Giganten der Vorzeit

Taking the formula established by the success of Jaws and combining it with the domestic kaiju film, Legend of Dinosaurs and Monster Birds had a decent amount of potential but ultimately shot itself right in the explosive tank before it could fully realise that. The DNA of the film feels ripped right from Nessie, the tragically cancelled collaboration between Toho and Hammer, with climate anomalies and seismic activity reviving prehistoric reptiles to terrorise the residents around a legendarily monster-haunted lake. One of those creatures is a Plesiosaurus with the film even referring to poor Nessie at a few points during its runtime, Toei was evidently listening at the walls of Toho studios one summer day. Director Junji Kurata seems to have failed to fundamentally grasp the premise of a huge monster operating by stealth and picking off its victims individually in secret, regardless, his direction is nonetheless passable. The film doesn't allow you to bond with the characters, there's little reason to care for them beyond their base archetypes, however, the actors all turn in decent performances at least. The ill-fitting and often hilariously juxtaposed music by Masao Yagi is usually the film's talking point, combining a catchy mixture of disco, funk, and jazz. Despite a healthy dosing of gory violence and some great effects work, Legend of Dinosaurs and Monster Birds is a really outlandish film, odd and sometimes surreal, it's at least capable of keeping your interest from beginning to end.

This one had potential, unfortunately it moves so slowly that it kind of shoots itself right in the explosive tank. The film is about mysterious killings in a lake and does follow a basic 'Jaws' formula for the first bit of the movie. They wait awhile to reveal the beast then it is finally shown, killing a couple of guys who played a very bad prank. The film follows a man who wants to get to this area near Mount Fuji where there has been mention of a petrified egg. He thinks that perhaps there is money to be made from this discovery. Strange though that they mention this discovery as no scientist actually sees this, but rather a woman who falls into a cave and then runs from the forest in a panic and falls into a coma shortly thereafter. Why this makes the news is beyond me. Still, he gets there and there start to be strange incidents happening such as a horse with its head bitten off. After a bit the dinosaur comes in, chomps a few people and then near the end the bird of the title swoops in and makes an impressive first appearance. Of course, the two duel in a very unimpressive battle that made me lower my initial score of six to five. This one had potential, they just needed to have more bloody kills and less banter. Sure they were copying "Jaws", but this film was not going to be in that film's league as far as acting and atmosphere so you have to go the bloody route. They did, but not quite enough. They even managed to show the naked rear end of a lady, so for the most part this one was quite different from most Japanese monster films of its day. Just needed more monster action. Though one thing I notice a lot of people saying about this is that the people in the film seem to say that the appearance of the dinosaurs causes the volcano to erupt, but in actuality the scientist is saying that if there was a dinosaur present than the conditions are such to release it from its slumber and one of the conditions is that there is going to be an imminent eruption of Mount Fuji. However, for the most part the film has way to many plot holes and such and suffers from not enough monster action.

I guess it's kind of hard for me to really hate this movie, mostly because it's easy to see how awful the dubbing is. They're not even trying to match up the words with the lips. That could be more of the dubber's fault and not the movie's creators. I still knew that this movie would be really cheesy. The dinosaurs don't really appear until the end of the movie and it's at this point that you can easily see how bad the effects are. I can at least appreciate the attempt at character development. It's hard to believe this was made in 1977. It looks a lot more like the 1960's.

There's too much going on at the end. About the only good thing is that some of the explosions were cool. I just knew what would happen next. I knew that she would carry up an arm attached to a partly eaten body. It's easy to see how they use stock footage. This should have been shorter as you can tell they were trying to drag it out. I seriously wouldn't have been surprised if that fake dinosaur part was supposed to be the real one in the story. *1/2

I saw this back in the late 80s on the USA Network (when it was still in its weird, still-trying-to-find-an-identity-among-all-the-other-basic-cable-channels days) on an edition of the sorely missed "Commander USA's Groovy Movies." My dad taped this movie from that show (like he did with many Godzilla and Gamera movies on that ancient, crappy VCR we had in the 80s). I think he regretted it for some time afterwards, b/c my mom was not happy.

Basically, this is probably one of the most violent kaijus ever made, and even though I'm not easily shocked, I watched that ancient tape again the other day, and was surprised how violent this movie is, and how graphic the violence is. It's also fairly unoriginal, as it's merely one of many Godzilla knockoffs, made cheaply to make a quick buck.

Still, if you want to watch a cheap kaiju knockoff with shock violence, it's worth hunting down a copy. I don't know if I'd let kids watch this, even though I saw it when I was 6 or 7 years old, I don't know if I'd let a kid that young watch it.

I watched this movie as a kid and I recently got a copy of it. Aside from obvious plot holes, this is an enjoyable film. I love the music in this movie and the dinosaurs are cool. It's a great film, just as long as you don't take it too seriously. I recommend it if you like Japanese films or monster films.