Killer Target

So, John Woo, one of, if not the greatest Hong Kong action director, directed a comedy. An action comedy, this is still Woo after all, but still a comedy. The story going that there are these three orphans, who have two foster fathers. One of them a criminal overlord, one a police officer. Initially they lean more towards the former, being master art thieves, but the influence of the latter cannot be denied.

This is a peculiar movie to review. I mean, John Woo is John Woo. When you see one of his movies you expect iron tight action scenes, grim urban settings and tough antiheroes. And while this movie does have all of those, it doesn't feature them in a prominent role. It almost feels like a silly parody of a John Woo film, except that the man himself directed it. And yet at the same time it kinda works. Kinda sorta. I mean, it's silly beyond belief, but the action scenes, when they happen, are of the usual Woo goodness - though admittedly he doesn't bring in his A-game here.

The actors are also charismatic and talented - with Chow Yun-fat once again stealing the show. The silliness of the story means that there are no great character moments, but then again I'd say that there is enough substance here to please those that require three-dimensional characters in order to enjoy a movie.

Once a Thief is a barrel of laughs. Is it John Woo's best work? Not even close. Nevertheless, it's an enjoyable way to spend an hour or two and it certainly doesn't pale in comparison with Western action comedies.

Taking a break from his heavier Heroic Bloodshed titles of lead characters dying (The Killer, Bullet in the Head, A Better Tomorrow Trilogy) , John Woo returns back to genre which he branded his own with a more playful subject:

Two brothers and their sister (raised under a strict art thief father) clear the debt they owe their father by engaging in high-risk heists. A High Valued French painting is believed to be cursed , whomever attempts to steal the painting dies. This Super-Valued Painting , along with a hidden triangle of love between the three con-artist , are the main themes of the movie

And of course , it features some high class gun-fu featuring Leslie Cheng doing Tom Cruise stunt flips before Tom Cruise was even a thing

Once A Thief is the first collaboration between John Woo and Chow Yun-Fat after their hugely successful THE KILLER. The movie is about three art thieves that want to still just ONE more picture before they retire. As always it is rather predictable that something very dramatic will happen, but you`ll have to see the movie to find out exactly what. Once a Thief can be called a romantic violence-comedy. The actionscenes are nicely directed, but you won`t be blown away by them as by those in THE KILLER. I don`t like many of the jokes in Once A thief. I think most of them are rather corny and just plain stupid. This is a nice example, where a Hong-kongfilm is TOO weird for a Western audience to really appriciate. But I`m sure that Eastern fans will love it to bits, I didn`t. Worth a look though, and a million times better than the EXTREMELY POOR American re-make from 1996. 7,5/10

This film is in a different vein to John Woo's other films, the body count is lower than in any other of his heroic bloodshed movies. He uses martial arts more than in any other, and the infinitely charismatic Chow Yun Fat, played his role more like Benny Hill than clint Eastwood(Although Mr Chow, versatile as he is can play comedy just as well as his silent assassin, or the take no prisoners cop.) The departure from the standard Woo, high bodycount, 2 hour long shoot out type of film come from the fact that he had just made his two darkest films "The Killer" and "Bullet in the head". "At that time the world thought I was a very pessimistic guy" said Woo "but I just wanted to show to the world that I was actually an optimisic guy. I always think there's hope and beauty in the world" hence this light hearted film, in the style of an old heist movie. The plot centers around three highly skilled are thieves played by Chow Yun Fat, Cherie Chung and Leslie Cheung, involved in a love triangle. Although not as developed as "a better tomorrow", as beautifully cinematic as "The Killer" or as "brutally high octane as "a better tomorrow 2" and the fantastic "Hard boiled". This piece delivers, and is still miles better than anything that could come out of Hollywood. (with the possible exception of John Woo's american projects) If you know you would like this film go and buy it. I did, and although I paid a ridiculouly high price for it, I knew that Woo and Chow would not dissapoint, so it was money well spent.

Chow Yun Fat, Leslie Cheung and Cherie Chung make an attractive trio of art thieves who are double-crossed by gangsters after pulling off a job. Naturally they plot revenge. The story emphasis here is on elaborate and suspenseful heists being played out, and on charming banter amongst the main trio of characters, with the violent gun action largely reserved for the finale. The tone is lighter than most of Woo's film of this period, and the characters are more enjoyable. The glossy look reminds the viewer of the elaborate heist movies in vogue in the middle 60s, such as The Pink Panther or Topkapi and this one is similarly enjoyable time-passer.