Die Besessenheit eines jungen Schauspielers, eine schöne Frau auszuspionieren, die in der Nähe lebt, führt zu einer verwirrenden Serie von Ereignissen mit drastischen Folgen.Die Besessenheit eines jungen Schauspielers, eine schöne Frau auszuspionieren, die in der Nähe lebt, führt zu einer verwirrenden Serie von Ereignissen mit drastischen Folgen.Die Besessenheit eines jungen Schauspielers, eine schöne Frau auszuspionieren, die in der Nähe lebt, führt zu einer verwirrenden Serie von Ereignissen mit drastischen Folgen.
- Auszeichnungen
- 1 Gewinn & 4 Nominierungen insgesamt
- Assistant Director
- (as Larry 'Flash' Jenkins)
Handlung
WUSSTEST DU SCHON:
- WissenswertesDennis Franz based his portrayal of Rubin the Director on Brian De Palma.
- PatzerThe Indian had used an auger bit to open the victim's safe, and eventually to kill her. An auger bit was used because of its aggressive look, but would have no effect on a steel safe. They are for wood.
- Zitate
Holly Body: I do not do animal acts. I do not do S&M or any variations of that particular bent, no water sports either. I will not shave my pussy, no fistfucking and absolutely no coming in my face. I get $2000 a day and I do not work without a contract.
- Alternative VersionenIn Germany, while it was originally released uncut in theaters with a "Not under 18" rating, due to Columbia/TriStar targeting a "Not under 16" rating for home video release, the German VHS release was cut by approx. 55 seconds to secure such rating. The censorship mainly toned down the violence in a couple of death scenes. The 2000 DVD release with the "Not under 18" rating is completely uncensored and also in 2021 the FSK re-rated the uncut version to "Not under 16", waiving all previous cuts.
- SoundtracksMain Theme
Written by Pino Donaggio
First, let me talk about what mostly weighs it down. The lead character is pretty much unbearable. He has very little personality aside from an overblown and unrealistic claustrophobia problem, though he does end up unsheathing some major things it's still painful to watch the journey because he is an awkward, despicable creep the whole way getting there. I disliked him more and more with each shot. While the story seems to be written to be purely entertaining and not realistic (AT ALL), it just doesn't work for me in this case. There are too many cases in nearly EVERY scene where I found myself getting frustrated, saying aloud "That would not happen!", "That is not how that works!", "Why would anyone ever do that?!" constantly, over and over, more than I have done with the majority of movies in my life. The entire thing feels like a "complex" plot that someone planned out a week or two before shooting, and didn't give it any time to marinate and tweak anything to make it feel more organic. But, hey, if you just want an over-the-top B-movie sort of experience, this might tickle you the right way.
One thing that is starting to win points with me after letting this film sit in my mind overnight is that due to it's extremely unrealistic unfolding of events, it does give the film a sort of dream-like or nightmarish sort of quality in your memory, which is always something that I value. Other strong elements are the fantastically eerie and intense music score by the legendary Pino Donaggio, Melanie Griffith at her sexiest and most scant possible, and a few sequences that you won't forget due to some really effective and very Hitchcock-ian cinematography.
Overall, this film really does stand out, but I could never call it a GOOD film. If you just want to see something that is absolutely over the top, functions under it's own set of rules, and is a bit of an anomaly in movie history, especially as something that was created by someone who is considered "a legendary film director", then you'll want to see this at least once. Generally I'm sucker for rule-breaking, absurdist films but this one just hit wrong in too many different ways, which I could not ignore.
- Stay_away_from_the_Metropol
- 10. Jan. 2020
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Doble de cuerpo
- Drehorte
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Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 8.801.940 $
- Eröffnungswochenende in den USA und in Kanada
- 2.837.978 $
- 28. Okt. 1984
- Weltweiter Bruttoertrag
- 8.805.548 $
- Laufzeit1 Stunde 54 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1