Satisfaction

Unusual blend of action adventure and comedy: 4 typical white-collar Californians (led by Brolin), fed up with barely making it, head down to the jungles of South America to steal a cool $5 million out of the safe of a drug kingpin (Coburn). But, as they soon find out, and the audience is a step ahead of 'em, getting in was the easy part. Besides the drug lord, who has a police force on his side, the 4 buddies also contend with a gang of bandits (led by Quinn, ornery in that good-natured way). Lindsay Wagner, formerly the Bionic Woman, pops up as a weed-smokin' American trapped in a jail cell. And that's just the start of the fun.

This was completely ignored on release; I saw it back then in '81 and was puzzled why no one else did. It's even more baffling that not even a cult appreciation has surfaced in the past 20 years (and no quality DVD - drat!). The filmmakers managed to present the 4 guys out of their element as stumbling and with a loser mentality, but not stupid, so that you're on their side all the way, and you have to admire the daring - the gall, really - of what they're attempting. The whole point is to stop losing, to come out winners, and somehow or other, you feel they'll stumble their way there, eventually - maybe. The picture treads the line between slapstick comedy and real action: there are moments when one or more of the 4 are in serious danger. There are some fine chase scenes around the exotic wilderness and, in the gun battles, though hardly anyone gets hurt, it feels kind of lifelike (there ARE deaths), since most people miss in real life too, unless they're an expert marksman.

The performances are all great. Watch Coburn when first confronted by the 4 dudes. He's a master of his domain, serene in his power; who are (?) these 4 bozos tying me up in my own mansion, he thinks. You get the feeling throughout the film, this is the way it would really happen; no well-timed explosions, no clichéd formula for escape, just a rough-and-tumble forward momentum. There's a great scene which shows how it would go if you really tried to knock someone out in real life - it's not as easy as in the movies. And, there's no real mystery for me about the ending; the whole story depicted a rush of one step forward and two steps back. The end, which may not be the end, just leaves the viewers with a final question mark - are they about to take two steps back again? If this had been a big success like "Romancing the Stone," a sequel would have answered it. But we really don't need a sequel. Each viewer can make up the next scene for these guys in their own minds.

A group of unemployed auto-workers decide to rip off a South American drug lord in this very enjoyable "blue-collar-guys-on-a-mission" movie.

In the wryly amusing first act the desperate group of amateurs tell their wives they're going fishing for the weekend. Then they buy a crap-load of guns from Ernest Borgnine.("You guys aren't going to be doing anything to hurt any animals, are you?" he asks before selling them the weaponry.) Finally they hire some sketchy mercenary-types to fly them to South America, with a promise to return in two days. What could go wrong?

James Brolin has the right flinty charm as the nominal hero.("I sold everything I own for this deal! I sold my house, my car, hell, I even sold my damn dishes to raise the money for this!" he snaps at one point when morale is flagging.) Cleavon Little, Chick Vennera and Bruce Davison provide reliable 2nd banana support. Lindsay Wagner is sparkly and sweet in her role as a hippie they meet and help spring from jail during the course of their misadventures. James Coburn smiles like a shark in his cameo as the vicious drug lord. But it is Anthony Quinn as a feisty bandit/revolutionary who could've stumbled in from The Treasure of the Sierra Madre who steals the show. He is clearly having fun and it is infectious.

Truth to tell, I doubt much will stay with me from this muddled tale of a group of four friends who parachute (with a Maltese-like pooch!) into fairly dense forest. From their chatting and actions prior to the drop, including the fact that they are purchasing arms of considerable firepower, it dawned on me that these fun-loving city slicks led by James Brolin were actually planning a heist.

The mark: the extremely wealthy James Coburn, who keeps $5 million in his personal vault, and likes to perform as toreador in his own bull ring. Thankfully, dialogue flows fast with attention-grabbing repartee, and some clumsy actions that reflect the level of gullibility and inexperience of these wannabe thieves.

Well, prepare yourself for a bumpy ride requiring heavy suspension of disbelief. You might ask what I found most memorable about HIGH RISK: perhaps the cameo by Quinn as a self-styled "general" guiding a crowd of gypsy-like thieves and assorted criminals and moaning about the rich, or the cameo by Jim Coburn as the tycoon who sees James Brolin and his genial sidekicks steal $5 million from his hacienda-like mansion.

Standard cinematography, repeated shootouts in the middle of lush vegetation and rocky ground, sleazy hispanic gangs, generous gore, sputtering aircraft, plenty of near-impossible stunts.

Doesn't sound like much, does it? Darned right! 6/10.

I am a long time fan,and i feel this movie has the best surprise ending of any I have seen.Really good character devlopment,it is certainly a REPEAT VIEWER,but stay with it until the very last or you will miss out.Some of the best action and dialogue are in the closing scenes.

I absolutely love this film! Whenever I have theatre nachos (which is not often) I think back to 20 years ago when I fell in love with this forgotten gem at the Meridian Quad theatre in San Jose. That's what I ate during the film. They went together perfectly. I had the original one-sheet poster hanging on my wall for awhile. Many people who saw the poster had no idea this film even existed. If it ever comes out on DVD, I'll purchase it. Anthony Quinn was priceless as the bandit Mariano; and Borgnine's one scene is a classic! I recommend it to anyone looking for a genuine diamond-in-the-rough eighties film! Just terrific!