Die Abenteuer des berühmten Seemannes und seiner Freunde in der Küstenstadt Sweethaven.Die Abenteuer des berühmten Seemannes und seiner Freunde in der Küstenstadt Sweethaven.Die Abenteuer des berühmten Seemannes und seiner Freunde in der Küstenstadt Sweethaven.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 4 Nominierungen insgesamt
Allan F. Nicholls
- Rough House
- (as Allan Nicholls)
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I didn't see Popeye the movie for the first time until it came out on video. But I remember how my dad told me he saw it in the movie theater. He told me afterwards "Popeye hads its moments, sos I, halfway throughs the movie, I wents out to me car to gets me cigarettes, hads me a puffs or two, then wents back inside to wartch the rest of me movie, geh geh geh geh geh." A couple of years later, we rented Popeye on video and I saw it, and I'd seen it several times since. Its not too bad. Robin Williams is fairly convincing as Pop-eye. Paul Smith as Bluto, looking large and menacing like his cartoon version. Paul Dooley isn't too bad as Wimpy. And Ray Waltson as Poopdeck pappy. And Shelly Devaul as Olive fits her role pretty good. She does sort of seem like Olive Ole come to life, with the looks and mannerisms. However, the late Zasu Pitts who starred in several different 1930s films such as "Meet the baron" and "Dames" would've been an even better Olive with her looks and the very Olive Ole like way she went "oh my" in her films. I read somewhere that they took some of Zasu's mannerisms and appearance when creating Olive's character when the Popeye cartoon was first made. I always watched Popeye as a kid growing up even before seeing this movie. I liked the neat special effects, too such as steam really coming from Bluto's ears when he got mad, just like the cartoon. They also had Popeye's (Robin's) forearms really bulging out and him doing the squint with his eye just the right way, and his pipe. They made the seaport town Sweethaven look quite convincing. It always had an English seaside town feel. Anyways, this movie overall had some good, funny, and interesting moments. A few other moments were a little less below par. And I personally don't think the songs in the film were that good, or necessary. Popeye the cartoon was not a musical. Overall though, this is always a pretty good film for a mom or dad to watch with their kids.
Note; I wrote this review about a year and a half ago, and no one has clicked on either 'useful' or 'not useful' yet. Can someone reading this please click on one? I won't be offended either way on which you click on, I'm just curious on what others may think of this review. Thanks
Note; I wrote this review about a year and a half ago, and no one has clicked on either 'useful' or 'not useful' yet. Can someone reading this please click on one? I won't be offended either way on which you click on, I'm just curious on what others may think of this review. Thanks
Wow, again "the worst movie ever made". At least when you go by those self proclaimed internet-movie-critics on IMDb who never bother to bestow upon the heavily bored public their highly imaginative musings like "Two hours of my life I will never get back", without even having one (a life that is) in the first place. Fact is: Every movie in this database is "the worst ever made" ... for someone ... then scroll up or down a bit and suddenly the same movie will become a "never fully appreciated masterpiece". What does this teach us? The truth, like always, lies somewhere in between and is highly subjective. Go and see it for yourself. Don't be interested in what I have to say. Well, if you still are: I quite liked it.
This project was reviled by critics and disowned by Altman and Williams. It corresponded to DuVal's breakdown, and was all but the end of the heavy drinker Nilsson's adventures in film.
But I think its great. You have to remember that it predates every comic/cartoon to film project except 'Superman,' which really was a version of the TeeVee show. And you have to appreciate that 'Popeye' the cartoon is one of the very few that featured humans and therefore was more abstract than most.
Watch it now, and see that it was well ahead of its time and now stacks up as extremely introspective: along the lines of 'Alphaville.'
It had Robin Williams and Ray Walston, both famous TeeVee aliens, or so they were known at the time. It was penned by the notoriously ironic, cartoonist Feiffer, someone who specialized in personal social angst. The songs - a major element here - were by the self-destructive genius Nilsson, and directed by Altman when he was interested in social commentary.
All, plus Duvall, were at the height of their powers. Even the quirky Van Dyke Parks appears.
What makes this project so interesting and appealing is that everyone is completely simpatico with Feiffer's Jarryesque vision, which is disconnected from reality and had no cinematic model.
How so many talents could be so adventuresome and coordinated at the same time is a real puzzle.
The bit about how 'large' Bluto is - and how Shelly mentions it - makes me smile every time I recall it. The social text is a bit heavy, but so what?
This is what made Tim Burton possible.
Ted's Evaluation -- 3 of 3: Worth watching.
But I think its great. You have to remember that it predates every comic/cartoon to film project except 'Superman,' which really was a version of the TeeVee show. And you have to appreciate that 'Popeye' the cartoon is one of the very few that featured humans and therefore was more abstract than most.
Watch it now, and see that it was well ahead of its time and now stacks up as extremely introspective: along the lines of 'Alphaville.'
It had Robin Williams and Ray Walston, both famous TeeVee aliens, or so they were known at the time. It was penned by the notoriously ironic, cartoonist Feiffer, someone who specialized in personal social angst. The songs - a major element here - were by the self-destructive genius Nilsson, and directed by Altman when he was interested in social commentary.
All, plus Duvall, were at the height of their powers. Even the quirky Van Dyke Parks appears.
What makes this project so interesting and appealing is that everyone is completely simpatico with Feiffer's Jarryesque vision, which is disconnected from reality and had no cinematic model.
How so many talents could be so adventuresome and coordinated at the same time is a real puzzle.
The bit about how 'large' Bluto is - and how Shelly mentions it - makes me smile every time I recall it. The social text is a bit heavy, but so what?
This is what made Tim Burton possible.
Ted's Evaluation -- 3 of 3: Worth watching.
POPEYE was Robin Williams' first starring role in a feature film, and he inhabits the character perfectly. This movie, more than any other that I can remember, is the best example of a live action cartoon, in the best sense of the term. Watching it was like a cartoon come to life. It was truly wonderful and extremely funny to watch characters behaving as if they were in one, from their movement to the way they spoke. And none exemplify this better than Robin Williams in the title role, who channels his unbridled comic talent into a completely dedicated performance which is equally hilarious and touching. The story is fairly simple, though. Popeye rows into the town of Sweethaven looking for his 'Pap.' While there, he (and the audience) find out about how messed up that town really is. They have an absurd amount of taxes, and everyone is kept in fear of a mysterious Commodore and Captain Bluto, who run the town. He also meets Olive Oyl, played (at times screechingly) by Shelley Duvall (who also fits her role perfectly). This film is also a musical, and there several catchy numbers which have the capacity to stick in your head if you aren't careful. If I have any complaints, it's that Shelley Duvall isn't as good a singer as she is an actress, but nothing she does really ruins the picture. The biggest flaw in the film is direction the narrative takes about two thirds of the way through. I also thought that Bluto wasn't really given his due as a character. Still, for Robin Williams fans this will be essential viewing. It's a wacky, manic experience that demands to be seen.
I remember my Dad taking me to watch this film as a Christmas treet. This film was made here in Malta and we are very proud of it, the set still stands today as a tourist attraction in Anchor bay. i remember loving this film. Robbin Williams was only known for the series of "Mork and Mindy', he still had a very long way to go but you can see that he was more than a promising star in the entertainment business. I learnt that at the time he was having serious troubles with cocaine and a cheating wife. This film was really cool and should they re-attempt it(not that Popeye is so much in vogue this days....although he should be) I can't imagine anyone but Robin Williams himself for the part.
WUSSTEST DU SCHON:
- WissenswertesMost of Popeye's lines were discovered to be inaudible once filming wrapped. Robin Williams had to re-dub much of the dialogue.
- PatzerAs per the info in the trivia section of this film, the makeup and appliances for Popeye's massive forearms were not ready, so in some scenes, especially the boxing match, it's visible that the insides of his forearms are merely flesh-colored pads tied over Robin Williams' arms; the strings are visible.
- Zitate
Popeye: They've got me Olive Oyl and Swee'Pea.
Poopdeck Pappy: Olive Oyl? Swee'Pea? What are you doing, making a salad? I want me treasure. Do you hear me? I want me treasure!
- Crazy CreditsThe film begins in black-and-white, showing a vintage Paramount logo and the opening credits for the 1930s Paramount-Fleischer Studios Popeye cartoons. However, an animated Popeye appears and sees this is the wrong opening. The movie then cuts to full color, and the opening credits continue.
- Alternative VersionenA recent television version is altered in at least one way. Bluto's song "I'm Mean" is eliminated from the soundtrack as he trashes the Oyls' family home waiting for Olive Oyl.
- VerbindungenEdited into The Kid Stays in the Picture (2002)
- SoundtracksI'm Popeye The Sailor Man
(1933)
Music and Lyrics by Samuel Lerner (as Sammy Lerner)
Performed by Robin Williams (uncredited) and Chorus
Music often played in the score
Top-Auswahl
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Details
Box Office
- Budget
- 20.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 49.823.037 $
- Eröffnungswochenende in den USA und in Kanada
- 6.310.520 $
- 14. Dez. 1980
- Weltweiter Bruttoertrag
- 49.823.329 $
- Laufzeit1 Stunde 54 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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What is the Hindi language plot outline for Popeye - Der Seemann mit dem harten Schlag (1980)?
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