Joe gegen den Vulkan

Originaltitel: Joe Versus the Volcano

1990
6
1 Std. 42 Min.

IMDb-BEWERTUNG

5,9/10

40.549

IHRE BEWERTUNG

Tom Hanks and Meg Ryan in Joe gegen den Vulkan (1990)

Home Video Trailer from Warner Home Video

trailer wiedergeben1:54

1 Video

55 Fotos

Comedy Romance

Joe Banks, angeblich todkrank, gerät unerwartet in das größte Abenteuer seines Lebens, als ihn der mysteriöse Millionär Graynamore für einen Sprung in einen Vulkan engagiert.Joe Banks, angeblich todkrank, gerät unerwartet in das größte Abenteuer seines Lebens, als ihn der mysteriöse Millionär Graynamore für einen Sprung in einen Vulkan engagiert.Joe Banks, angeblich todkrank, gerät unerwartet in das größte Abenteuer seines Lebens, als ihn der mysteriöse Millionär Graynamore für einen Sprung in einen Vulkan engagiert.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

5,9/10

40.549

IHRE BEWERTUNG

Siehe Produktionsinformationen bei IMDbPro

Auszeichnungen
- 1 Nominierung insgesamt

Wissenswertes
Not only did Meg Ryan play all three female leads, but also did the voice of the flight attendant welcoming the flight to Los Angeles.

Patzer
When DeDe walks into Joe's apartment at the end of their date, she places her handbag on the floor a few steps across from the door. When she comes back in to get the bag because she forgot it after she leaves, she reaches for the bag just inside the door.

Zitate
Patricia: My father says that almost the whole world is asleep. Everybody you know. Everybody you see. Everybody you talk to. He says that only a few people are awake and they live in a state of constant total amazement.

Alternative Versionen
The movie was re-shot to change the ending, which was unpopular with test audiences. In the original ending, after Joe and Patricia are expelled by the volcano, they are rescued by the Tweedle Dum (the sister of the yacht that was sunk, the Tweedle Dee.) On board are the rescued crew of the Dee, as well as Graynamore and "Dr. Ellison", who turns out to be Graynamore's tax accountant (and hatchet man) by the name of Kenneth Hindmick. Graynamore reveals he had Hindmick pose as a doctor to make Joe think he had a fatal disease. Hindmick pulls a gun on Joe to protect Graynamore from Joe's anger, and to allow Graynamore to keep the yacht. Joe, having stared into the mouth of a volcano, calmly swipes the gun from Hindmick, then announces to Graynamore that he and Patricia had gotten married by the Chief. They both banish Graynamore and Hindmick to the boat's dinghy in the middle of the ocean. Graynamore tells Hindmick that he likes Joe, and admits being banished in a small dinghy in the middle of the ocean is his price for being too greedy, and tells Hindmick to help him row home. Back at the Tweedle Dum, Joe and Patricia see the four steamer trunks popping to the surface, with the Chief riding the last one, brandishing his Tobi, happily telling them he didn't lose his soul after all. Joe replies he didn't lose his either. The only remnant from the original ending is that in the end credits, you see an artist's rendition of the Tweedle Dum sailing off into the distance.

Verbindungen
Featured in Siskel & Ebert & the Movies: The Hunt for Red October/House Party/Courage Mountain/Rosalie Goes Shopping/Too Beautiful for You (1990)

Soundtracks
Sixteen Tons
Written by Merle Travis
Produced by Val Garay
Executive Producer Artie Ripp
Performed by Eric Burdon

Benutzerrezensionen263

Rezension

Ausgewählte Rezension

Surprisingly Good, Unfortunately overlooked

Tom Hanks has made many movies, most of which are very funny, emotional, and heartwarming. This movies is different from all his other movies: it is a work of art. Every scene has its own idiosyncrasies. Ordinary characters and settings have subtle emotional undertones that tug at the heartstrings. Dan Hedaya and Sam Waterstone's performances, though humorous, have a tone that is more than the sum of its parts. Color and scenery also have a hidden beauty, such as in the scene with Joe's glowing warm in his cold, blue office, or the scene with the dog and child as he exits the doctor's office, or the scene with him all alone at his table at the hotel. I first saw the movie when I was 11 years old, even then, its beauty struck me. That beauty was well capped off by the montage during the end credits. Apparently, John Patrick Shanley, or someone, put alot of work in an otherwise ordinary movie. Imagine if Stanley Kuprick had directed "You've Got mail." I'm surprised that the movie is not better known, especially that it is a big turning point in Tom Hanks career. Admittedly, his screen presence compensates for Meg Ryan's lackluster acting at times. She was best as a brunette and redhead than acting as herself. Nevertheless, a good movie, one to own and not just rent.