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Angst und Schrecken in Las Vegas

Originaltitel: Fear and Loathing in Las Vegas
  • 1998
  • 16
  • 1 Std. 58 Min.
IMDb-BEWERTUNG
7,5/10
310.555
IHRE BEWERTUNG
BELIEBTHEIT
1.160
115
Johnny Depp in Angst und Schrecken in Las Vegas (1998)
Three Reasons Criterion Collection Trailer for Fear and Loathing in Las Vegas
trailer wiedergeben1:26
1 Video
99+ Fotos
Dark ComedyDesert AdventurePsychological DramaRoad TripStoner ComedyUrban AdventureAdventureComedyDrama

Ein exzentrischer Journalist und sein psychopathischer Anwalt reisen für eine Reihe psychedelischer Trips nach Las Vegas.Ein exzentrischer Journalist und sein psychopathischer Anwalt reisen für eine Reihe psychedelischer Trips nach Las Vegas.Ein exzentrischer Journalist und sein psychopathischer Anwalt reisen für eine Reihe psychedelischer Trips nach Las Vegas.

  • Regie
    • Terry Gilliam
  • Drehbuch
    • Hunter S. Thompson
    • Terry Gilliam
    • Tony Grisoni
  • Hauptbesetzung
    • Johnny Depp
    • Benicio Del Toro
    • Tobey Maguire
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,5/10
    310.555
    IHRE BEWERTUNG
    BELIEBTHEIT
    1.160
    115
    • Regie
      • Terry Gilliam
    • Drehbuch
      • Hunter S. Thompson
      • Terry Gilliam
      • Tony Grisoni
    • Hauptbesetzung
      • Johnny Depp
      • Benicio Del Toro
      • Tobey Maguire
    • 793Benutzerrezensionen
    • 154Kritische Rezensionen
    • 41Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 3 Nominierungen insgesamt

    Videos1

    Fear and Loathing in Las Vegas: Criterion Collection
    Trailer 1:26
    Fear and Loathing in Las Vegas: Criterion Collection

    Fotos215

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    Poster ansehen
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    Topbesetzung89

    Ändern
    Johnny Depp
    Johnny Depp
    • Raoul Duke
    Benicio Del Toro
    Benicio Del Toro
    • Dr. Gonzo
    Tobey Maguire
    Tobey Maguire
    • Hitchhiker
    Michael Lee Gogin
    • Uniformed Dwarf
    Larry Cedar
    Larry Cedar
    • Car Rental Agent - Los Angeles
    Brian Le Baron
    • Parking Attendant
    • (as Brian LeBaron)
    Katherine Helmond
    Katherine Helmond
    • Desk Clerk at Mint Hotel
    Michael Warwick
    Michael Warwick
    • Bell Boy
    Craig Bierko
    Craig Bierko
    • Lacerda
    Tyde Kierney
    • Reporter
    Mark Harmon
    Mark Harmon
    • Magazine Reporter
    Tim Thomerson
    Tim Thomerson
    • Hoodlum
    Richard Riehle
    Richard Riehle
    • Dune Buggy Driver
    Ransom Gates
    • Dune Buggy Passenger
    Laraine Newman
    Laraine Newman
    • Frog-Eyed Woman
    Frank Romano
    • Dune Buggy Passenger
    Gil Boccaccio
    • Desert Room Doorman
    Gary Bruno
    • Desert Room Doorman
    • Regie
      • Terry Gilliam
    • Drehbuch
      • Hunter S. Thompson
      • Terry Gilliam
      • Tony Grisoni
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen793

    7,5310.5K
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    Empfohlene Bewertungen

    7Polaris_DiB

    On a razor's edge.

    In a sense, this is kind of like the movie Terry Gilliam was born to do.

    Terry Gilliam is an awesome visual director in the same way that Tim Burton is an awesome visual director: every single frame bleeds its own distinct style of beauty, but sometimes the story just doesn't hold it up, or the stylistic elements get in the way. However, what could possibly be better to found Gilliam's surreal psychedelic imagery on than Hunter S. Thompson's story of his exploration into the American Dream? Still, it's a hard thing to pull off, translating Thompson to film, and while Gilliam does succeed, it's largely from the support of the incredible cast working under him to work out. Johnny Depp and Benecio Del Toro especially have to really work on exaggerating when needed, slowing down when necessary through what feels like hundreds of hallucinogenic scenes with just barely enough narrative structure to pull them together.

    Of course, the outcome is pretty fantastic, but it sets this movie squarely in the "love it or hate it" section of the world's video library, which is pretty much Gilliam's career simplified anyways.

    --PolarisDiB
    whole_orange_truck

    Genius + Genius = ...

    'Fear and Loathing in Las Vegas' was originally an Article published in two parts in Rolling Stone Magazine. It was written by Hunter S. Thompson. It tells the story of a journalist reporting on the Mint 500 in Las Vegas.

    Terry Gilliam (the Director) is an accomplished film maker who began his career as one of the members of Monty Python. He did all of their animations.

    These two men on their own are incredibly clever and gifted artists in their chosen medium. What we get from this combination is one of the best films ever made. It is a more or less true story. It is a wonderful view on the warped nature of American 'Culture' from a completely askew angle. Drugs, drugs and more drugs, but instead of preaching their evils or telling you how fabulous life is when you're on acid, you get a very unbiased experienced approach to their use and abuse.

    Visually the film is amazing and both Johnny Depp and Benizio Del Toro are true to the book. I couldn't possibly recommend this film more highly.
    bob the moo

    Quite wandering but very funny and very imaginative – a perfect example of Terry Gilliam's work

    The `unflimable' novel by Thompson is brought to the screen. Hunter S. Thompson gets a call to go to Las Vegas to cover a motorcross race. Using the advance money to purchase a load of drugs he sets out on a road trip with his crazed Samoan lawyer. However as their trip continues they encounter all manner of insanity and paranoia in their drug fuelled trip into the American dream…

    Never read the book, never been a big fan of this particular culture and ever felt inclined to read any of this sort of work – however, really enjoyed the movie. The plot is, well, a trip rather than anything concrete or logical. There is a message tacked on somewhere near the end but really this is more of an experience than a story. To me the film mainly succeeded due to Terry Gilliam. His crazed sense of humour is fed through the whole piece, stopping it being indulgent or pretentious as it could easily have been.

    Instead it manages to be a drug movie but also be very OTT and very. Gilliam's imagination really made Thompson's trips come to life. It must be hard to actually put something like that on film and I thought he did very well. This vision is well supported by a brilliantly pitched performance by Depp. He is on the very edge of ham with this one but gets it just right – making Thompson funny and exaggerated. De Toro is as good but is very much playing second fiddle on this one. An all star list of cameos including Maguire, Barkin, Busey, Ricci, Harmon, Penn (of & Teller), Diaz and Lyle Lovett are all enjoyable and don't detract from the film in the way cameos sometimes can (`oh look it's etc').

    The film may be very loose and aimless but what did you expect? Those wanting tightness of plot and a set narrative may be let down (though there is a car chase for the teens!). However this is well worth a look as it is a funny, very imaginative film that proved a lot of people wrong when they said that it could never be filmed. Certainly anyone who likes the films of Terry Gilliam will find much of his madness here to enjoy.
    8mahmus

    This film was too weird to live, yet too rare too die.

    Where to even start with this? What starts as a fun drug-fueled comedy slowly turns into a claustrophobic nightmare of grotesque imagery and sensory overload. I've never done any hallucinogetic drugs, but I imagine that after a while, the rush Would become a nightmare. This is an ugly movie. It's hard to watch. It's extremely uncfomfortable. And that's the point.

    Terry Gilliam said in his own words: "I want it to be seen as one of the great movies of all time, and one of the most hated movies of all time." Judging by the critics' reactions, he succeded. The film has an almost perfectly split 50 percent on Rotten Tomatoes, and many critics, including Roger Ebert, were completely appalled by it, and honestly, it's not hard to see why.

    But the movie survived. It has stood the test of time. It has risen from the ashes to become stronger than ever before. It is a paradox. A joyful nightmare. A horrifying treat. This film was too weird to live, yet too rare too die.
    9alex-law321

    I was reviewing "Fear and Loathing and Las Vegas" on IMDb.com when the drugs began to take hold

    When you start watching this movie, you'll decide if you like it or not. But if you don't want to wait, I'll tell you. This movie is so trippy, so gross, so insane, so bizarre, and so friggin' crazy! Now with that said, it's also brilliant, funny, surreal, dark, entertaining etc. The story goes like this; a Dr. Journalism, Raoul Duke (Johnny Depp), and his wolf man attorney, Dr. Gonzo (Benicio Del Toro), are sent to Las Vegas to cover a Mint 400 motorcycle race but end up abandoning that in search of the American Dream. The two characters are out of their minds on drugs the entire time which is where the surreal factor comes into play. The film is based the famous novel by Hunter S. Thompson, which was based on real life events he experienced. I'm not kidding when I say that five minutes into this movie and you'll feel that someone drugged your drink or something. This is more than just a movie, it's an experience, and an experience like no other. If you haven't read the book or don't know what your getting yourself into, then you're gonna have one hell of a ride. Johnny Depp (of course) nails the performance of the character that the book created. What director, Terry Gilliam, did is take the book and match the images that we thought of while reading it, perfectly. Throughout the film, watching the two characters wander witlessly around Las Vegas tripping on acid, I felt like I was part of the experience. Also, Depp's performance is so good, that I started to forget that he wasn't really Hunter S. Thompson. The characters are both psychotic but in different ways. Raoul Duke has one foot in reality and another foot in a pit of madness, Gonzo, however, is off his rocker. He's just a ticking atom bomb ready to go off, I'd be scared to stay in the same room as him. But what keeps this movie going strong is the narration by Depp. Some of it's recited from the book but other times it's whatever's on his mind. Without the narration, the movie would be just one wacky thing after another. Overall, watching this movie is like being hit by a car, sucked into a tornado, spat out into a trampoline factory, raped by a wild tiger, eaten by Godzilla, thrown off the face of the Earth, and plummeting right down on the TV. Any negative reviews you may have heard about this movie make no sense. They love the book while hate the film for being so crazy and shapeless (oh, you mean exactly like the book). This is a perfect adaptation of the book. So great performances, surreal scenery, flowing narration, and a clever cameo by Thompson himself. When I first saw this movie, I liked it just fine. I've seen a few more times and every time I see it, it gets better. Now it's gotten to the point where I think it's one of the best films ever made. So if you're a Johnny Depp fan, or a Terry Gilliam fan, or a Hunter S. Thompson fan, or just in the mood for something different and I mean REALLY different, definitely check it out.

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    Handlung

    Ändern

    WUSSTEST DU SCHON:

    Ändern
    • Wissenswertes
      In the book, Hunter S. Thompson listens to "Sympathy For The Devil" by The Rolling Stones. The rights to play it in the film were too expensive for the production's budget.
    • Patzer
      Dr. Gonzo spoofs the "Richard Nixon salute" when he gets on the plane at the end of the movie. Nixon didn't resign or do the classic "salute" until 1974.
    • Zitate

      [watching Dr. Gonzo leave]

      Raoul Duke: There he goes. One of God's own prototypes. A high-powered mutant of some kind never even considered for mass production. Too weird to live, and too rare to die.

    • Crazy Credits
      The Ralph Steadman drawings from the book are put in with the credits, along with the Gonzo & Duke in the Red Shark picture that takes up the whole screen at the end.
    • Alternative Versionen
      The US-label Criterion ordered director Terry Gilliam and author Hunter S. Thompson to create a special Director's Cut. This cut contains a scene that otherwise was only to be seen in part and only in the cinematic trailer. It shows events in retrospect that the main character Raoul Duke remembers fragmentarily when listening to the recorded conversations on his cassette recorder. Furthermore there is a slightly longer version of another scene shortly before that. There is a bit more conversation going on between Raoul and Dr. Gonzo when they want to leave because of the trouble the kidnapped Lucy (Christina Ricci) is causing. Director's Cut's Pal running time is 144.1 seconds (2:24 minutes) longer because of two extended scenes.--Quoted from movie-censorship.com
    • Verbindungen
      Edited from Vegas (1978)
    • Soundtracks
      My Favorite Things
      Written by Richard Rodgers (as Richard Rogers) and Oscar Hammerstein II

      Published by Williamson Music

      Performed by The Lennon Sisters

      Courtesy of Ranwood Records/ A Walk Music Group Co.

      By arrangement with Warner Special Products

    Top-Auswahl

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    FAQ23

    • How long is Fear and Loathing in Las Vegas?Powered by Alexa
    • What are the differences between the theatrical version and the Criterion Collection Director's Cut?
    • Is this a sequel to Where the Buffalo Roam?
    • How many other movies have been adapted from this authors novels?

    Details

    Ändern
    • Erscheinungsdatum
      • 24. September 1998 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Fear and Loathing in Las Vegas
    • Drehorte
      • Stardust Hotel & Casino - 3000 Las Vegas Boulevard South, Las Vegas, Nevada, USA
    • Produktionsfirmen
      • Fear and Loathing LLC
      • Rhino Films
      • Shark Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 18.500.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 10.680.275 $
    • Eröffnungswochenende in den USA und in Kanada
      • 3.338.590 $
      • 24. Mai 1998
    • Weltweiter Bruttoertrag
      • 10.680.275 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 58 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • DTS
      • Dolby Digital
      • SDDS
    • Seitenverhältnis
      • 2.35 : 1

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