Dramaserie über die Familien Dunbar und Carey-Lewis, vor, während und nach dem Zweiten Weltkrieg.Dramaserie über die Familien Dunbar und Carey-Lewis, vor, während und nach dem Zweiten Weltkrieg.Dramaserie über die Familien Dunbar und Carey-Lewis, vor, während und nach dem Zweiten Weltkrieg.
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British to its backbone this mini is entertaining even if the goings on are a bit cliché. The settings are the beautiful especially the main house of Nancherrow. Chock full of extraordinary actors, Peter O'Toole, Joanna Lumley and Susan Hampshire just for starters, in support where this suffers is in the main roles. The actress playing Loveday is unmemorable but that can be ignored. The real problem is Emily Mortimer, it isn't even all her fault for she is a decent actress but having someone with as much charisma as Keira Knightley play the character as a young girl and than switching to someone who doesn't hold the screen in the same way for the bulk of the story is bound to cause a something of a letdown.
A 4-hour romance novel set in Britain before during and after WWII. The heroine falls into a fortune near the beginning and nothing much worse happens to her after that. I hoped for a couple more plot twists, but even so, it has its charms, and I looked forward to finishing all 4 episodes. Good acting. Fair-Poor direction. Horrible soundtrack reminiscent of an oatmeal commercial.
American viewers will be surprised (well, I was) by the partial female nudity that pops up every hour or so just as interest starts to flag.
American viewers will be surprised (well, I was) by the partial female nudity that pops up every hour or so just as interest starts to flag.
Sprawling but superficial mini about an unlikable family at the verge of WW II. They live on an estate on the Cornish coast and are impacted by the war.
Despite top billing for Peter O'Toole, the main characters are the daughters plated by Emily Mortimer and the unlikable Katie Ryder Richardson. As the gals maneuver thru the war, we also get the stories of the other family member and the men in their lives.
Despite some good production values, the story just seems flat. There's not much detail. We just glide along like an ocean breeze while the characters live their lives. The three star actresses mentioned above just don't get much to do and we wallow in the daily doings of the uninteresting younger set.
Co-stars include Paul Bettany, Patrick Ryecart, David McCallum, Susan Hampshire, and Charles Edwards.
Despite top billing for Peter O'Toole, the main characters are the daughters plated by Emily Mortimer and the unlikable Katie Ryder Richardson. As the gals maneuver thru the war, we also get the stories of the other family member and the men in their lives.
Despite some good production values, the story just seems flat. There's not much detail. We just glide along like an ocean breeze while the characters live their lives. The three star actresses mentioned above just don't get much to do and we wallow in the daily doings of the uninteresting younger set.
Co-stars include Paul Bettany, Patrick Ryecart, David McCallum, Susan Hampshire, and Charles Edwards.
In this three-hour miniseries, Emily Mortimer stars as a young woman who gets "adopted" into her best friend's family while on holiday during boarding school. Her own family is in Singapore and she never sees them, so she takes on a new life in the upper crust with Katie Ryder Richardson and her family. Patriarch Peter O'Toole, matriarch Joanna Lumley, and brother Paul Bettany all accept Emily as dearly as if she were a blood relative, as do family friends and constant visitors George Asprey and Patrick Ryecart. Coming Home has all the elements of success: war drama, love triangles, death, pregnancies, melodrama, and pain. It takes place from the early 1930s through WWII and features a very likable heroine trying to find love and happiness. Americans might not understand how a family could abandon their daughter for years, but it was a common British practice to send young kids to boarding school and see them only during the holidays. If stationed abroad, the student instead spends time with a relative in closer proximity or a kind friend's family.
I'd love to reach the original novel, since the miniseries was so entertaining. Each of the characters came to life, even if they didn't have much screen time. Peter O'Toole, a marvelous actor, was only given one scene to show his acting chops - but that scene might be the one that sticks with you the most. He shaves his son's face, and the myriad of emotions he feels will make you reach for your handkerchief. Patrick Ryecart's character was so interesting, I'd love to learn more. Joanna Lumley's elegance made it seem like she really was mistress of the manor, and the camera crew asked if she'd agree to act as herself for television. What a graceful woman! And who wouldn't love to be the subject of George Asprey's longing looks?
As the lead, Emily had such determination and strength. I was proud of her time and again, as she refused to be a simpering female and stood up to her bullies. Her independence wasn't unrealistic for the time period, though, which I appreciated. She was simply a strong woman, who started off as a strong child. The first portion of the miniseries features her time at boarding school, and she's played by a thirteen-year-old Keira Knightley! Keira spends time with a fun (and also strong, whom she perhaps strives to emulate) aunt, Penelope Keith. Penelope's friend, David McCallum, harasses Keira - and her unusual intelligence puts her in a great position to fight back.
Kiddy Warning: Obviously, you have control over your own children. However, due to an upsetting scene involving a child, I wouldn't let my kids watch it.
If you like WWII stories, definitely rent Coming Home. Don't get it confused with the Jane Fonda classic, and instead, grab a cozy blanket and settle in for three hours of great melodrama.
I'd love to reach the original novel, since the miniseries was so entertaining. Each of the characters came to life, even if they didn't have much screen time. Peter O'Toole, a marvelous actor, was only given one scene to show his acting chops - but that scene might be the one that sticks with you the most. He shaves his son's face, and the myriad of emotions he feels will make you reach for your handkerchief. Patrick Ryecart's character was so interesting, I'd love to learn more. Joanna Lumley's elegance made it seem like she really was mistress of the manor, and the camera crew asked if she'd agree to act as herself for television. What a graceful woman! And who wouldn't love to be the subject of George Asprey's longing looks?
As the lead, Emily had such determination and strength. I was proud of her time and again, as she refused to be a simpering female and stood up to her bullies. Her independence wasn't unrealistic for the time period, though, which I appreciated. She was simply a strong woman, who started off as a strong child. The first portion of the miniseries features her time at boarding school, and she's played by a thirteen-year-old Keira Knightley! Keira spends time with a fun (and also strong, whom she perhaps strives to emulate) aunt, Penelope Keith. Penelope's friend, David McCallum, harasses Keira - and her unusual intelligence puts her in a great position to fight back.
Kiddy Warning: Obviously, you have control over your own children. However, due to an upsetting scene involving a child, I wouldn't let my kids watch it.
If you like WWII stories, definitely rent Coming Home. Don't get it confused with the Jane Fonda classic, and instead, grab a cozy blanket and settle in for three hours of great melodrama.
Great cast and love the war setting as we have so much to be thankful for in peace time. However, this show is quite hypocritical over sexualising women - one character is clearly portrayed as bad for being a creep but all the topless scenes throughout the three hours undermine this message.
WUSSTEST DU SCHON:
- WissenswertesDrama miniseries based on a fiction book about the Dunbar and Carey-Lewis families, set before, during and after WW2.
- Zitate
Loveday Carey-Lewis: Her house is called Farty Edge.
[suppresses a laugh]
Judith Dunbar: Actually, it's called Windy Ridge.
- VerbindungenFollowed by Rosamunde Pilcher - Das große Erbe (1999)
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