Füge eine Handlung in deiner Sprache hinzuWhen a woman's husband is murdered by her lover, both are tried for murder. The prosecution claims that she is the mastermind behind the crime, but she has an ace up her sleeve.When a woman's husband is murdered by her lover, both are tried for murder. The prosecution claims that she is the mastermind behind the crime, but she has an ace up her sleeve.When a woman's husband is murdered by her lover, both are tried for murder. The prosecution claims that she is the mastermind behind the crime, but she has an ace up her sleeve.
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Artistic and technical merit are also necessary for a great production and this film suffers from having been shot on video, which is distracting and immediately pegs the film as a 1970s or 1980s British television production.
This film could be remade. There is great potential for a story that captures the 'cause celebe' of the original murder and trial, like Changling... any takers?
If my expectations had been different, I might have enjoyed this movie more. The set design was superb, as was most of the acting and the dialog (although, without subtitles, the British accent was a bit difficult for me to understand at times).
On the other hand, I might have been disappointed anyway, since the story is somewhat disjointed and I never bought into the relationships between the characters (the two mismatched lovers, the husband and wife, the wife and 'companion' etc.) The story might have been true, but that doesn't necessarily make it a good movie.
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- WissenswertesThe story is based on the true story of the murder of Francis Rattenbury, and is faithful to the facts. However George's surname had to be changed as the real person (George Percy Stoner) was alive when the play was written and when the television adaptation was produced.
- PatzerWhen Helen Mirren takes the train ride at the end of the film, the train is composed of British Railways compartment stock built in the late 1950s. More than 20 years too modern for the supposed date.
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Francis Rattenbury: Why the hell I ever let you drag me down to this god-forsaken hole, I don't know.
Alma Rattenbury: You know why, darling - we wanted the fresh air...
Francis Rattenbury: And that's just about all we're going to have to live on.
- VerbindungenReferences Bengali (1935)