IMDb-BEWERTUNG
4,2/10
2340
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuGorgeous and extravert Woo meets insecure and straight-laced law clerk Tim at a blind date.Gorgeous and extravert Woo meets insecure and straight-laced law clerk Tim at a blind date.Gorgeous and extravert Woo meets insecure and straight-laced law clerk Tim at a blind date.
- Regie
- Drehbuch
- Hauptbesetzung
Lina Bradford
- Celestrial
- (as Girlina)
Empfohlene Bewertungen
Though the film had some predictable moments, overall it was entertaining to say the least. The scence with the She males was just plain hilarious!!!! Moreover, the park scene had some funny lines. Romaine's "Damn baby let me suck the left one and make the right one jealous", had me rolling on the floor. Dave Chappelle and LL Cool J had limited participation, but brought good aspects to the film. Overall, there have been some horrible films produced by Hollywood, this wasn't one of them. So final opinion, light hearted, mixed with some sparse witty dialog made it a worth while film. Tommy Davidson, not the funniest person I've seen on the screen didn't do that bad of a job.
This movie was absolutely hilarious. Jada Pinkett Smith did a wonderful job and so did Tommy Davidson. It was funny the whole way through from beginning to end. Especially the part when woo and timothy were in the Italian restaurant! Woo is a beautiful woman who just wants to be free, and Timothy is a nerdy guy, with jerks as friends. Throughout the whole movie you'll see how they slowly come together and form a "special" kind of friendship. Ow, and there's a transvestite in the movie that's suppose to be one of Woo's really good friends. She's very, very funny. And so is Woo's cousn who goes out Lenny, whose Dave Chappelle. I recommend this movie to everyone who likes a good laugh.
I should have known that this film wasn't going to be any good; the director made another film by the name of 'The Guru' which has the 'honour' of being the only film that I've ever rated lower than 4/10(!) The thing is with this film is that most of the time, you're laughing at it, instead of with it. Some typical examples of this are occurrences when the main character's friends, or indeed, any characters for that matter, talk in the way that they do. You'll instantly recognise the style; the typical 'gangster' accent which is actually more amusing than a lot of the jokes. Given the fact this film is made up of an entirely black cast, this method of delivering the dialogue is constant throughout and is, in my opinion, very annoying after a while. It's not 'Chris Tucker' annoying but it grates in its own way.
This film's setting takes a bit of a 'road movie' approach as it never lingers for too long in a certain place or setting, or at least that's how these single route journey's in film SHOULD take place. In 'Woo', the place of no return they set off from (the guy's apartment) right the way through to the final scene is crammed with ridiculous scenes in pretty generic settings and the frustrating thing is, is that they last for far too long and are far too unfunny to be appearing in a film which is listed under the comedy genre.
Incidences here include the farce that happens in an Italian restaurant, a rather pointless and unfunny scene in the next setting: a secret underground club which has the ability to hide its loud music RIGHT until you get up close and open the final door and also in a police station during which I can't even remember one joke. Other frustrating things include the use of slapstick early on and a rather irrelevant scene involving LL Cool J, whom the protagonist goes to visit for advice on: wait for it ..music(!) I think LL Cool J appears rather early/high up in the pre film credits yet lasts for about four minutes. Yes, it's ridiculous.
Romance? Yes. Drama? Probably. Comedy? Erm: No Chance. One moment in this film made me laugh and that was when a character went to switch off his car alarm, only to find the car gone and the alarm lying there, still in perfect working order. That's not enough, I'm afraid.
This film's setting takes a bit of a 'road movie' approach as it never lingers for too long in a certain place or setting, or at least that's how these single route journey's in film SHOULD take place. In 'Woo', the place of no return they set off from (the guy's apartment) right the way through to the final scene is crammed with ridiculous scenes in pretty generic settings and the frustrating thing is, is that they last for far too long and are far too unfunny to be appearing in a film which is listed under the comedy genre.
Incidences here include the farce that happens in an Italian restaurant, a rather pointless and unfunny scene in the next setting: a secret underground club which has the ability to hide its loud music RIGHT until you get up close and open the final door and also in a police station during which I can't even remember one joke. Other frustrating things include the use of slapstick early on and a rather irrelevant scene involving LL Cool J, whom the protagonist goes to visit for advice on: wait for it ..music(!) I think LL Cool J appears rather early/high up in the pre film credits yet lasts for about four minutes. Yes, it's ridiculous.
Romance? Yes. Drama? Probably. Comedy? Erm: No Chance. One moment in this film made me laugh and that was when a character went to switch off his car alarm, only to find the car gone and the alarm lying there, still in perfect working order. That's not enough, I'm afraid.
The premise of WOO centers around a mismatched couple who meet via a blind date . The eponymous Woo turns up at the flat of Tim who is a bit of nerd and a complete contrast to Woo . Right away you realise that this isn't a groundbreaking sex comedy and perhaps needed something to set it apart from other movies in the sub genre and there's nothing here that does
But what really ruins the film is the ethnic stereotypes and I don't think I've seen so many unlikely characters since watching black exploitation movies like SHAFT and Hit-man . The audience are really smacked over the head as to just how funky these black people are which will probably cause offence to black people and white liberals and will certainly irritate everyone else , so from having a movie that from the outset would merely have been very run of the mill we have a movie that is embarrassing . If you're going to populate a film with black people at least give them non stereotypical quirks
But what really ruins the film is the ethnic stereotypes and I don't think I've seen so many unlikely characters since watching black exploitation movies like SHAFT and Hit-man . The audience are really smacked over the head as to just how funky these black people are which will probably cause offence to black people and white liberals and will certainly irritate everyone else , so from having a movie that from the outset would merely have been very run of the mill we have a movie that is embarrassing . If you're going to populate a film with black people at least give them non stereotypical quirks
Obviously a starring vehicle for Jada Pinkett Smith who had already co-starred quite effectively in Set It Off and The Nutty Professor.
But where I knew her first and most fondly from at that time, was Tales From The Crypt: Demon Knight.
She was sensational in that movie. And sexy as all get out too.
I just loved her there.
Now, we know more about her once seemingly perfect all star marriage than her actual work.
Which brings me to the set of this film.
Or off it.
We learned this year from Shannon Sharpe's podcast, that Will Smith tried to bully and intimidate her costar, the immensely talented and legendary Tommy Davidson, who himself, had already starred in the much funnier and superior, iconic In Living Color and Booty Call by the time this movie was released.
The cast here is incredible: Dave Chapelle, LL Cool J, and Paula Jai Parker among others.
The soundtrack is awesome too.
It's just that the movie is not.
It's not funny and not believable.
Jada Pickett Smith again looks completely amazing.
Wow.
But her character is just too obnoxious.
There's no way anybody puts up with that.
I don't care how fine she is.
And she is fine.
But this movie is not.
Watch any of those three previous films I mentioned if you're looking for your prime JPS fix, because this ain't it.
But where I knew her first and most fondly from at that time, was Tales From The Crypt: Demon Knight.
She was sensational in that movie. And sexy as all get out too.
I just loved her there.
Now, we know more about her once seemingly perfect all star marriage than her actual work.
Which brings me to the set of this film.
Or off it.
We learned this year from Shannon Sharpe's podcast, that Will Smith tried to bully and intimidate her costar, the immensely talented and legendary Tommy Davidson, who himself, had already starred in the much funnier and superior, iconic In Living Color and Booty Call by the time this movie was released.
The cast here is incredible: Dave Chapelle, LL Cool J, and Paula Jai Parker among others.
The soundtrack is awesome too.
It's just that the movie is not.
It's not funny and not believable.
Jada Pickett Smith again looks completely amazing.
Wow.
But her character is just too obnoxious.
There's no way anybody puts up with that.
I don't care how fine she is.
And she is fine.
But this movie is not.
Watch any of those three previous films I mentioned if you're looking for your prime JPS fix, because this ain't it.
WUSSTEST DU SCHON:
- WissenswertesPam Grier and Isaac Hayes were originally cast to play Woo's parents, but their scenes were deleted.
- PatzerOn her date with Tim, salsa dancing, Woo's shoes change for one shot.
- Zitate
Romaine: [accidentally in a transvestite nightclub] That was a *dude* in that dress!
Frankie: Shoulders!
Celestrial: [clucks] Hah!
- SoundtracksWoo Woo (Party Tonight)
Written by MC Lyte (as Lana Moorer), Ron Lawrence, Nicci Gilbert (as Nichole Gilbert),
Sprague Williams & Giovanni Salah
Performed by MC Lyte (as M.C. Lyte) featuring Nicci Gilbert
Courtesy of First Priority/East West Records/Elektra Entertainment Group
Top-Auswahl
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Details
Box Office
- Budget
- 13.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 8.064.972 $
- Eröffnungswochenende in den USA und in Kanada
- 2.517.263 $
- 10. Mai 1998
- Weltweiter Bruttoertrag
- 8.165.984 $
- Laufzeit1 Stunde 24 Minuten
- Farbe
- Sound-Mix
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