Ein Liebesdreieck entsteht zwischen einem schönen, aber gefährlichen Vampir, ihrer cellistischen Begleiterin und einem Gerontologen.Ein Liebesdreieck entsteht zwischen einem schönen, aber gefährlichen Vampir, ihrer cellistischen Begleiterin und einem Gerontologen.Ein Liebesdreieck entsteht zwischen einem schönen, aber gefährlichen Vampir, ihrer cellistischen Begleiterin und einem Gerontologen.
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- 3 Nominierungen insgesamt
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** (out of 4)
When vampire Miriam Blaylock (Catherine Deneuve) bites a new lover, they don't age, which is a great benefit but that changes when she's done with you and wants someone else. John (David Bowie) finds himself aging at a rapid pace so he goes to a doctor (Susan Sarandon) for help but soon the doctor finds herself under the spell of Miriam.
THE HUNGER features some truly great stuff but sadly it's all pretty much lost in this rather bland movie that's certainly a strange take on the vampire story but in the end there's just way too much style and not a lot of substance. Director Tony Scott certainly likes his style even when it overtakes any sort of story that might have been in the screenplay. There's all sorts of quick edits here and it's clear that the director wants you to be impressed with how many cuts there are in one small sequence. As far as the story goes, I guess they figured since you had two beautiful women naked and making out with each other you didn't need a story.
As I said, there are some terrific things here including the special effects of Dick Smith who had to take a very young Bowie and age him in front of our eyes. The special effects used are simply brilliant and you almost with that the entire 97-minutes would have been devoted to watching Bowie grow old. This sequence doesn't contain the power that it should have, thanks to the direction, but there's no doubt that you're eyes will be one the effects. Another major plus are the actual performances from the three leads. Bowie is marvelous here and steals the film as you really can feel his character's fear of growing old, which of course means his life is going to be over. Deneuve is also extremely good having to work with limited dialogue. The same with Sarandon who falls under her spell.
The now infamous lesbian scene has two beautiful women who are obviously easy to look at but even the style to it wasn't all that impressive. Obviously, I wasn't overly thrilled in how director Scott handled the picture. It's really a shame because there aren't too many horror movies that get this type of cast and in the end you can't help but feel that it was a wasted opportunity even with the great moments that are scattered throughout.
The picture is a bizarre bloodsuckers film and for somebody considered with a cult movie's status.It displays luxurious scenarios,arty photography although mostly developed on interior studios.The French actress Catherine Deneuve,as always, is cold and elegant.David Bowie as young and older vampire in an exciting transformation is well.Susan Sarandon as an obstinate scientist is good.Features known secondary actors, Dan Hedaya as a Police Inspector and Cliff DeYoung as Sarandon's lover. Besides future famous actors in small roles, almost extras, as Willem Dafoe,Anne Magnuson,John Pankow and English actors as Sophie Ward and Philip Sayer.The creepy sequences by stop motion referred to an aging monkey are made by Dave Allen.Splendid cinematography reflecting luxuriously sets and scenarios by Stephen Goldblatt.Stylish,elegant costumes by the expert Milena Canonero and wardrobe department and gowns of Catherine Deneuve by the famous French fashion designer Ives Saint-Laurent. The movie is classified by the MPAA with the rating R for blood,violence,gore and kinky nudism.The motion picture is well realized by Tony Scott though a little slow-moving and quite boring.He's nowadays much success and getting high box-office with hits like : ¨Crimson tide, Enemy of state,Spy game,Man of fire and Deja Vu¨ and founded along with his brother Ridley, ¨Scott-Free Production¨.
Whitley Streiber's highly suspenseful and thematically rich novel is transformed into something entirely different by Tony Scott.
The film is a dream-like arthouse horror pic with diamond-studded production values.
Catherine Deneuve is very, very good as eternal blood drinker Miriam Blaylock. Although it has never been acknowledged (as far as I know), the look and behavior of her screen character is a "re-imagining" of Delphine Seyrig's peerless vampire Countess Bathory from Harry Kummel's 1971 classic DAUGHTERS OF DARKNESS.
David Bowie is superb as Deneve's not-so-immortal beloved and convinces us to emphasize with his condition (he is aging rapidly)
This was Tony Scott's first feature and it is a beautiful piece of work that is rich in texture and design and demonstrates adroit control of cinematic craft.
The sound design and rich catalog of music cues are pitch perfect.
Certainly bearing little resemblance to Streiber's novel (just as Michael Wadleigh's WOLFEN also moved away from same author's source), THE HUNGER is, nevertheless, gorgeous art.
WUSSTEST DU SCHON:
- WissenswertesDavid Bowie actually learned to play the cello for his music scenes.
- PatzerWhen Sarah is on the TV program discussing the condition Progeria, she pronounces it "Pra-j-eriah'. The correct pronunciation is "Pro-geria."
- Zitate
Sarah Roberts: What's that piece you're playing?
Miriam Blaylock: It's "Lakme" by Delibes. Lakme is a Brahmin princess in India, she has a slave named Malika.
Sarah Roberts: Malika...
Miriam Blaylock: In a magical garden they sing how they follow the stream to its source, gliding over the water.
Sarah Roberts: Is it a love song?
Miriam Blaylock: I told you, it was sung by two women.
Sarah Roberts: It sounds like a love song.
Miriam Blaylock: Then I suppose that's what it is.
Sarah Roberts: Are you making a pass at me, Mrs. Blaylock?
Miriam Blaylock: Miriam.
Sarah Roberts: Miriam.
Miriam Blaylock: Not that I'm aware of, Sarah.
[Sarah smiles, shakes her head, and then spills wine on her top]
- Crazy CreditsIronically, in the credits Willem Dafoe is identified as "2nd Phone Booth Youth"; whereas, he is the first "Phone Booth Youth" to be seen and speak in the Phone Booth scene. Likewise, John Pankow is noted in the credits as "1st Phone Booth Youth"; whereas, he is actually the second "Phone Booth Youth" to be seen and say his lines.
- VerbindungenFeatured in At the Movies: Adult Sexuality (1983)
- SoundtracksLe Gibet
by Maurice Ravel
Published by Arima and Durand SA
Music Supervised and Arranged by Howard Blake
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- El ansia
- Drehorte
- 6 Chesterfield Gardens, London, England, Vereinigtes Königreich(Miriam & John Blaylock's house)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 5.979.292 $
- Eröffnungswochenende in den USA und in Kanada
- 1.832.898 $
- 1. Mai 1983
- Weltweiter Bruttoertrag
- 5.991.807 $