IMDb-BEWERTUNG
3,5/10
669
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA London based criminal sets out to eliminate his rivals and any witnesses that get in the way.A London based criminal sets out to eliminate his rivals and any witnesses that get in the way.A London based criminal sets out to eliminate his rivals and any witnesses that get in the way.
David Sonnenthal
- Bubbles Healy
- (as David Sonnethal)
Olegar Fedoro
- Mobster Koloshnakov
- (as Olegario Fedoro)
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i can't decide what i hate most about this movie, so i'll tell you what i liked. i liked some of the plot ideas; organ thieves, london gangsters, crazy criminals, gore, although none of the ideas were developed at all, they should have taken one of these ideas and went with it. who was the main character of this movie? it was baffling trying to follow the plot. at some point i was hoping it would be funny, but it isn't even remotely funny. it seemed like the dialogue was written by someone with absolutely no imagination. the violence was so out of control it served no purpose-it was more over the top than Rambo. it tries to be like a Pulp Fiction/Lock Stock movie but fails miserably. and what's this rubbish about London? most of the movie is spent in a hotel room. Don't waist your time here, rent Lock Stock again.
I was forced to endure this film a while ago, and can honestly say that it is one of the worst films I have ever seen.
The plot (such as it was) was completely derivative, nicking ideas from just about every gangster film since "Brighton Rock."
The characters make cardboard seem fully rounded, mostly being off-cuts from the Quentin Tarantino "chirpy-arrogant-violent-criminal-with-no-regard-for-anyone-else" block, while the script was abysmal.
The lack of anything good about this film is particularly disappointing, as it was the last film Gary Olsen made. It's a great shame that his last appearance should be as a barely thought-out criminal weirdo with pseudo-mystical characteristics forced upon him in a vain attempt to make the character seem interesting.
This is a heap of rubbish with no redeeming features whatsoever, and should be avoided at all costs.
The plot (such as it was) was completely derivative, nicking ideas from just about every gangster film since "Brighton Rock."
The characters make cardboard seem fully rounded, mostly being off-cuts from the Quentin Tarantino "chirpy-arrogant-violent-criminal-with-no-regard-for-anyone-else" block, while the script was abysmal.
The lack of anything good about this film is particularly disappointing, as it was the last film Gary Olsen made. It's a great shame that his last appearance should be as a barely thought-out criminal weirdo with pseudo-mystical characteristics forced upon him in a vain attempt to make the character seem interesting.
This is a heap of rubbish with no redeeming features whatsoever, and should be avoided at all costs.
When I was staying on holiday in Wales this year, I had the misfortune of being stuck in a house with a VCR player and a video of the cheapo movie 24 Hours In London.
After watching the first ten minutes or so, the acting seemed okay, the plot seemed to have potential, and the cutting on the titles section was first rate.
Then the film plummeted like a goose with no wings. Without giving too much away (The film does enough of that itself with heavily signposted plot elements), 24 Hours In London swings unsteadily between what appears to be an attempt at a cockney gangster flick and outright slapstick comedy.
The latter half of the film is particularly bizarre, with plot holes so large that the entire film seems to be progressing at random.
So why did I bother watching it to the end? Well, I keep asking myself that. Is it because, despite all the shockingly-bad acting, there were a few actors who could actually convey emotion? Is it because the lumbering comedy moments were actually pretty funny, in an oafish way? Or is it that maybe, despite all its glaring errors and hilariously wooden acting, the film's shoestring charm manages to shine through? I honestly couldn't say.
After watching the first ten minutes or so, the acting seemed okay, the plot seemed to have potential, and the cutting on the titles section was first rate.
Then the film plummeted like a goose with no wings. Without giving too much away (The film does enough of that itself with heavily signposted plot elements), 24 Hours In London swings unsteadily between what appears to be an attempt at a cockney gangster flick and outright slapstick comedy.
The latter half of the film is particularly bizarre, with plot holes so large that the entire film seems to be progressing at random.
So why did I bother watching it to the end? Well, I keep asking myself that. Is it because, despite all the shockingly-bad acting, there were a few actors who could actually convey emotion? Is it because the lumbering comedy moments were actually pretty funny, in an oafish way? Or is it that maybe, despite all its glaring errors and hilariously wooden acting, the film's shoestring charm manages to shine through? I honestly couldn't say.
4robh
I really don't understand why there are so many excessively positive user comments for this film. The story borrows heavily from lots of other films but never does anything as well as the originals.
As for being funny, I think the viewer would need to be very drunk to find it funny. Sure there are some humourous moments but they are few and far between. I doubt this film was intended to be funny apart from one scene where Christian sends a rival gang to do some of his dirty work, where it turns into farcical slapstick that's completely disjoint from the rest of the film.
Olsen does a surprisingly good job of playing Christian and most of the performances are fine. It's a shame that the script is so poor. It's riddled with clichés and sleep inducing dialog.
As for being funny, I think the viewer would need to be very drunk to find it funny. Sure there are some humourous moments but they are few and far between. I doubt this film was intended to be funny apart from one scene where Christian sends a rival gang to do some of his dirty work, where it turns into farcical slapstick that's completely disjoint from the rest of the film.
Olsen does a surprisingly good job of playing Christian and most of the performances are fine. It's a shame that the script is so poor. It's riddled with clichés and sleep inducing dialog.
I was at my local blockbuster and was turned on to this movie. Also I heard that it was Tarantinoesque. Me being a big Tarantino fan, was excited to see it. Let's put it this way, I put it in and wasted two hours of my life. The writing in this film is for lack of a better word, appalling. I wrote better stuff when I was a freshman in high school. The script was full of cliché and all around bad dialog. Another beef I had with it was the action. It was like they watched an 8 year old play with action figures and based the action in the movie on this. The plot is stupid as well, there is a twist at the end (which I will not disclose) that made me feel embarrassed for the writer. I also couldn't get a feel for what time they were in, it seemed simi future based on the police garb, but then the cars and everything else seemed modern...Weird. In retrospect, had they thought everything out a little more and took the thousands of clichés out of the script, this movie has potential for good, but just turned out a stinky crap fest. See it if you must, but don't say I didn't warn you.
WUSSTEST DU SCHON:
- VerbindungenReferences Scooby-Doo, wo bist du? (1969)
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- Laufzeit1 Stunde 30 Minuten
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By what name was Blutiges Spiel - 24 Stunden in der Hölle (2000) officially released in Canada in English?
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