Als zwei verheiratete leitende Angestellte, die eine Affäre haben, von einem Gewaltverbrecher erpresst werden, müssen die beiden den Spieß umdrehen, um ihre Familien zu retten.Als zwei verheiratete leitende Angestellte, die eine Affäre haben, von einem Gewaltverbrecher erpresst werden, müssen die beiden den Spieß umdrehen, um ihre Familien zu retten.Als zwei verheiratete leitende Angestellte, die eine Affäre haben, von einem Gewaltverbrecher erpresst werden, müssen die beiden den Spieß umdrehen, um ihre Familien zu retten.
- Regie
- Drehbuch
- Hauptbesetzung
- Susan Davis
- (as Rachel Blake)
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Charles (Owen) and Lucinda (Aniston) meet on a commuter train and in spite of the fact they are married, start flirting. Ending up in a hotel one night, they're beaten and robbed by LaRoche (Cassell) who promptly starts blackmailing Charles......
There's a decent thriller in the mix here, if only it had had a director able to hide the surprises and a writer capable of not making his male protagonist such an unlikable git! It's a shame because the premise is a good one, and there are good performances from an agreeable cast. Film essentially asks us to root for Charles as he battles with a reoccurring villain of some nastiness (Cassell genuinely unnerving), yet not only is he a love cheat (a lovely wife at home and a very sick daughter), he also makes ridiculous errors of judgement. While the holes in logic for some sequences are bafflingly poor. Still, it does have thrills and it doesn't soft soap the violence. Taken on popcorn thriller terms, it's above average and worth a watch, but it's not half as clever as it thinks it is. 6/10
Jennifer Aniston gives a great performance, as does Clive Owen. The directing is spot on and the music is simple yet effective. One knock may be the film's cinematography; it looks like you've seen it or a movie like it before. Nothing special about the visual style.
Beware though, this movie is serious in all aspects. It can be violent, foul-mouthed,and at times really thrilling. Those are things thrillers usually aren't.
Luckily, Derailed never goes off the tracks and in the end makes it all the way to the credits. See it, rent it, or buy it. You'll believe that Hitchcock still lives.
Charles Schine (Owen) and Lucinda Harris (Aniston) meet on a commuter train; on the night they take a hotel room to begin their affair, it's broken into by a criminal, LaRoche, who steals from both of them, rapes Lucinda repeatedly, and then continues to blackmail Charles for large sums of money.
Lucinda refuses to go to the police, saying that her husband will file for divorce and take her daughter away from her.
Normally I take a film for what it is, and even if it has holes, if I really like it, I'll accept those holes. "Derailed" doesn't have holes. It has gullies.
The character of Charles is completely unlikable throughout the film and a constant source of frustration. His diabetic daughter has had two or three kidney transplants, all of which were rejected by her body.
For seven years, he and his wife, a teacher, have been saving money for a new antirejection drug coming on the market that the insurance won't cover. And I'm supposed to believe that he just keeps meeting LaRoche, who beats him to a pulp every time they meet, and handing him this hard-earned money that will save his daughter's life.
Instead of going to the police, he honors the wishes of Lucinda. Well, forget it. Gulley number one.
Gulley number two. A young man at the office, Winston (RZA) who has been in prison decides to help out Schine. Knowing how violent and ruthless LaRoche is, Schine and Winston go alone, and Winston has an unloaded gun. Not a wise move. Didn't Winston have any buddies that could have gone along?
Gulley number three. Schine says he has two mortgages on his house and talks about how they've scrimped and saved. Question: a man, a woman, a child and a dog live in what looked to be a 10,000 square foot home in a ritzy neighborhood - gosh, ever heard of downsizing?
Bet the couple of million you'd have gotten for that place would buy a lot of antirejection drugs.
With a minimum of work, a terrific, exciting, scary story could have been made into a fantastic movie with just a little restructuring and some stronger motives that made sense.
Schine really didn't have a reason not to go to the police, even if he said he was mugged and left Lucinda out of it.
Clive Owen made a big splash in "Closer" and was considered for the role of James Bond. He's handsome and a wonderful actor, but if he wants a big-time film career, he's going to have to do better than this. Aniston did a good job as Lucinda, and Cassel was absolutely terrific as the revolting LaRoche.
At the end of the film, when the action and plot devices really pick up, I realized that the first hour and something had been a real waste. It had been badly DERAILED.
The story was very underdeveloped and a bit unrealistic but the performances of Owen, Aniston, and Vincent Cassel kept the film moving. This movie was Unfaithful meets Matchstick Men meets Reindeer Games. I would recommend the film for a good popcorn flick but in terms of Oscar I would take it out of the game. Owen captures the nature of his character but flops in terms of staying in the location meaning his American accent. Although he is truly the hero of the story and you love the character. He got a couple of "claps" during the film. Aniston gives a very different performance than what we're used to but it works. She's very talented and I would love to see her nominated in the next coming years.
The standout of the cast is Vincent Cassel who's villainous, dark performance will go down in the books as one of the greatest villainous performances in the past years. He truly makes you hate him and you leave with a feeling in your stomach from him on screen. The worst part of the entire film was the terrible musical score which is very distracting and annoying but hopefully with better editing they'll get rid of it and hire someone new. So-so script and good performances make a pretty decent flick.
WUSSTEST DU SCHON:
- WissenswertesWhen LaRoche goes to Schine's house, he tells Schine's daughter in French: "Je m'appelle LaRoche, comme une petite roche qui va bientôt baiser ton père par derrière." This translates as: "My name is LaRoche, like a little rock who will soon screw your father from behind." Then, he tells her that in English, it means: "My name is LaRoche, it means a rock. Like the little rocks rolling down a river."
- PatzerWhen the police officer starts to tell Schine that he'd better not be in the alley when he comes back around the block, his lip movement doesn't match the words heard.
- Zitate
Philippe LaRoche: [Holding Charles against a wall] Man, you ended up in the wrong prison, Charlie!
Charles Schine: LaRoche...
Philippe LaRoche: [smugly] Yeah?
Charles Schine: I CHOSE this prison.
[Schine stabs LaRoche with Winston's shank]
- Alternative VersionenAccording to the FAQ: 'On DVD, two versions of this thriller were released: the well-known theatrical version and an Unrated version, that runs approx. 5 and a half minutes longer. But even though it's labeled as Unrated, one can only find several unspectacular plot extensions and there are only two short scenes that are a bit raunchier.
- VerbindungenFeatured in The Making of 'Derailed' (2006)
- SoundtracksGet Cha Bars Up
Written by Xzibit (as Alvin Joiner), Jelly Roll (as David Drew), Jason Smith, Mitchy Slick (as Charles Mitchell) and Marvin Jones
Performed by Strong Arm Steady featuring Xzibit and Jelly Roll (as Jellyroll)
Courtesy of Straight from the Shoulders Music
Top-Auswahl
Details
Box Office
- Budget
- 22.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 36.024.076 $
- Eröffnungswochenende in den USA und in Kanada
- 12.211.986 $
- 13. Nov. 2005
- Weltweiter Bruttoertrag
- 57.479.076 $
- Laufzeit1 Stunde 48 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1