Füge eine Handlung in deiner Sprache hinzuTwo 'very straight' old timers have to learn how to pass as a loving gay couple after falsely claiming same-sex status to take advantage of newly legislated tax laws.Two 'very straight' old timers have to learn how to pass as a loving gay couple after falsely claiming same-sex status to take advantage of newly legislated tax laws.Two 'very straight' old timers have to learn how to pass as a loving gay couple after falsely claiming same-sex status to take advantage of newly legislated tax laws.
- Auszeichnungen
- 3 Nominierungen insgesamt
Empfohlene Bewertungen
Vince (Paul Hogan) has tax problems and the Australian government has just passed a law that allows same-sex couples a tax break - and it's retroactive. Scheming to save his arse, Vince convinces his best mate Ralph (Michael Caton) to pretend to be a same-sex couple to get the break.
Laughs ensue as they try to hide their secret from the local town folk, and get ready for an audit to prove they are actually gay. They enlist the help of the only know gay in town, predictable the hairdresser, and find out a clever secret he has been hiding. He helps them, and they go to Sidney to immerse themselves in gay culture before the tax man cometh.
While this is going on, Ralph's daughter is coming for a visit to introduce her partner. Everything comes together at the Fireman's Ball with Ralph and Vince, the whole town, the hairdresser, and a select few from Sydney, and, oh yes, Ralph's daughter and partner coming together.
Great fun!
The movies has great scenery and the movie flows well, not one scene is wasted. The humour flows throughout and it's not a one joke movie. Accessable to all ages. This is the best work Paul Hogan has done since Crocodile Dundee and is ironic that this famous Australian seems to do his best work when he makes Australian films in Australia.
Normally, the thought of having to put up with Paul Hogan for two hours would be enough keep most people away from a theatre, but Hogan and Caton as the affectionate 'squabbling old-couple' friendship is a highlight.
The premise is not overly original, a small town theatre owner (Paul Hogan) convinces a mechanic friend (Michael Caton) to pretend they are a gay couple to claim tax advantages. What follows as they try to hide their scheme from the other townsfolk, while trying to learn how to be 'gay' for the tax inspector, are the highlights of the movie. Hilarity ensues when our heroes travel to Sydney for the (gay) mardi-gras to study gay culture.
The climax is very predictable and somewhat unsatisfying, but overall the slapstick style is worth the cost of admission.
Although I am a fan of the three lead actors in the film (Paul Hogan, Michael Caton and Pete Postlethwaite), I confess that before the film began I was slightly anxious that this would be a bit of a toe-curling cringe-making event that relied on wheeling out cardboard character stereotypes and putting them in lots of unbelievable 'not going to happen' silly scenarios. I was very pleasantly surprised. There are certainly some moments when I almost cringed a little too more than you are supposed to as part of the comedy but in my view the blanket of warmth running through this film carried them off.
The lead characters are backed up very well by some fine supporting performances. In particular, I liked the parts played by the hairdresser and the straight 'pub' and gay 'club' mates.
In terms of criticism, I think the script could have been a bit stronger in places and, in some parts, you have to disable your cynicism sensors when looking at the leads' very old-fashioned notions of how they think they should act to blend in as 'gay people' (but then I suppose this could fly on account of their country upbringing/lack of exposure - no offence to country folk meant here).
I would not quite rate this film as a classic in the sense that "The Full Monty" may have been, but as with that movie, I did feel quite a bit happier from the experience of watching it. If you are in the right mood for this film, you will find it very enjoyable.
Comments: Strange Bedfellows is surprisingly enjoyable and rewarding. `Surprising' because I had dreaded that somehow Paul Hogan would stuff it up, but he does very well indeed as Vince, a man who hasn't ever fancied another man and really doesn't know where to begin. Michael Caton's Ralph is just as inexperienced in relating sexually to men, but hints at being more open to the possibility (though NEVER with Vince).
There are plenty of genuine laughs for gay & straight alike (though not always at the same time), and a rather high cringe factor in a few scenes - especially when the men are sampling `gay culture' during a whirlwind visit to Sydney.
Strange Bedfellows has it's heart in the right place, is decidedly LGBT friendly and has the same Australian cultural authenticity that made "The Castle" work so well. Of course the same strong element is shared here in the undeniably unique acting talent of Michael Caton.
This is a warmly entertaining film about the value of love and friendship. It probably qualifies as being a romantic comedy - but when Vince and Ralph share sweet memories about each other with the Tax Man you'll find there is no love lost. (8/10)
Wusstest du schon
- WissenswertesThe film that Paul Hogan's character screens is The Last of the Knucklemen (1979) which also features Michael Caton and Stewart Faichney.
- Zitate
Ralph Williams: Vince! We're fucked!
Vince Hopgood: No. Look, I'll keep Faith away from Russell; you come up with an excuse for the dancing; the ball will be finished, and we're done.
[Ralph and Vince's gay friends from Sydney arrive on motorcycles]
Vince Hopgood: We're fucked.
- Crazy CreditsYvonne did finally catch up with the mailman... ...it was love at first sight... ...they marry on Valentine's Day
- VerbindungenFeatures The Last of the Knucklemen (1979)
- SoundtracksLooking At You
Composed by Cole Porter
Top-Auswahl
- How long is Strange Bedfellows?Powered by Alexa
Details
Box Office
- Weltweiter Bruttoertrag
- 3.481.387 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1