Tristan + Isolde

Like "Romeo and Juliet," "Tristan and Isolde" is a tale of forbidden love set in the Middle Ages (although it far predates Shakespeare's work both in setting and in origin). In this case, the two young lovers are separated along national lines, with Tristan a young Briton, and Isolde nothing less than the princess of Ireland. As their two countries do battle against one another, the benighted couple tries desperately to make their love work in a bitterly hostile world.

This is a handsome, well-crafted film, glorious to look at but tedious to sit through. Since we've seen so many of these tales already, it's a little hard for us to work up much passion for this one - even if, as we're told, the fate of an entire kingdom hangs on this relationship. Moreover, there is such a profusion of Angles, Saxons, Irish etc. running around on screen that it is often difficult to distinguish one from the other and to know just who is fighting whom (or who is allied with whom) at any given moment.

James Franco and Sophia Myles make for a fairly bland, conventionally modern young couple, but Rufus Sewell provides a subtle, sympathetic performance as the man who both raises Tristan and marries Isolde.

If Medieval romances are your cup of tea, by all means check out "Tristan and Isolde," but there are far better tales of unrequited love around than this one.

Beautiful, full of emotion and moving. The characters are portrayed skillfully and are generally believable - they fit into the legend but aren't overly heroic. Not overdone. The love between Tristan and Isolde is so powerful that it's impossible not to feel for them, but it is also impossible not to feel bad for the King, who is deeply in love with Isolde as well. The film's main departure from the traditional story is it's decision to leave out the love potion between T+I, which for modern audiences is a smart choice; it makes the whole relationship appear more 'authentic.' This is also one of Rufus Sewell's only' sympathetic roles, and it's a treat to see him play someone we don't automatically hate. The real heart-wrencher comes from watching the love grow between T+I while their obstacles grow larger. The movie also had some great battle scenes, just violent enough without going for the gross-out factor, convincing but not painful to watch (for most). And like most good dramatic movies it's not completely without humor, there are definitely some moments that make you laugh, or at least smile. Overall, it is one of the best romantic historical movies I have seen in a very long time. This movie is sure to make the entire female population fall in love with James Franco, and it's story is unforgettable.

I did not expect to like this film; the reviews were lackluster, and many seemed to think the leads were mediocre at best. I found the performances riveting and highly engaging. While I do not know the actual historical story, I found the storyline highly captivating.

I thought James Franco played Tristan brilliantly - broken hearted but not brooding, he seemed to only come to life during battle before meeting Isolde, and then afterward only in their stolen moments together. Many of the reviews I've read seem to think that he played the role flatly, but I thought the subtlety of expression in his eyes and body language was impressive. Confident as a warrior, but almost innocent in intimacy, I thought he walked the thin line between adult and youth effectively.

Sophia Myles captured the fire, vulnerability and desire of Isolde with fervor - and that's not easy to do. Myles delivered her lines subtly, tinting words with emotional depth -scorn, joy, passion, frustration, disappointment - that was understated and yet passionate. She, too, managed to portray a delicate balance between the innocence of idealistic youth and the realities of a woman who found her self in an unenviable position.

Rufus Sewell was fantastic. As king, he had to walk the thin line between diplomacy and his own frustrations; as a man, he came alive when with Isolde, and so her betrayal was all that more heartbreaking, a scene which he played with focus and power.

I thought the fight scenes were very well done, except for the excess of cut shots, jumping from person to person, which moved the action almost too quickly, occasionally resulting in a jagged flow of action. Overall, however, the battle scenes were very well done.

The costumes were incredible - not period realistic (especially Isolde's wedding gown) but they were beautiful and overall well designed to intimate the period but still have some glitz. The locations shots were awe-inspiring.

I LOVED these characters very shortly after they each came on screen. I rarely feel such a strong connection to characters, especially of period pieces, but each of the leads played their roles with finesse. I deeply cared about these people, seeing hope and joy rise in their eyes, only to see events quickly turn that joy to sorrow, and hope to forceful determination. Their moments of happiness are so brief, their heartbreak so complete that I found myself profoundly moved by their experiences. As deeply invested as I became with these characters, I nearly sobbed at the end of the movie. A 5-hankie tear jerker.

I eagerly await the release of the DVD, and expect to enjoy this film many times over.

In response to comments disparaging this film for neglecting to use music from the opera-- that hardly seems relevant. This story was written long before Wagner's work existed, and it would be foolish to demand that his music be a part of the film. It seems to be of greater significance that the film neglects certain elements of the original texts, although as an entirely different art form, the film has every right to take its liberties. It is unfair to credit or discredit any film based on its relationship to other works of art. It is important to appreciate and discredit this film within the context of the art form in which it functions.

Tristan and Isolde is one of the most enjoyable films I've seen this year. I saw it in a preview screening without knowing anything about the film or the myth. I expected a mediocre romance, only hoping that it would be set in an interesting medieval setting and that my girlfriend would enjoy it. Well it is a story of love, but also so much more. The film has a dark undertone to it and every character is torn between hard choices of power, loyalty, friendship and in Tristan's case, love. There is plenty of both tragedy and love and although very dramatic I never felt it was being too sentimental. The battle scenes are very well done. Although realism is sometimes sacrificed for dramatic impact, this works very well for the film. Most importantly there are no invulnerable heroes. Everyone is in immediate danger of mutilation and death, making the fight scenes more intense. The casting of Tristan, Isolde and Lord Marke is perfect and most of the supporting cast do an equally great job. The absence of any Hollywood superstars makes the film all that much better. Enjoy.