movie that actually gets you thinking, watch May.

I went into this film not expecting much and I got a lot less. I get the whole hot girl thing and the basic plot but this film was just over the top formulaic and typical. Nothing originally about this film and that is why I didn't enjoy it. I wanted to like it, knowing it would be brainless, but the more it played the more disappointed I became and the more I realize I like horror films that have a unique story. Sadly this did not. Everything about it was typical, as if someone just took bits and pieces of other generic horror films and threw it in here with no regard to respect for the viewer.

I can't recommend this film because of the sophomoric way it was told.

Tamara is an unattractive, unpopular, abused girl in her high-school years. She has a crush on her teacher, Mr. Bill Natolly, and she likes witchcraft. When his teacher publishes her article about the use of steroids by the high-school athletes in the school newspaper expecting to improve her self-esteem, the matter indeed puts the students against Tamara. Three classroom mates use three other silly students to play a prank with Tamara, but they accidentally kill her. Due to a spell, Tamara returns from death and plots a lethal evil revenge against the group, and tries to take Bill from his beloved wife, since there is a bond between Bill and Tamara due to the witchcraft.

This fairly unoriginal movie is actually quite a treat. Even though its premise has been used in many other films before, Tamara seems to pull it off as something new, something we'll stick around and watch.

The acting is for the most part average. The lead jock was probably the worst, clichéd character you could find. Really, most of the characters all follow the usual hum-drum formula. Jenna Dewan definitely stands out and fills her roll nicely. Though you have to admit, just before she died she was already looking quite sexy. So even though she looked her best after she "dies", she looked better than most girls in the movie moments before her passing away.

Anyways, there are some decent death scenes in this one which was surprising. I wasn't expecting that a couple of these could closely rival something out of "Saw". The gore effects used are pretty standard but work well and there's no unbelievably fake CGI thrown in to ruin it. The death scenes are the attraction of the movie except of course for the "sexy" Tamara.

Something that raised my score a little is that it wasn't just a revenge movie. It did throw in some drama and even romance to the mix. She didn't just come back to torture those who accidentally killed her because of their stupidity. She came back for love as well. Though the situation rarely arises, there is some good chemistry working between Tamara and her teacher (I mean, as actors).

Jenna Dewan, though very attractive, manages to bring out the evil side well in Tamara. She doesn't try to cringe her face to look evil, she just has this smile that whenever you see it, you know she's thinking of something really naughty, whether its good or bad. Especially during her first scene back at class after her death and the conversation she had with her teachers' wife.

It runs out of steam near the end, especially since Tamara goes off-screen for quite some time when they should be climaxing the movie, not slowing it down. As long as you can handle a cliché'd movie, you're going to have a bit of fun with this one. It reminds me a lot of "The Rage: Carrie 2". If you dig that flick, I doubt you'll have a hard time getting into this one.

It's one of the better teen horrors as of late in my opinion.

Don't you just hate it when this happens? Now that you finally found yourself a gorgeous looking high school sweetheart, she turns out to be a murderous witch, capable of making you eat glass beer bottles with the touch of her hand! Damn! But Tamara has some very good reasons to be this cranky. The popular crowd at school tricked her into believing that the handsome and beloved English teacher has finally fallen for her, too, and set up a whole fake meeting in a sleazy hotel room. That's a pretty good reason to get rancorous already but, on top of that, they also accidentally killed her, buried her body in the woods and made a pact to keep it a secret. Thanks to several puberty years of casting spells, Tamara rises from the dead like a gorgeous babe with exclusively vengeance on her mind. First and foremost, I think it's hilarious how these movies portray the so-called "unattractive" girl. Tamara was never ugly to begin with, so simply combing her hair and wearing a push-up bra already turns her into a teenage sex bomb! "Tamara" isn't a very good horror film, mainly because it lacks originality and surprises. A big list of horror movies, which featured similar plots before, promptly comes to mind: There's "Carrie" (of course), but also "The Craft", "I know What You Did Last Summer" and even a bit of "I Spit On Your Grave". There's few to no tension in the script, although I do have to admit that the film actually was a lot gorier than I expected it to be. The playful deaths Tamara has in mind for her enemies are quite ingenious and close to being pure splatter. One poor sucker, for example, commits suicide live on school-TV whereas a girl pukes up gallons of blood. The acting performances are far above average, especially the females are good, and Jenna Dewan is definitely a promising talent to keep an eye on. Overall, this surely isn't a memorable new horror movie, but it never bores you and it's at least as good (if not better) than most big-budgeted Hollywood productions that receive theater-releases.