Wer hat meine Familie geklaut?

Being Human is probably Bill Forsyth's "worst" film. And it got some of the LOUSIEST reviews ever when released. But Bill Forsyth's worst is still better than most people's best, and there was some positive reappraisal of it when the video came out. I think it's worth seeing, especially if you don't compare it to Forsyth's great films (Local Hero, Housekeeping, Gregory's Girl). Robin Williams is fine, as usual, as our anti-hero through time, and if the plot and running jokes wear more than a little thin by the end, the journey is still interesting.

This is one of those comfortable Sunday-afternoon-while-it's-raining films. It is one of Robin Williams more serious characters.

A little moody in places, the film offers reflections on what it might have been like to live at other times, as a sort of social history (no being a king or queen or royalty). The main character plays his life issues out through time, from ancient Rome, a Viking raid, a 16th or 17th century continental vagrant, to the present. Love, life's tragedies, children, and home are all themes. There is a light-heartiness to the film, and it plays on the contemporary character's life as it unfolds. Robin Williams turns in a typically great performance.

The themes and emotions all play in their times. Settings are as varied as the emotions. Sweet and sentimental, the movie captures and makes a statement about the human condition.

In the first story a caveman's family is taken away by raiders despite he does his best for stopping them and she recommends him to take care of the children. In the second story Hector (Robin Williams) is a slave to the foolish Lucinnius (John Turturro) who loses his fortune and finds forced to kill himself, and Hector helps him in doing so but can't return to his family because he becomes slave to another man. In the third story Hector is a Spanish crusader that has to return to his family, but can't because he befriends a priest (Vincent D'Onofrio) and even wants to join him. In the fourth story he is a portuguese man in the Renaissance shipwrecked in Africa and his wife from the previous story here is his lover. In the fifth and final story Hector lives in the present New York and is helped by his wife and kids to find a good way in life since he is in sorrow for the mistakes he did in his past lives, and they too, deal with this.

BEING HUMAN is certainly not a movie for everyone, but it's one of the most original movies I have ever seen. The way the stories are connected is focused and it makes you think and ask the question if you might have been someone in another life in the past. Robin Williams gives one of his most straight performances of his career as the same man in different settings that has always different challenges connected to one thing. The need to return to his family. The supporting cast (Turturro, D'Onofrio, WIlliam Macy and a few others) are all pretty entertaining and the direction is very focused.

Overall, one of the most unique movies you can find and mostly recommended to folks who on occasion love seeing something different. I would also recommend to not think too much while watching, because your head might explode if you focus too much on the details and try to analyze them.

The first scene, sometimes referred to as cavemen, Goths or Vikings in reviews seems more accurately to be ancient Celts. The language they speak is made of broken Scottish or Irish Gaelic. On the other hand, maybe it was Robin Williams who was the Celt and the marauders spoke broken Gaelic because it was foreign to them. Hmmm. Without more information (they are a fairly laconic lot) I would assume they are probably a rival tribe of fellow Gaelic-speaking Celts of Scotland or Ireland. This was a welcome tidbit at the beginning of the film and probably added to my enjoyment.

I appreciated the attempt to portray the ordinariness of life throughout the ages and I view the slowness of the film in this light. Life is often slow. These were interesting vignette-like character studies of one man who is never able to be completely in control of situations around him, but who perseveres.

Fables were used in the past to tell stories to children. Here Hector (Robin Williams) and a woman story teller (Theresa Russel) whom we never see but only hear, weave several stories for Hector's children to explain his absence from their lives for several years. Each story attempts to explain figuratively what emotions he went through during the period.

An attentive viewer is amply rewarded by director Bill Forsyth--if you are a casual viewer you will wonder what is happening and consider the film to be disjointed and hence poor entertainment.

Non-linear narratives are not Forsyth's invention--such films have adorned French and Hungarian cinema for decades. "Being Human" is above average in that company merely because of fine performances from Williams, the beautiful Anna Galiena (Beatrice) an Italian actress, Hector Elizondo, John Turturro, William Macy, and Ewan McGregor to mention a few.

While the imaginative storytelling technique was impressive, Forsyth never explains who the lady narrator is. Are we expected to imagine it to be Hector's new love? The gradual jumps in time scales, gives us a socio-historical perspective into Hector's education in life, seen through the eyes of his children. Forsyth is interesting but not the best director using this technique. His film demands attention, both literally and figuratively.

I understand that the director disowns the film after the studios forced him to truncate the film by 40 minutes. Probably the director's cut is far superior to the present version and is likely to be more satisfying to a discerning viewer.